Forex Ea Magic Number

MetaTrader Expert Advisor Número mágico no MetaTrader O número mágico é um conceito Metatrader usado para rastrear as posições abertas de uma EA. O conceito permite que a Ea distinga os negócios que abriu versus aqueles que não fazia. Cada carro usa uma placa de matrícula. Quando você detecta um carro em um estado diferente ou mesmo em um país diferente, você observa que todas as placas que você encontra são únicas. A aplicação da lei pode utitlize o número para determinar quem é dono do carro. Os números mágicos funcionam como placas de licença para consultores especializados. Quando um consultor especialista detecta um comércio aberto, chamado de ticket, repetidamente pede seu número mágico. Se o número mágico do bilhete é idêntico ao número que o consultor perito espera, então sabe gerenciar a posição. Os números mágicos são úteis, especialmente quando você deseja trocar vários quadros temporais do mesmo par forex. Os comerciantes costumam usar configurações diferentes das dos preços M1 versus as que eles usariam no gráfico diário. Se eles usassem o consultor especialista com o mesmo número mágico em todos os intervalos de tempo diferentes, o resultado seria o caos. O consultor especialista abriria e fecharia posições sem rima ou motivo. Configurando todos os consultores especializados para emply, um número mágico exclusivo não permite que os robôs interfiram com os outros. Número mágico de factoids O número mágico de um comércio aberto manualmente é 0. O número que você usa para um número mágico deve ser um número variando de 0 e 2147483647. A linguagem de programação MQL atribui esse último número EMPTYVALUE e protege o nome como um valor inteiro . OneStepRemoved é uma empresa especializada em programar um consultor especializado para comerciantes. Shaun Overton é o proprietário da empresa. Números de Mago em EAs entrou em novembro de 2006 Status: Membro 1,143 Posts Eu tenho uma EA em GBPJPY executando três gráficos dentro da mesma plataforma: 5M, 15M e 30M A EA está atribuindo diferentes Números Mágicos para cada gráfico que é Bom, então, abrir e fechar um pedido é tratado corretamente. Agora, minha pergunta é, uma vez que todos os negócios estão fechados, como posso saber qual gráfico ou número mágico fechou o comércio. O relatório detalhado da história não lista o Número Mágico que controlou cada comércio. Será que talvez eu precise ter uma opção ativada para me mostrar o número mágico. O que eu preciso saber, é claro, é se eu tenho um comércio de perda que o gráfico da TF fez desse comércio. Obrigado 24 horas em um dia 24 garrafas de cerveja em um caso Coincidência Eu acho que não ingressou em fevereiro de 2005 Status: Membro 1,747 Posts Eu tenho uma EA em GBPJPY executando três gráficos dentro da mesma plataforma: 5M, 15M e 30M A EA está atribuindo Magic diferente Números para cada gráfico que é bom, portanto, abrir e fechar um pedido é tratado corretamente. Agora, minha pergunta é, uma vez que todos os negócios estão fechados, como posso saber qual gráfico ou número mágico fechou o comércio. O relatório detalhado da história não lista o Número Mágico que controlou cada comércio. Será que talvez eu precise ter uma opção ativada para me mostrar o número mágico. O que eu preciso saber, é claro, é se eu tenho um comércio de perda que o gráfico da TF fez desse comércio. Obrigado Ao visualizar os negócios na guia histórico do MT4, coloque o ponteiro do mouse sobre o comércio e isso lhe mostrará o número mágico. Algumas vezes eu tenho que mover o cursor sobre o comércio e pausar um par de vezes antes que a caixa apareça. Você também pode clicar com o botão direito do mouse e usar o recurso salvar como um relatório. Se você tiver os Comentários marcados na caixa do botão direito do mouse, o relatório mostrará o número mágico para as negociações no relatório. Eu tenho um EA em GBPJPY executando três gráficos dentro da mesma plataforma: 5M, 15M e 30M A EA está atribuindo diferentes números mágicos para cada gráfico que é bom, de modo que abrir e fechar um pedido seja tratado corretamente. Agora, minha pergunta é, uma vez que todos os negócios estão fechados, como posso saber qual gráfico ou número mágico fechou o comércio. O relatório detalhado da história não lista o Número Mágico que controlou cada comércio. Será que talvez eu precise ter uma opção ativada para me mostrar o número mágico. O que eu preciso saber, é claro, é se eu tenho um comércio de perda que o gráfico da TF fez desse comércio. Obrigado, meu ensinar a configurar a EA para negociar o mercado. Alwayz obtenha uso flutuante EA. Eu estava frustrado com a EA. Eu tenho uma chamada de margem na última vez que use apenas a EA.

Método De Fórmula Para Mover Média

Média móvel Este exemplo ensina como calcular a média móvel de uma série temporal no Excel. Um avearge móvel é usado para suavizar irregularidades (picos e vales) para reconhecer facilmente as tendências. 1. Primeiro, vamos dar uma olhada em nossas séries temporais. 2. Na guia Dados, clique em Análise de dados. Nota: não consigo encontrar o botão Análise de dados Clique aqui para carregar o complemento Analysis ToolPak. 3. Selecione Média móvel e clique em OK. 4. Clique na caixa Intervalo de entrada e selecione o intervalo B2: M2. 5. Clique na caixa Intervalo e digite 6. 6. Clique na caixa Escala de saída e selecione a célula B3. 8. Traçar um gráfico desses valores. Explicação: porque definimos o intervalo para 6, a média móvel é a média dos 5 pontos de dados anteriores e o ponto de dados atual. Como resultado, picos e vales são alisados. O gráfico mostra uma tendência crescente. O Excel não pode calcular a média móvel para os primeiros 5 pontos de dados porque não há suficientes pontos de dados anteriores. 9. Repita os passos 2 a 8 para o intervalo 2 e o intervalo 4. Conclusão: quanto maior o intervalo, mais os picos e os vales são alisados. Quanto menor o intervalo, mais perto as médias móveis são para os pontos de dados reais. Como calcular as médias móveis no Excel Excel Data Analysis For Dummies, 2ª edição O comando Data Analysis fornece uma ferramenta para calcular médias movimentadas e suavizadas exponencialmente no Excel. Suponha, por causa da ilustração, que você coletou informações diárias de temperatura coletadas. Você deseja calcular a média móvel de três dias 8212 a média dos últimos três dias 8212 como parte de algumas previsões meteorológicas simples. Para calcular as médias móveis para este conjunto de dados, siga as etapas a seguir. Para calcular uma média móvel, primeiro clique no botão de comando Análise de Dados tab8217s Dados. Quando o Excel exibe a caixa de diálogo Análise de dados, selecione o item Média móvel da lista e clique em OK. O Excel exibe a caixa de diálogo Mover média. Identifique os dados que deseja usar para calcular a média móvel. Clique na caixa de texto Intervalo de entrada da caixa de diálogo Média móvel. Em seguida, identifique o intervalo de entrada, digitando um endereço de faixa de planilha ou usando o mouse para selecionar o intervalo da planilha. Sua referência de intervalo deve usar endereços de células absolutos. Um endereço de célula absoluto precede a letra da coluna e o número da linha com sinais, como em A1: A10. Se a primeira célula do seu intervalo de entrada incluir um rótulo de texto para identificar ou descrever seus dados, marque a caixa de seleção Etiquetas em primeira fila. Na caixa de texto Intervalo, diga ao Excel quantos valores incluir no cálculo da média móvel. Você pode calcular uma média móvel usando qualquer número de valores. Por padrão, o Excel usa os três valores mais recentes para calcular a média móvel. Para especificar que algum outro número de valores seja usado para calcular a média móvel, insira esse valor na caixa de texto Intervalo. Diga ao Excel onde colocar os dados médios móveis. Use a caixa de texto do intervalo de saída para identificar o intervalo da planilha na qual deseja colocar os dados médios móveis. No exemplo da planilha, os dados da média móvel foram colocados no intervalo da planilha B2: B10. (Opcional) Especifique se deseja um gráfico. Se você deseja um gráfico que traça a informação da média móvel, selecione a caixa de seleção Classificação do gráfico. (Opcional) Indique se deseja obter informações de erro padrão. Se você quiser calcular erros padrão para os dados, selecione a caixa de seleção Erros padrão. O Excel coloca valores de erro padrão ao lado dos valores médios móveis. (As informações de erro padrão entram em C2: C10.) Depois de terminar de especificar quais as informações de média em movimento que deseja calcular e onde você deseja, clique em OK. O Excel calcula informações de média móvel. Nota: Se o Excel não possuir informações suficientes para calcular uma média móvel para um erro padrão, ele coloca a mensagem de erro na célula. Você pode ver várias células que mostram essa mensagem de erro como um valor.

Forex Professional Indicators

4 Tipos de indicadores Os comerciantes do FX devem saber Muitos comerciantes de forex passam o tempo procurando esse momento perfeito para entrar nos mercados ou um sinal revelador que grita comprar ou vender. E enquanto a pesquisa pode ser fascinante, o resultado é sempre o mesmo. A verdade é que não existe uma única maneira de negociar os mercados cambiais. Como resultado, os comerciantes bem sucedidos devem saber que há uma variedade de indicadores que podem ajudar a determinar o melhor momento para comprar ou vender uma taxa cruzada forex. Aqui estão quatro indicadores de mercado diferentes que os comerciantes de forex mais bem sucedidos confiam. Indicador n. ° 1: uma ferramenta de tendência seguinte É possível ganhar dinheiro usando uma abordagem de contra-tendência à negociação. No entanto, para a maioria dos comerciantes, a abordagem mais fácil é reconhecer a direção da tendência principal e tentar lucrar com a negociação na direção das tendências. É aí que as ferramentas de tendência entraram em jogo. Muitas pessoas entendem mal o propósito das ferramentas de tendência e tentam usá-las como sistemas de negociação separados. Embora isso seja possível, o propósito real de uma ferramenta de acompanhamento de tendências é sugerir se você deve procurar entrar em uma posição longa ou em uma posição curta. Então, considere um dos métodos de tendência mais simples, o crossover médio móvel. Uma média móvel simples representa o preço de fechamento médio sobre o número de dias em questão. Para elaborar, olhemos dois exemplos simples um termo mais longo, um termo mais curto. (Para obter informações relacionadas nas médias móveis, consulte Explorando a média móvel ponderada exponencialmente.) A Figura 1 exibe o cruzamento médio móvel de 50 dias para a cruz do iene do euro. A teoria aqui é que a tendência é favorável quando a média móvel de 50 dias está acima da média de 200 dias e desfavorável quando os 50 dias estão abaixo dos 200 dias. Como mostra o gráfico, essa combinação faz um bom trabalho para identificar a maior tendência do mercado - pelo menos na maioria das vezes. No entanto, independentemente da combinação de média móvel que você escolher, haverá whipsaws. Figura 1: O euroyen com médias móveis de 50 dias e 200 dias. A Figura 2 mostra uma combinação diferente do crossover de 10 dias de 30 dias. A vantagem desta combinação é que ela reagirá mais rapidamente às mudanças nas tendências de preços do que o par anterior. A desvantagem é que também será mais suscetível a whipsaws do que o crossover a mais longo prazo de 50 dias de 200 dias. Uma medida da rentabilidade operacional de uma empresa. É igual ao lucro antes de juros, impostos, depreciação e amortização. Uma rodada de financiamento onde os investidores adquirem ações de uma empresa com uma avaliação mais baixa do que a avaliação colocada sobre o. Um atalho para estimar o número de anos necessários para dobrar o seu dinheiro a uma dada taxa de retorno anual (ver anual composto. A taxa de juros cobrada sobre um empréstimo ou realizada em um investimento durante um período de tempo específico. A maioria das taxas de juros são. Garantia de grau de investimento apoiada por um conjunto de títulos, empréstimos e outros ativos. Os CDOs não se especializam em um tipo de dívida. O ano em que o primeiro ingresso de capital de investimento é entregue a um projeto ou empresa. Isso marca quando o capital é. Traders Top Choice Metatrader 4 Indicator - Push Button Trader Anexe ao seu gráfico e comece a comercializar. Este indicador de botão de pressão MT4 facilita a negociação. Pare e obtenha lucro diretamente no seu gráfico. Configura automaticamente a posição do tamanho do lote com base em suas próprias entradas de risco personalizadas. Os botões simples de Metatrader adicionam facilidade e velocidade às suas execuções comerciais. Eficiente, confiável e mais rápido do que um consultor especialista. É necessário para comerciantes de notícias, scalpers e comerciantes imediatos para profissionais que kn Da importância da negociação de risco. Funciona com todos os corretores MT4. Vem com suporte gratuito, manual em PDF e como fazer um vídeo. Indicadores MT4 Mais de 300 vendidos. O indicador de alerta de preços para a Metatrader envia alertas sonoros, notificações push, e-mails, alertas pop e alertas de texto. A detecção automática de par de moedas permite que o indicador de alerta conheça e fale automaticamente o par de forex ao qual está anexado. Funciona com todos os corretores MT4. Free Indicator version funciona somente no EurUsd. Este indicador Metatrader permite aos usuários avaliar facilmente sua posição comercial, exibindo a perda de lucro das negociações diretamente no gráfico. Veja aproveitem e parem pips de perda ao lado da ordem comercial. Este indicador funciona com todos os corretores MT4. Os scripts de energia MT4 são para o comerciante em um orçamento que ainda precisa de uma alternativa muito rápida e confiável para a janela de comércio construída na Metatrader 4. Evite o uso manual de uma calculadora que possa levar a erros. Os scripts de energia calcularão automaticamente os tamanhos de lote de risco para cada posição comercial. Coloque ordens pendentes e ordens de mercado. Inclui um protetor de margem construído para ajudar os comerciantes a tomar decisões comerciais ruins. Coloque facilmente comentários de comércio personalizados para rastrear suas estratégias de comércio individuais. No indicador de comércio de gráficos, os negócios rápidos são vendidos com botões de comércio de gráficos. Exibe estatísticas comerciais atualizadas precisas antes de entrar em seu comércio. Aplique tamanhos de lote fixos, ou posicione posições de risco com uma calculadora ou folha de cálculo do Excel. Os tiques de preço de entrada não são necessários tornando isso mais rápido do que um consultor especializado em MT4. De longe, o melhor indicador que você já possuirá. Adicione este hoje à sua coleção de melhores indicadores de mt4 premium Nós somos uma fonte principal para indicadores de Metatrader e estratégias comerciais exclusivas, de ponta e profissional. Cada item que oferecemos é projetado para manter os comerciantes produtivos e bem-sucedidos em suas operações diárias. Nosso objetivo é oferecer apenas o melhor. Traders em tempo integral e comerciantes bem sucedidos baixam nossas ferramentas de negociação. Você não encontrará indicadores ou consultores especializados que possam oferecer assistência, mas na realidade fazem pouco para ajudá-lo a ter sucesso. Este site oferece itens de qualidade que os comerciantes terão orgulho de possuir. Se fosse uma empresa de caminhões, você nos conhecesse como Grade Profissional. Todos os itens vêm com suporte gratuito, atualizações de versão gratuitas, como vídeos e manuais em pdf. Não há período de espera. Todos os itens estão disponíveis para download imediatamente. Se você tiver dúvidas, nós responderemos por você. Não hesite em contactar-nos a qualquer momento. Fale Conosco Teste suas habilidades comerciais Acesso gratuito à biblioteca de vídeos Forex Três configurações de vela são mostradas aqui. Se tudo o que você tinha no seu gráfico fosse essas velas de preço, você seria curto ou longo e tende parte em qual. Qual seria a sua razão. Sua resposta é simples, repetitiva e eficaz. Se você não tem certeza, então talvez possamos ajudá-lo. Nossa Biblioteca de Vídeo Privada de Forex é incluída 100 grátis com cada download de indicadores (excluindo demonstrações). Como comerciante de forex de 12 anos, nossa biblioteca de vídeos cobre muitos aspectos pro à negociação, como, por exemplo, aplicações de tempo para uso profissional, para aplicar adequadamente os filtros de ação de preços a qualquer indicador superior que você esteja usando para sinais comerciais. O Private Forex Video Library é incluído 100 grátis com qualquer indicador comprado. Tutoriais de comércio Forex Tutoriais e lições de Metatrader Aprenda a usar e negociar com Forex com a plataforma de negociação Metatrader 4. Estes vários tutoriais iniciantes irão orientá-lo através de cada recurso. Metatrader Tutorials Here Trade Moving Promedies As entradas e as entradas fáceis de crossover combinam médias móveis com simples definições de ação de preço. Tutorias Médias Mover-se Fibonacci Free Trading Lessons Fibonacci é difícil, mas não com esses vídeos. Nunca a Fibonacci foi comercializada com uma abordagem tão simples quanto o que você encontrará aqui. Free Fibonacci Lessons Copyright 2016 My Forex Downloads, Todos os Direitos Reservados CFTC REGRA 4.41 - RESULTADOS DE DESEMPENHO HIPOTÉTICOS OU SIMULADOS TENHA CERTAS LIMITAÇÕES. SEM ENCONTRO UM REGISTRO DE DESEMPENHO REAL, RESULTADOS SIMULADOS NÃO REPRESENTAM NEGÓCIO REAL. TAMBÉM, DESDE QUE OS NEGÓCIOS NÃO FORAM EXECUTOS, OS RESULTADOS PODEM TER MESMO OU COMPENSADO PARA O IMPACTO, SE HAVER, DE CERTOS FATORES DE MERCADO, TAL COMO FALTA DE LIQUIDEZ. PROGRAMAS DE NEGOCIAÇÃO SIMULADOS EM GERAL SÃO TAMBÉM SUJEITOS AO FATO QUE ESTÃO DESIGNADOS COM O BENEFÍCIO DE HINDSIGHT. NENHUMA REPRESENTAÇÃO ESTÁ FAZENDO QUE QUALQUER CONTA VOCE OU POSSIBILIDADE DE ALCANÇAR O LUCRO OU PERDAS SIMILAR AOS MOSTRADOS. Mais recursos Forex abaixo

Banc De Binário Opção Suspenso

Melhores Robôs de Opções Binárias Nossa missão é rever e compilar apenas corretores e robôs na indústria de comércio binário que oferecem recursos comerciais interessantes. Informe-se sobre as últimas soluções binárias no mercado. Mantenha-se informado sobre corretores binários e robôs que, de acordo com nossos comentários, oferecem boa experiência de usuário. Saiba o que procurar ao escolher um corretor ou um robô binário. Conheça os recursos comerciais, aplicativos e configurações de cada um deles. Este site fornece a visão do mundo do comércio de opções binárias e do software de negociação automatizada. Negociação segura com nada além dos melhores corretores e robôs revisados ​​por nós O comércio de opções binárias, crescendo rapidamente como está, cedeu muitos corretores, provedores de sinal e plataformas de negociação automatizadas para escolher. À primeira vista, pode parecer fácil conhecer as diferenças cruciais entre eles. Mas não é verdade. Leia nossos comentários e encontre sua escolha perfeita Escolhendo sabiamente pode ter um grande impacto na sua experiência comercial e no saldo da sua conta comercial. Corretores de opções binárias superiores tentam aumentar lucros com opções binárias A negociação automatizada pode compensar a falta de conhecimento necessário para o sucesso no setor binário. O comércio direto com um corretor pode ser cada vez mais arriscado, especialmente se você não tem o conhecimento sobre como trocar opções binárias. Se você é um iniciante ou não sente como desperdiçar seu tempo ou dinheiro, a negociação de opções binárias automatizadas poderia ser a melhor escolha. Popularidade das opções binárias. A indústria de opções binárias tornou-se um campo de interesse popular para muitos investidores em todo o mundo. As opções binárias inicialmente apareceram no final de 2008, como um novo tipo de investimento no setor financeiro. Nos últimos anos, as opções binárias tiveram um grande impacto nos comerciantes em nível global, que viram uma excelente oportunidade para participar no mercado financeiro e tentar maximizar seus lucros. Há um número crescente de comerciantes em todo o mundo que preferem usar as soluções binárias de negociação automática como forma de ganhar dinheiro com opções binárias de negociação. Os robôs de opções binárias podem servir como uma excelente solução de troca binária, disponível para comerciantes em todo o mundo. Uma das principais razões por trás da popularidade das opções binárias de negociação é o fato de que os comerciantes sabem possíveis ganhos ou possíveis prejuízos decorrentes da situação que eles optaram. As opções binárias de negociação podem ter muitas vantagens, como a possibilidade de usar uma variedade de recursos e instrumentos de negociação, bem como uma oportunidade de investir em uma ampla gama de ativos, como moedas, ações, commodities e índices. Comece a negociar com o Robô de opções binárias hoje, você está investindo porque quer ganhar os melhores retornos possíveis em seus investimentos. Com o software de robô comercial disponível no BinaryOptionsRobot, todos os negócios serão realizados automaticamente online. Sempre 100 em controle na sua conta Os comerciantes são suportados com atendimento ao cliente profissional Recursos VIP adicionais estão disponíveis gratuitamente Bases de Opções Binárias As opções binárias são um tipo de opções com pagamento fixo e tempo de expiração fixo. De acordo com as definições financeiras, as opções binárias são baseadas em uma previsão precisa do movimento de preços de um determinado bem. Com opções binárias, existem duas direções possíveis: Call e opção de compra. Uma opção de chamada é definida como decisão de opções binárias de negociação, pelo qual os comerciantes prevêem um aumento de preço de um ativo subjacente. A opção Put é uma decisão de opções binárias de negociação, que os comerciantes fazem sob uma idéia educada de que o preço do ativo cairá abaixo do preço de exercício no período de tempo predeterminado. Uma das maiores vantagens que as opções binárias devem a sua popularidade global, é a capacidade de os comerciantes se juntar e começar a negociar, independentemente do nível de conhecimento comercial. Isso se apresentou como uma ótima oportunidade para uma ampla gama ou comerciante 8211 de iniciantes para profissionais, para encontrar seu lugar na indústria de opções binárias. Há dezenas de interessantes plataformas de negociação binária que os comerciantes podem escolher para o comércio de suas preferências. Os corretores binários fornecem aos comerciantes uma ampla seleção de ferramentas e serviços de negociação que poderiam embarcar em uma viagem aventureira de opções binárias. Com as opções binárias, os comerciantes podem conseguir pagamentos elevados de seu investimento, o que é uma ótima maneira para os comerciantes que desejam lucrar com esta crescente indústria de comércio online. Além disso, os comerciantes podem escolher se preferem investir nas opções de curto prazo ou longo prazo, dependendo das suas preferências de exposição ao risco. O que é Binary Auto Trading Graças às melhorias tecnológicas ao longo dos últimos anos, os operadores de opções binárias agora têm a oportunidade de trocar opções binárias de forma menos prática e tecnologicamente avançada. O comércio automóvel binário vem como uma inovação líder. Todo o processo de negociação é feito por software automatizado, com base em sinais de negociação binários, gerados por algoritmos complexos, porém altamente precisos ou por uma equipe de profissionais de negociação binária habilidosos. Com o comércio automatizado de opções binárias, existem duas maneiras possíveis de obter sinais 8211, que podem ser gerados por humanos ou por algoritmos de negociação. O processo de negociação é feito de forma automática ou semi-automática, dependendo do tipo de software do robô. A troca de opções de opções binárias depende principalmente de sinais de negociação binária. O uso de sinais de negociação de opções binárias Os sinais de negociação servem como resultados obtidos por algoritmos de negociação ou humanos, com base em vários cálculos matemáticos. Os sinais são considerados como um núcleo de qualquer software de opções de opções binárias, onde a intenção é obter os melhores sinais possíveis e ganhar dinheiro em potencial. É importante enfatizar que os sinais devem ser criados e entregues em tempo real para ser útil para o Robô de Opções Binárias usá-lo no processo de negociação. A informação de favoritos dos comerciantes no BinaryOptionRobot não deve ser vista como uma recomendação para trocar opções binárias. O BinaryOptionRobot não está licenciado nem autorizado a fornecer aconselhamento sobre investir e assuntos relacionados. As informações no site não são, nem devem ser vistas como conselhos de investimento. Clientes sem conhecimento suficiente devem solicitar aconselhamento individual de uma fonte autorizada. A negociação de opções binárias comporta riscos significativos e existe a possibilidade de os clientes perderem todo o seu dinheiro investido. O desempenho passado não é uma garantia de retornos futuros. Este site é independente dos corretores binários 038, o robô binário apresentado nela. Antes de negociar com qualquer um dos corretores, os clientes devem certificar-se de que compreendem os riscos e verificar se o corretor é licenciado e regulamentado. Recomendamos escolher um corretor regulado pela UE se você reside na União Européia. De acordo com as diretrizes da FTC, o BinaryOptionRobot possui relações financeiras com alguns dos produtos e serviços mencionados neste site e o BinaryOptionRobot pode ser compensado se os consumidores optarem por clicar nesses links em nosso conteúdo e, finalmente, se inscrever para eles. Troque com o melhor software de negociação de automóveis no mercado Junte-se a mais de 30.000 membros que se inscreveram no nosso boletim assassino com excelentes críticas de corretores e artigos comerciais úteis. Este corretor não possui uma licença para negociar opções binárias em seu país. Você pode se registrar com Robô de opções binárias em vez de opções binárias. O robô está conectado a vários corretores com uma licença. Eles têm suporte ao bate-papo ao vivo e altas taxas de retorno. Comércio com opções binárias RobotWORLDS OPERADORES DE OPÇÃO BINÁRIA MAIS GRANDES INVESTIMENTO DE ALTO RISCO AVISO: Opções Binárias de Negociação é altamente especulativa, traz um nível de risco e pode não ser adequado para todos os investidores. Você pode perder parte ou a totalidade do seu capital investido, clique aqui para ler nosso Aviso de Risco completo. O QUE SÃO OPÇÕES BINÁRIAS As opções binárias - também conhecidas como Opções de Retorno Fixo (FROs) - diferem dos investimentos tradicionais em que os investidores só são necessários para prever corretamente a direção de um movimento de ativos para completar um comércio bem-sucedido (a magnitude de um movimento de preço é completamente irrelevante). Com opções binárias, existem apenas dois possíveis resultados. Para cima ou para baixo. Por que o BANC DE BINARY Com os retornos que mudam o jogo e um retorno médio de investimento de mais de 80, as opções binárias de negociação com o Banc De Binary são uma forma de tornar a compreensão dos eventos que influenciam os mercados globais em potenciais investimentos lucrativos. As plataformas de negociação inovadoras e fáceis de usar do Banc De Binary oferecem uma ampla gama de características únicas e exclusivas que tornam mais fácil para investidores experientes e novatos gerir riscos e fazer negócios informados e oportunos. Com mais de 200 ativos negociáveis, incluindo pares de moedas, ações, índices e commodities, 247 tempo de atividade e a capacidade de afinar todos os detalhes de cada comércio, as opções binárias estão levando o mundo financeiro pela tempestade e estão substituindo rapidamente os métodos tradicionais de investimento. Aux rsident du Qubec: Nós somos dsols mais nós não estamos autorizados a oferecer nossos serviços em sua região. A Sra. E o Primeiro Ministro consideram-se possível de preencher a ficha de inscrição e de entrega, de acordo com a nossa política de conformidade, fornecer os documentos de conformidade que exigem a confidencialidade. Nós somos navrs que vous soez no ce cas de figure. Se você não está mais disponível para clientes na Austrália. Se você não está mais disponível para os clientes na Austrália, entre em contato com o nosso e-mail: email160protected. Se você quisesse que você ficasse informado sobre quando bem estar prestando serviços em seu país, ou para qualquer consulta adicional, envie-nos um e-mail para email160protected DIVULGAÇÃO DE PROPRIEDADE: Este domínio é de propriedade e operado pela Ash Ltd. e sua empresa afiliada à Aster Services Ltd. com número de incorporação: 204033843 endereço: Sofia 1463, Sofia District, Bulgaria. DIVULGAÇÃO DE RISCOS DO SÍTIO: A Ash Ltd. não aceita qualquer responsabilidade por perda ou dano como resultado da dependência das informações contidas neste site, incluindo material de educação, cotações de preços e gráficos e análise. Tenha em atenção que os riscos associados à negociação dos mercados financeiros nunca investem mais dinheiro do que você pode arriscar perder. Os riscos envolvidos na negociação de opções binárias podem não ser adequados para todos os investidores. A Ash Ltd. não mantém a responsabilidade por quaisquer perdas comerciais que você possa enfrentar como resultado da utilização dos dados hospedados neste site. Os dados e aspas contidos neste site não são fornecidos por trocas, mas sim pela THOMPSON REUTERS. Os preços podem ser diferentes dos preços de câmbio e podem não ser precisos para os preços de câmbio em tempo real. AVISO: Fora da União Européia, este site é operado pela Ash Ltd. 2017 Ash Ltd. (St. Vincent, Grenadyny)

Forex Bz Wbk

O Bank Zachodni WBK é uma das maiores e mais inovadoras instituições financeiras da Polônia. Nós também somos um dos bancos mais vibrantes e de mais rápido crescimento na Polônia hoje, atendendo às necessidades de milhões de clientes pessoais, pequenas e médias empresas e grandes corporações. Oferecemos serviços financeiros complexos aos mais altos padrões, apoiados pela tecnologia bancária moderna. As relações com clientes baseadas na confiança mútua são o ativo mais importante para nós. Este foco permite que nossos clientes alcancem seus objetivos usando as soluções financeiras avançadas do Bankrsquos, decisões de empréstimos rápidos e procedimentos simples e transparentes. Nossa experiência de longa data, além de uma abordagem inovadora, nos permite oferecer produtos modernos através de uma das maiores redes de agências e lojas parceiras (com quase 1.000). Também oferecemos acesso eletrônico para banca móvel e internet. O Bank Zachodni WBK Group oferece serviços de corretagem, gerenciamento de fundos de ativos e investimentos, leasing, fatoração e uma gama completa de produtos de bancassurance. O principal accionista do Bank Zachodni WBK é o Santander, o banco número um da zona do euro e o décimo primeiro maior do mundo em termos de capitalização de mercado. Banco Zachodni WBK S. A. sentado em Wrocaw na Rynek 911, 50-950 Wrocaw, registrado pelo Tribunal Distrital de Wrocaw-Fabryczna em Wrocaw, 6ª Divisão de Negócios do National Court Register, sob KRS nº. 0000008723, NIP: 896 000 56 73, capital social: PLN 992,345.340 integralmente pago. Banca Zachodni WBK Szeroka oferta ubezpiecze na podr, domu, auta lub kredytu. Zapewnij sobie poczucie bezpieczestwa. Inwestuj z Domem Maklerskim BZ WBK na giedzie polskiej i za granic. Kupuj fundusze lub produkty strukturyzowane. Korzystaj z pomocy analitykw i doradcw inwestycyjnych. Skorzystaj z usug doradztwa inwestycyjnego dedykowanego klientom zamonym oraz redniozamonym. Pomagamy firmom w poprawie pynnoci finansowej oraz zarzdzaniu portfelem wierzytelnoci. Lokujemy powierzone przez klientw rodki, w zalenoci od wybranego funduszusubfunduszu, w akcje, obrigação oraz instrumenty pienine. Oferujemy firmom moliwo finansowania inwestycji bez koniecznoci penego angaowania rodkw wasnych. Komentarze rynkowe, analizy techniczne, prognozy ekonomiczne Zespou Gwnego Ekonomisty BZ WBK. Doaduj telefon, sprawdzaj aktualne promocje doadowa. Rzetelny klient na potrzeby tej oferty rozumiany jako wnioskodawca, ktry na podstawie analizy zdolnoci kredytowej oraz oceny ryzyka kredytowego banku bdzie mg skorzysta z oferty obnionego oprocentowania do maksymalnie 50 podstawowej wysokoci oprocentowania kredytu gotwkowego, ktre wynosi 10 w skali roku. Decyzja kredytowa i wysoko oprocentowania uzalenione s od wyniku indywidualnego badania zdolnoci kredytowej oraz oceny ryzyka kredytowego dokonanego przez Banco Zachodni WBK SA Rzeczywista Roczna Stopa Oprocentowania (RRSO) wynosi 29,27, cakowita kwota kredta (bez kredytowanych kosztw) 13 148,75 z, cakowita Kwota do zapaty 23 792,29 z, oprocentowanie stae w skali roku 10,00, cakowity koszt kredytu 10 643,54 z (w tym: prowizja 1851,25 z, odsetki 5261,29 z, skadka z tytuu ubezpieczenia na ycie SPOKOJNY KREDYT 1723,50 z oraz ubezpieczenia SPOKOJNY KREDYT 1807,50 z, dla kredytobiorcy w wieku 40 lat, obie skadki uwzgldnione w cakowitej kwocie do zapaty), umowa zawarta na okres 61 miesicy, 60 miesicznych rat rwnych w kwocie 390,26 z, ostatnia rata 376,69 z. Kalkulacja zostaa dokonana na dzie 22.04.2016 r. Na realidade, przykadzie. Ubezpieczenia spokojny kredyt para: umowa Ubezpieczenia spokojny kredyt z BZ WBK-Aviva Towarzystwo Ubezpiecze Oglnych SA oraz umowa Ubezpieczenia nd ycie spokojny kredyt z BZ WBK-Aviva Towarzystwo Ubezpiecze nd ycie SA Szczegy Oferty, informacje o opatach, prowizji, oprocentowaniu oraz informacje w zakresie ubezpiecze , W tym Oglne Warunki Ubezpieczenia SPOKOJNY KREDYT i Oglne Warunki Ubezpieczenia na ycie SPOKOJNY KREDYT, okrelajce m. in. Zakres ubezpieczenia, zasady odstpienia oraz wypowiedzenia umowy ubezpieczenia, wyczenia lub ograniczenia odpowiedzialnoci ubezpieczycieli, oraz karty produktw dostpne s w placwkach Banku oraz na bzwbk. pl. Informacja o wysokoci skadki ubezpieczeniowej dostpna jest w placwkach Banku. Banco (wpisany do prowadzonego przez Komisj Nadzoru Finansowego rejestru agentw ubezpieczeniowych pod nr. 11135943A) oraz agenci prowadzcy placwki pod logo BZ WBK Partner s agentami ubezpieczeniowymi BZ WBK-Aviva Towarzystwo Ubezpiecze Oglnych SA i BZ WBK-Aviva Towarzystwo Ubezpiecze na ycie SA Maksymalna kwota kredytu Wynosi dwudziestokrotno dochodu netto Kredytobiorcy, jednak nie wicej ni 120 000,00 z, aw przypadku osb nieprowadzcych dziaalnoci gospodarczej, uzyskujcych dochody z tytuu umowy o prac, nie wicej ni 150 000,00 z. 1 9999 opata za poczenie zgodna z taryf danego operatora. Stan na 22.04.2016 r. Ochrona ubezpieczeniowa w ramach Umowy ubezpieczenia Na Podr wiadczona jest przez BZ WBK-Aviva Towarszystwo Oglnych S. A. oraz Aviva Towarzystwo Ubezpiecze Oglnych S. A. dziaajce w koasekruacji. Szczegowe informacje, w tym Oglne Warunki Ubezpieczenia Na Podr, okrelajce m. in. zakres ubezpieczenia, wyczenia lub ograniczenia odpowiedzialnoci ubezpieczycieli, Karta Produktu, informacle o skadce dostpne s na stronie internetowej bzwbkaviva. pl. Bank Zachodni WBK S. A. jest agentem ubezpieczeniowym BZ WBK-Aviva Towarzystwo Ubezpiecze Oglnych S. A. i Aviva Towarzystwa Ubezpiecze Oglnych S. A. wpisanym do prowadzonego przez Komisj Nadzoru Finansowego rejestru agentew ubezpieczeniowych pod nr 11135943A. Szczegy programu Firmowe Ewolucje dostpne s na firmowe. ewolucje. bzwbk. plprogram. Funduszem nagrody 100 000 z jest Banco Zachodni WBK. Programa Firmowe Ewolucje skada si z 10 odcinkw emitowanych na antenie TVP1. Data emisji pierwszego odcinka 06.09.2016 r. Stan na: 01.09.2016 r. Decyzja Kredytowa uzaleniona jest od wyniku indywidualnego badania zdolnoci kredytowej oraz oceny ryzyka kredytowego dokonanego przez Banco Zachodni WBK SA Kredyt bez zawiadcze dostpny jest dla klientw nieposiadajcych produktu kredytowego w Banku lub dla klientw posiadajcych regularne wpywy z tytuu wynagrodzenia nd konto osobiste potwierdzone histori konta z BZWBK lub Z innego banku (nie dotyczy klientw otrzymujcych dochd z tytuu prowadzenia dziaalnoci gospodarczej). Rzeczywista Roczna Stopa Oprocentowania (RRSO) dla kredytu z ubezpieczeniami SPOKOJNY KREDYT wynosi 37,93, cakowita kwota kredta (bez kredytowanych kosztw) 1 693,34 z, cakowita kwota do zapaty 1 978,46 z, oprocentowanie stae w skali roku 4,00 , Cakowity koszt kredytu 285,12 z (w tym: prowizja 106,66 z, odsetki 39,14 z, skadki z tytuu ubezpiecze SPOKOJNY KREDYT 139,32 z, dla kredytobiorcy w wieku 43 lat, skadki uwzgldnione w cakowitej kwocie do zapaty) , Umowa zawarta na okres 11 miesicy, 10 miesicznych rat rwnych w kwocie 181,25 z, ostatnia rata 165,96 z. Kalkulacje zostay dokonane na dzie 01.11.2016 r. Na realidade, przykadzie. Ubezpieczenia spokojny kredyt para: umowa Ubezpieczenia spokojny kredyt z BZ WBK-Aviva Towarzystwo Ubezpiecze Oglnych SA oraz umowa Ubezpieczenia nd ycie spokojny kredyt z BZ WBK-Aviva Towarzystwo Ubezpiecze nd ycie SA Szczegowe informacje, w tym Informacja o wysokoci skadki ubezpieczeniowej, Oglne Warunki Ubezpieczenia spokojny KREDYT i Oglne Warunki Ubezpieczenia na ycie SPOKOJNY KREDYT, okrelajce m. in. Zakres ubezpieczenia, zasady odstpienia oraz wypowiedzenia umw ubezpieczenia, wyczenia lub ograniczenia odpowiedzialnoci ubezpieczycieli, karty produktw dostpne s w placwkach Banku oraz na bzwbk. pl. Banco (wpisany do prowadzonego przez Komisj Nadzoru Finansowego rejestru agentw ubezpieczeniowych pod nr. 11135943A) oraz agenci prowadzcy placwki pod logo BZ WBK Partner s agentami ubezpieczeniowymi BZ WBK-Aviva Towarzystwo Ubezpiecze Oglnych SA i BZ WBK-Aviva Towarzystwo Ubezpiecze na ycie SA Szczegy oferty, Informacje o opatach, prowizjach, oprocentowaniu oraz regulamin promocji Kredyt 4, z ktrej mona skorzysta do 31.01.2017 r. Dostpne s w placwkach Banku oraz na bzwbk. pl. Infolinia 1 9999 opata za poczenie zgodna z taryf danego operatora. Stan na 1.11.2016r. Promocja quotBezpatne smsKodyquot Doradcy Banku Zachodniego WBK S. A czekaj na Pastwa pytania dotyczce oferty kredytu gotwkowego, karty kredytowej i limitu kredytowego w koncie osobistym. Ze wzgldw bezpieczestwa wszystkie rozmowy prowadzone na czacie s rejestrowane. Jeli z przyczyn technicznych aden z doradcw nie bdzie dostpny, istnieje moliwo pozostawienia wiadomoci z pytaniem, na ktre otrzymacie Pastwo odpowied. Czat ma charakter wycznie informacyjny - doradcy nie przyjmuj za jego porednictwem adnych dyspozycji zwizanych z posiadanymi przez Pastwa produktami bankowymi. Prosimy nie podawa w rozmowach adnych poufnych informacji, takich jak np. Numer Klienta (identyfikator), hasa dostpowe, dane osobowe, numery kart patniczych, PINy, hasa jednorazowe, czy kody CVV2. Doradca ma prawo zakoczy rozmow jeeli jej charakter wykroczy poza zakres informacji o produktach bankowych lub zostan uyte niecenzuralne sowa. 1. Usuga jest dostpna w dni robocze od 8: 00-22: 00 a w soboty i niedziele 8: 00-20: 00. 2. Prawidowego funkcjonowania usugi nie jest wymagane instalowanie dodatkowego oprogramowania, wystarczy przegldarka internetowa z zainstalowan aktualn wtyczk Flash. Komputer powinien by wyposaony rwnie w kamer, goniki lub suchawki oraz mikrofon. Zakres tematyczny rozmw 1. Doradcy Banku Zachodniego WBK S. A czekaj na Pastwa pytania dotyczce obsugi i funkcjonowania posiadanych przez Pastwa produktw bankowych. 2. Podczas rozmowy video istnieje moliwo zamwienia nowych produktw dostpnych w ofercie Banku. 3. Doradcy maj moliwo przyjcia za porednictwem usugi dyspozycji zwizanych z posiadanymi przez Pastwa produktami bankowymi. Polityka ochrony prywatnoci 1. Ze wzgldw bezpieczestwa wszystkie poczenia video s nagrywane zarwno w zakresie dwiku jak i obrazu, um informador wysyane poprzez chat rejestrowane. 2. Prosimy nie podawa w rozmowach nastpujcych danych: hasa dostpowe, numery kart patniczych, PIN-y, hasa jednorazowe, kody CVCCVV2. 3. Doradca ma prawo zakoczy rozmow i zablokowa dostp do usugi jeeli jej charakter wykroczy poza zakres informacji wymienionych w dziale Zakres tematyczny rozmw, zostan uyte nieconomia sowa lub strj czy zachowanie bd niestosowne lub zachowania Klienta bd sprzeczne z przepisami prawa wskazanymi poniej. 4. BZWBK S. A. przestrzega przed dziaaniami i zachowaniami noszcymi w wietle obowizujcych przepisw prawa znamiona wykroczenia, przestpstwa w tym wskazanymi w Ustawie kodeks karny z dnia 06 czerwca 1997r. Z zm. Lub Ustaw kodeks wykroz z dnia 24 sierpnia 2011r. Z zm. 5. BZWBK S. A. przestrzega przed nieuprawnionym rozpowszechnianiem wizerunku Doradcy zgodnie z Ustaw z dnia 4 lutego 1994r. O prawie autorskim i prawach pokrewnych z pniejszymi zmianami. Pobierz aplikacj BZWBK24 na swoj komrk Pobierz aplikacje mobiln

Villager Trade Options Minecraft

Aldeões. Anteriormente conhecido como Testificates. São personagens não-jogadores passivos que geram e se deslocam em Vilas. Eles têm papéis diferentes, como sacerdotes, açougueiros, ferreiros, agricultores, genéricos e bibliotecários e geram em seus respectivos edifícios. Possuem grandes cabeças carecas, olhos verdes, uni-sobrancelhas e longos narizes pareados a Calamares. Os aldeões são considerados como um dos mais inteligentes de todos os mobs pacíficos. No entanto, existem alguns fatores que eles desconhecem ou não prestam atenção. Os aldeões também percebem o ciclo durante o dia. Os aldeões não gostam da água, e ao contrário das outras mobs pacíficas, tentarão imediatamente encontrar uma rota de fuga. Os aldeões tentarão evitar zumbis. No entanto, eles não tentam escapar de nenhum atacante exceto zumbis. Ao contrário de outras mobs, os aldeões não percebem quando são incendiados, tornando qualquer fonte de fogo extremamente perigosa para uma população de aldeias. Os aldeões não correrão quando estiverem a arder, não mostrando nenhuma tentativa de colocar o fogo fora. Os aldeões só geram nas aldeias, que podem ser localizadas apenas nos biomas mais planos (ou próximos), biomas do deserto, savanas e planícies. Quando um aldeão percebe um zumbi, eles imediatamente começam a fugir deles. Os aldeões são rápidos o suficiente para escapar de um zumbi. No entanto, isso nem sempre os protegerá. Quando se torna noite, todos os aldeões se mudam para a segurança. No entanto, existe uma falha nesse comportamento. Sempre que está chovendo lá fora, os aldeões ainda percebem isso como dia. Os zumbis, no entanto, não morrerão porque está chovendo, e o sol não está fora. Isso pode fazer com que alguns moradores morrem. Uma visão comum em uma aldeia seria os moradores que se deparavam, assumindo a característica humana de falar. Quando um jogador ataca um aldeão, eles têm vapor vindo de suas cabeças, o que provavelmente indica raiva ou frustração. A partir de 1.6, os aldeões produzem ruídos (soando semelhante a um hmmm, um grunhido ou um zumbido). Eles produzem ruídos em várias ocasiões: quando a reprodução é ativada, quando atingida por um jogador, ou quando você troca com um. Dois moradores socializando. Os aldeões podem ser negociados no jogo para vários itens, dependendo de sua profissão ou tipo de aldeão. A moeda que eles manipulam são esmeraldas. Alguns aldeões vão trocar esmeraldas, enquanto outros levarão esmeraldas e darão itens. Os aldeões do tipo agricultor, conhecidos por sua roupa marrom, são conhecidos por trocar itens relacionados à agricultura, como trigo, cenouras, batatas e sementes de melões para esmeraldas, ou vice-versa. O tipo de açougueiro, conhecido pela roupa marrom e avental branco, trocará por carne, como carne de porco, carne e frango. É muito mais comum que o comércio exija a versão bruta da carne. Sacerdotes, que podem ser reconhecidos por sua roupa roxa completa, comércio para Ender Pearls e Eyes of Ender. Eles também permitem ao jogador comprar itens encantados ao negociar uma versão não desejada do item, além de algumas esmeraldas como o custo de encantar o item. O tipo de aldeão é um comerciante de armaduras e ferramentas e armas. Por fim, o aldeão bibliotecário é conhecido por toda sua roupa branca e aparência inteligente, compra papel e vende artigos relacionados com livros e navegação, como Bookshelves e Compasses. Todos os aldeões começam com um acordo comercial. Uma vez que o jogador faz esse comércio e, em seguida, fecha a interface de negociação, o aldeão terá uma animação tipo pensamento e surgirá outro comércio. Isso faz duas coisas. Primeiro, permite mais opções de negociação, até um máximo de 5 por aldeão e, em segundo lugar, reafirma o comércio. Cada troca poderá ser utilizada 3-5 vezes até que seja reiniciada novamente. O aldeão só irá redefinir se o comércio final ou mais recente for concluído pelo menos uma vez. Uma vez que todos os cinco estão desbloqueados, continuar o último comércio continuará a redefinir os negócios, e também tem uma pequena chance de substituir um comércio existente por um novo. O comércio é uma das formas mais rápidas de obter Emeralds legitimamente no modo de sobrevivência sem o uso de fraudes, pois os animais e as culturas agrícolas são muito mais rápidos do que escavar as Esmeraldas. Isso permite aos jogadores negociar e renovar constantemente negócios que produzem esmeraldas para o jogador. Isso também é conhecido às vezes como esmeraldas agrícolas, ou trocas esmeraldas. A partir do instantâneo do Minecraft 1.8, o comércio de aldeões obteve uma revisão completa. Os aldeões agora podem ter vários negócios quando são gerados, dando ao jogador maior flexibilidade ao negociar. Outro fator que ajuda é que ao negociar, novas possibilidades de comércio podem ocorrer dependendo de quantos novos negócios você já fez. Popularidade A popularidade dos jogadores pode ser obtida ou diminuída em muitos métodos, e um exemplo é se o jogador tiver uma popularidade abaixo de -15, o Iron Golems se tornará permanentemente hostil ao jogador. A popularidade pode ser obtida através da negociação, reprodução, etc., mas pode ser diminuída atacando Villagers andor Iron Golems. A popularidade dos jogadores pode ser elevada em uma aldeia, mas baixa em outra. Minecraft Mobs Villager Zombie Villager Zombie Os aldeões são mafiosos agressivos que apareceram na Minecrafts Pretty Scary Update (Versão 1.4). Eles compõem 5 dos zumbis que geram no Overworld. Eles também aparecerão depois que um Villager é morto por um Zombie durante um cerco de aldeia, 50 em Normal e 100 em Hard. Se um Aldeão do bebê for morto durante um cerco, também se tornará um aldeão do bebê Zombie. Baby Zombie Villagers é mais rápido do que seus colegas adultos e não envelhecerá. Os aldeões dos zombis podem ser devolvidos aos aldeões normais se enfraquecidos usando uma Poção Splash de fraqueza e depois alimentados com uma Maçã Dourada. Eles parecerão estremecer enquanto estiverem curados. É melhor colocar os Zombie Villagers em uma espécie de estrutura de células da prisão com uma cama e barras de ferro enquanto a cura. Isso ocorre porque as barras de ferro e a cama fazem com que o aldeão cure cerca de 4 mais rápido. Zombie Villagers leva aproximadamente 180 segundos para curar em circunstâncias normais. Um aldeão zumbi tem todos os comportamentos e características de zumbis regulares, como ser capaz de usar armaduras. Golems de ferro ainda os atacarão, a menos que sejam curados. No Pocket Edition e 1.9, eles mantêm suas roupas e aparência antes de serem infectados. Múltiplos Zombie Villagers em Minecraft 1.9. Observe como a cor de sua roupa se relaciona com a aparência original do Villagers. Dois moradores zumbis. Observe que um deles está usando armadura de couro. Minecraft Mobs Zombie Villager Existe uma textura não utilizada para o Villager encontrado nos arquivos do jogo. Tinha um rosto irritado com olhos vermelhos. Os aldeões podem pegar certos itens no chão, como Beetroots. Trigo. Batatas. Cenouras. Sementes e Pão. Se um aldeão for atingido por um raio, então ele se transformará em uma bruxa. Aldeões e aldeões zumbis podem gerar uma iglu. Os aldeões ainda conseguem ver o jogador mesmo se o jogador tiver um efeito de poção de invisibilidade. No cartaz do Minecraft 1.6, existe um Villager com túnicas azuis, que nunca apareceu na versão final do Minecraft 1.6. Configurando o mobger de gamerule para falso fará com que os aldeões do Fazendeiro deixem de plantar colheitas. Notch planejado para as Aldeias serem povoadas por Pigmen em vez de Villagers. Antes de 13w22a1.6.1, os aldeões não fizeram sons. Além disso, um splash na tela de título pode dizer HURNERJSGER, que é o que os moradores vão soar como inativos. Embora os NPC Villager sejam atualmente tão simples como outras mobs passivas, eles parecem ter uma codificação inteligente muito básica já implementada. Antes, se o jogador abrir a porta para sua casa e deixá-lo aberto, eles provavelmente irão se mudar para a porta. No entanto, uma vez lá fora, eles podem vagar para a região selvagem. A partir da atualização 1.2, eles agora entram automaticamente na noite. Nos arquivos de pré-lançamentos beta 1.9, há uma textura para os aldeões médios, que usam roupas verdes. No entanto, este ponto parece ser preenchido pelo tipo Farmer, em vez disso, sem nenhum tipo de Villager que engendra nada. O aldeão médio pode ser gerado na 1.7 Atualização usando comandos. Diferentes cores indicam diferentes tipos de aldeões. Brown indica um agricultor, o roxo indica um padre, o branco indica um bibliotecário, um aldeão com um avental preto é um ferreiro, e um aldeão com um avental branco é um açougueiro. As texturas para o Bibliotecário Villager, Priest Villager, o Aldeão não utilizado em vestes verdes, e as bruxas têm um capuz ao lado da cabeça, onde uma textura de chapéu mobs seria, mas não aparece no jogo. Quando você olha para um aldeão, e o aldeão vê você, ele irá assentir. Desde 1,2, os aldeões agora podem ter filhos, que são versões menores dos adultos. Eles correm mais rápido do que os aldeões normais, e têm a mesma caixa de sucesso que um aldeão adulta, mesmo que sua textura seja menor. Ocasionalmente, as crianças não entram nas casas à noite. Apenas uma criança pode tirar uma papoula de um Golem de ferro. Atacar um filho do aldeão é comparável a atacar um Golem de ferro em termos de redução da popularidade. Quando há 15 ou mais aldeões, um Golem de ferro tem a chance de gerar. Desde o instantâneo 12w21a, é possível trocar com os moradores clicando com o botão direito. Desta forma, é possível obter itens normalmente incassáveis ​​como Garrafa o Enchanting e Chain Armor. Bem como itens raros, como diamantes. Não é possível negociar com o Villagers em Pocket Edition e Windows 10 Edition. Todos os aldeões vão dentro de suas casas à noite, e às vezes abrem e fecham a porta ao acaso. Na imagem instantânea, os aldeões 14w02b podem ter mais profissões (por exemplo, ferreiros podem ser Tool Smiths, Weapon Smiths e Armorers). No instantâneo 14w04a, os aldeões de fazendeiros podem destruir plantas crescidas e as replantar. Em 1 de abril de 2014, Mojang anunciou que os aldeões haviam assumido Minecraft e causado a pele de todos para se parecer com um aldeão, como uma piada de April Fools. Os jogadores não conseguiram alterar suas capas durante esse período. Durante esse período, todos também tiveram Element Animations T. E.A. V.S. R.P. (O Elemento de animação do Villager Sounds Resource Pack) é instalado automaticamente. Quando você coloca uma escada atrás de uma porta, o aldeão tentará sair da porta, mas, em vez disso, ele subiu a escada e quando eles alcançam o topo, eles giram em círculos. A partir de 15w35a, Zombie Villagers tem novas texturas que são diferentes para cada tipo de Villager. Alguns jogadores notaram que os aldeões se assemelham a Squidward do programa de televisão Bob Esponja por causa de seus narizes longos. O próprio Notch comentou a semelhança, dizendo que eles se parecem com o Caleman Squidwards. 1 Eles também foram apelidados de Ki-Adi-Mundi em casos raros por causa de sua pequena semelhança com o personagem de Star Wars. Os aldeões foram baseados no dono da loja em Dungeon Master 2. Você só pode nomear um aldeão ao sair de um portal inferior, quaisquer outras tentativas o levam a abrir o sistema comercial. O auge do aldeão mudou de 1,8 blocos de altura para 1,9 quarteirão de altura. Clique para galeria completa do aldeão. Mobs em MinecraftNovembro 14, 2016 Autor: Admin 10becja Como I8217m certeza de que as pessoas estão cientes, o Minecraft 1.11 foi lançado hoje. Eu queria dar a todos uma cabeçada no que nosso plano é para atualizar o servidor. Uma vez que a atividade no servidor caiu drasticamente drasticamente, we8217ve decidiu se livrar de algumas das mudanças que adicionamos, já que eles não parecem ser tão populares entre os jogadores. Uma vez que o espigão e os plugins necessários foram atualizados para 1.11, nosso plano é criar um mundo novo que seja muito semelhante ao 8220Classic8221 SpaceBug. Este mundo terá PvP habilitado para todos (as reivindicações ainda são seguras) e adicionará o comando de venda de volta. Parcelas também terão desaparecido e teremos vários portais em diferentes partes do mapa. Vamos deixar o atual mundo do SMP como é por enquanto, caso alguém ainda queira jogar lá, mas o mundo primário será o novo 8220Classic8221. Nós manteremos os jogadores informados sobre o progresso nos fóruns, como de costume, e se houver alguma dúvida, pergunte-lhes lá. 12 de setembro de 2016 Autor: Admin 10becja Como você sabe, estamos trabalhando para conseguir o SkyBlock pronto para abrir. I8217m estou satisfeito em anunciar que, a partir de hoje, hoje estão abertos ao público. Para se juntar, basta executar o servidor de comandos do Skyblock. Alguns comandos básicos para começar sua criação criam 8211 cria e ilha para você (anote, se você quiser se juntar a uma ilha de 8217s, você pode criar uma. Se você tiver criado uma, fale com o pessoal sobre ter Ele é excluído) é ajuda 8211 Mostra todos os outros comandos da ilha disponíveis We8217ve adicionou um novo plugin que permite alguns mecânicos legais, como pontes e gateways. Há exemplos deles durante todo o spawn, então confira-os. Há muitos ovos de Páscoa em torno do spawn, então certifique-se de fazer registros de exploração. Nós também temos uma mina pública que lhe permitirá colher matérias-primas. Tenha cuidado, no entanto, deixe o sol se pôr em você na mina, o Pvp também está ativado, então tenha cuidado com os outros jogadores, o PvP está habilitado no final e no final, mas não nas ilhas atualmente. Vamos adicionar plataformas PvP oficiais em algum momento no futuro. Grandes gritos para karithegreat para criar um spawn fantástico. 27 de junho de 2016 Autor: Admin 10becja We8217ve atualizado para 1.10 Esta atualização didn8217t realmente muda demais, então there8217s não é muito para falar. Os ursos polares serão adicionados à loja de animais de estimação em breve, e aqueles com animais zombis devem poder transformá-los em cascas e esqueletos em vagabundos. A fronteira também foi expandida por 250 blocos, então você provavelmente poderia encontrar alguns fósseis enterrados. Seria ótimo se alguém criar um museu 11 de março de 2016 Autor: Admin 10becja Como muitos de vocês sabem, o Mojang lançou a versão 1.9 do Minecraft há pouco tempo. Surpreendentemente, as atualizações para o Spigot e nossos plugins não levam o tempo que eu pensava. Ainda não há ETA real para quando vamos atualizar, mas será em breve. Dito isto, há algumas perguntas urgentes que eu gostaria de permitir que vocês votem antes da atualização. Especificamente, se deseja ou não configurar o PvP em todos os lugares, removendo a habilidade de alternar, seja ou não o superavô redefinisse, E se a Economia deve obter uma revisão maciça (isso só aconteceria se houver uma reinicialização). Como lembrete, se o overworld for reiniciado, isso irá redefinir tudo (não as compras da Buycraft, essas serão transferidas). Isso significa que todos começarão a partir do zero, e em pé de igualdade. Se as pessoas votarem para não fazer uma reinicialização, em vez de expandir a fronteira mundial, eu criaria um mundo ainda mais pequeno e temporário que seria redefinido todos os meses, semelhante ao inferior e ao final. As reivindicações não seriam permitidas no mundo da temperatura. Se o mundo for reiniciado, isso nos daria uma boa oportunidade para rever a economia. O ponto de fazer a revisão é porque, quando adicionamos um servidor Skyblock, a economia será completamente diferente da atual Economia. A revisão tentaria tornar as coisas um pouco mais comparáveis ​​entre os dois servidores. Seria muito mais dirigido pelos jogadores, e os preços de coisas que são super fáceis de fazer seriam drasticamente reduzidos (como o carvão vegetal), e muitas coisas não seriam vendidas. No entanto, isso também nos permitiria reduzir muito o custo dos blocos de reivindicação, criar ovos, sethomes e outros itens. Seria preciso se acostumar com certeza, mas, em geral, seria muito mais equilibrado. Então leia isso e veja também o post do fórum para fazer perguntas e ver o que os outros têm a dizer e, em seguida, vote abaixo. Como isso está usando um site diferente para votação, você deve fornecer seu nome minecraft para cada pergunta. Votos sem um nome serão ignorados. O mundo superado deve ser reiniciado 9 de janeiro de 2016 Autor: Admin 10becja O momento em que muitos aguardaram ansiosamente está finalmente aqui. O minigame Hardcore é oficialmente de volta. É muito diferente da última vez, e tem muito mais re-playability. Assim, sem mais qualquer dúvida, I8217 destaca os principais recursos. GriefPrevention Claims não são seguros. Os jogadores podem abrir portas, caixas, matar você, seus animais, etc., etc. Enquanto eles podem bloquear blocos o tempo todo, o modo de cerco é habilitado, o que significa que você pode ocultar apenas sua reivindicação se você ver alguém. Durante o cerco, eles podem quebrar coisas como vidro, sujeira, madeira e alguns outros blocos. Isso significa que se você quiser proteger suas coisas, você precisará construir um cofre. Você está limitado a 1 reivindicação 92159. Isso é o mesmo. Quando você começa, você começa com um baú. Usar o peito inicial é o seu único método de reivindicação. Você pode mover sua reivindicação, mas você deve primeiro quebrar todos os seus peitos, reclamar e colocar o baú em outro lugar. Depois de morrer muitas vezes, sua reivindicação é automaticamente abandonada e qualquer pessoa pode saqueá-la. Essentials Essentials estará fazendo muito pouco neste mundo. Você não possui nenhuma forma de economia de servidores. Você pode trocar com pessoas manualmente, mas corre o risco de matá-lo. Doenças We8217ve adicionou um novo plugin ao servidor hardcore: Doenças Isso adiciona várias doenças e lesões a Minecraft, juntamente com curas e material de primeiros socorros. Se você ficar doente ou ferido, você pode criar a cura apropriada para se curar. Outra opção é encontrar uma das várias tendas médicas espalhadas pelo mapa. À medida que você fica doente, você constrói uma imunidade. Você pode ler mais sobre o plugin no site Compasses Um dos itens mais importantes que você precisa em hardcore é a sua bússola. Você precisa disso para encontrar sua base, reencontrar o spawn, e também procurar outros jogadores. Zombie Players That8217s certo, jogadores zumbis. A maneira como o mundo está configurado é que você ganha 3 vidas. Você começa em plena saúde, depois da sua primeira morte, você vai para 75 de saúde, 2ª morte 50 e, após a sua terceira morte, você se torna um zumbi. Os jogadores Zombie estão limitados a apenas 2 bares de saúde. Eles não são particularmente fortes, mas eles têm algumas coisas para eles. Sobre a única maneira de sofrer danos é diretamente de um jogador, ou uma multidão que eles estão irritados (mais sobre isso em um pouco). Eles não precisam se preocupar com a fome, o afogamento, o fogo, etc., etc. Eles também não precisam se preocupar com serem alvo de mobs hostis. Eles simplesmente deixarão os jogadores zumbis sozinhos, a menos que um jogador zombista os ataque diretamente. Os jogadores zumbis podem usar armas ou armaduras ou ferramentas, mas a força de perfuração varia de acordo com a quantidade de alimento que eles têm. Sempre que um jogador de zumbis mata algo, eles usam 8221 que mob e ganham níveis de alimentos iguais a metade da saúde máxima dele. Isso, por sua vez, muda a quantidade de dano que o soco faz. Se um zumbi tem 5 barras de saúde (seu máximo), eles podem fazer um soco de 5 de dano, e ele vai até 1 em 1 barra de comida ou menos. Isso não é tudo. Um soco zombi irá infligir uma pequena quantidade de veneno, além de desorientar e diminuir a velocidade da vítima. What8217s mais, na noite, os jogadores de zumbis ganham uma enorme velocidade e força, assim como a visão noturna Se os jogadores zumbis podem colocar itens, como eles podem rastrear pessoas Bem, eles têm um radar embutido, que usa o xp bar. O número de nível é o quão longe é o alvo e a barra em si é um indicador de se você está de frente para a direção certa. Olhando completamente para eles, vazio é o oposto. Parece ótimo Como faço para me juntar ao That8217s simples Tudo o que você precisa fazer é ir para os portais no spawn e entrar no que diz hardcore. Se você tiver dúvidas ou quiser ver os comandos disponíveis no hardcore, basta dirigir-se aos fóruns e dar uma olhada nesta publicação. Happy Hunting 22 de novembro de 2015 Autor: Admin 10becja Oi pessoal Como todos sabem, o último mês da semana foi uma competição de construção para o novo design de criação. Todas as inscrições estão inseridas, então é o lugar para votar. Por favor dê uma olhada em todas as 8 submissões e escolha o seu favorito na enquete abaixo. A votação só estará aberta até quarta-feira, portanto, não demora. Se você for na web. You8217ll aviso there8217s uma nova categoria disponível: animais de estimação. It8217s um novo recurso I8217ve adicionado para adicionar um pouco mais divertido para o jogo. A maneira como ele funciona é que, uma vez que você compra um animal de estimação, você pode convocar o pequeno (ou grande) cara e ele vai segui-lo, onde quer que você vá. Você também pode montá-lo, ou se sentir tão inclinado, use-o como um chapéu. Os animais de estimação estão protegidos, então você não precisa se preocupar com pessoas que o matam. Por favor, note que eles são na sua maioria cosméticos, e won8217t realmente ajudá-lo demais (como se você conseguisse um animal de estimação de monstros, eles não conseguiram pessoas de ataque para você). Comandos, você deve ter em mente. Você pode encontrar uma lista de todos os comandos ingame fazendo pet help pet (type) 8211 Invoca um animal de estimação que você possui. Tipo é o tipo de mob, então, se você tenha comprado um morcego, faça um morcego de estimação. Pet remove 8211 Remove o seu animal de estimação atual. Don8217t se preocupe, você ainda pode convocá-lo novamente fazendo pet (tipo). Lista de animais de estimação 8211 Lista todos os tipos de animais de estimação disponíveis. O verde significa que você pode convocá-lo, o vermelho significa que você pode invocar. Você pode passar o mouse sobre o tipo de animal de estimação para ver qualquer meta adicional que você pode mudar (cor de lã, por exemplo. Informações do animal de estimação 8211 Mostra informações sobre seu animal de estimação atual. Passeio para animal de estimação 8211 Monte o seu chapéu para animais de estimação 8211 Deixe o seu animal de estimação montar seu menu de estimação 8211 Abra o GUI do menu de dados para o seu animal de estimação. Show show do animal de estimação 8211 Mostre ou esconda seu animal de estimação atual. Nome do animal de estimação (nome) 8211 Nomeie seu animal de estimação. Você pode ver mais informações no site do EikiPet wiki. Animais de estimação atuais disponíveis e preços: Pet Bat 2.50 USD Pet Chicken 2.50 USD Pet Endermite 2.50 USD Pet Silverfish 2.50 USD Pet Wolf 5.00 USD Pet Ocelot 5.00 USD Pet Sheep 5.00 USD Pet Cow 5.00 USD Pet Pig 5.00 USD Pet Rabbit 5.00 USD Pet Squid 5.00 USD Pet Mushroom Cow 5.00 USD Pet Horse 5.00 USD Pet Villager 7.50 USD Pet Slime 10,00 USD Pet MagmaCube 10,00 USD Pet CaveSpider 10,00 USD Pet Zombie 10,00 USD Pet Zombie Pigman 10,00 USD Pet Skeleton 10,00 USD Pet Creeper 10,00 USD Pet Blaze 10,00 USD Pet Endermen 10,00 USD Pet Witch 10,00 USD Pet Guardian 10,00 USD Pet Iron Golem 12,50 NOS D Pet Snowman 12.50 USD Pet Ghast 15.00 USD Pet Gigante 15.00 USD Pet Wither 20.00 USD 21 de fevereiro de 2015 Autor: Admin 10becja It8217s foi muito tempo chegando, mas o suficiente de nossos plugins principais foram atualizados para 1.8 que I8217ve decidiu abrir um Teste mundo para isso. Se you8217d gostaria de se juntar e brincar com coisas, você pode se conectar ao servidor de teste em play. minecraft. dk:25311 Por favor, tente testar tudo o que puder. Não tenho ideia do que tudo será borked e o que funcionará. Além disso, responda as duas pesquisas na parte inferior desta postagem para que eu possa reunir um pouco de informação. O primeiro é simplesmente ou não, você quer que o servidor atualize para 1.8. As mudanças que o Mojang fez para 1,8 afetam muitas coisas, o que vai quebrar um pouco de coisas. A outra questão é como o you8217d gosta de ver as coisas 1.8 adicionadas, se a atualização for feita. Há realmente apenas duas opções: 1) Expandir a fronteira mundial para permitir que novos pedaços sejam gerados (como fizemos no SMPworld com 1.7) 2) Crie um mundo menor e completamente novo. Este mundo seria semelhante ao mundo da loja (maior embora) que permite transferir blocos de ida e volta. De qualquer forma, deixe-me saber o que você pensa. Se você encontrar bugs, ou tiver alguma dúvida, faça uma postagem nos fóruns sobre este tópico. Como sempre, para votar você precisa estar logado nos fóruns Você quer atualizar para 1.8 Bem-vindo ao Hardcore. Este mundo é tudo sobre a sobrevivência do mais apto. Não há segundas chances: você bagunça e morra, you8217re feito. O mundo incondicional é algo muito diferente do que o you8217ve visto no minecraft. dk até o momento. Muito pouco é 8220safe8221, não há economia, e se você morrer, você está proibido. I8217ll quebrar as diferenças pelos principais plugins que usamos GriefPrevention Claims não são seguros. Os jogadores podem abrir portas, caixas, matar você, seus animais, etc., etc. Enquanto eles podem bloquear blocos o tempo todo, o modo de cerco é habilitado, o que significa que você pode ocultar apenas sua reivindicação se você ver alguém. Durante o cerco, eles podem quebrar coisas como vidro, sujeira, madeira e alguns outros blocos. Isso significa que se você quiser proteger suas coisas, você precisará construir um cofre. Você está limitado a 1 reivindicação 92159. Isso é o mesmo. Quando você começa, você começa com um baú. Usar o peito inicial é o seu único método de reivindicação. Você pode mover sua reivindicação, mas você deve primeiro quebrar todos os seus peitos, reclamar e colocar o baú em outro lugar. Se você morrer, sua reivindicação é automaticamente abandonada e qualquer pessoa pode saqueá-la. Essentials Essentials estará fazendo muito pouco neste mundo. Você não possui nenhuma forma de economia de servidores. Você pode trocar com pessoas manualmente, mas corre o risco de matá-lo. PlayerHeads Toda vez que um jogador morre, independentemente da causa, a cabeça dele caiu. Quando eles morrem, suas últimas coordenadas serão exibidas no bate-papo, então aqueles que estão dispostos a arriscar podem ir pegar a cabeça. Novo plugin HardcoreSuvival Realmente a única coisa que vale a pena mencionar com este plugin são it8217s 2 características principais. 1) Isso muda como funciona a bússola. 8211 O botão direito do mouse indicará você para o local do player8217s mais próximo no momento do clique. Ele não atualiza em tempo real, então você precisa verificar freqüentemente para caçar pessoas. 8211 Clique com o botão direito do mouse em sua base 2) setbase 8211 desde que você não tenha casa, você precisa de alguma forma para voltar para onde você veio. That8217s onde a setbase vem. Ele armazena suas coordenadas para que você possa encontrar o seu caminho de volta Detalhes variados sobre o mundo A primeira coisa que você provavelmente notará sobre isso é que it8217s é muito menor do que o tamanho do tamanho normal. Ele só tem uma borda de bloco de 1k, então todos estão um pouco mais próximos e não leva uma hora para passar de um lado do mapa para o outro. Outra coisa que você notou rapidamente é que há envoltório mundial. Isso significa que se você atingir a borda, você deve ser entortado para a outra extremidade do mapa. Parece interessante, como faço para começar Simples: Vá para a caverna no spawn e entre no Arches no centro. Você deve ser teletransportado aleatoriamente para o mundo incondicional. Essa é a única maneira de chegar lá. Então, se você quiser voltar, você precisa se desconectar do Hardcore e, quando você voltar a entrar em you8217ll, esteja no mundo regular (não é para ser super fácil de ir e voltar) Cada mundo vai durar cerca de um mês ( Não é este primeiro, como uma versão de avaliação de aproximadamente uma década para ver o que precisa ser ajustado). Será uma jogada hardcore normal por 3 semanas, então a última semana você receberá acesso ao comando spawn e o pvp será desligado. Cada jogador que deseje entrar na competição receberá uma área na proximidade designada para eles, um local para eles colocar todas as cabeças que eles reuniram. O jogador com mais cabeças ganha. We8217ll colocou um placar ao spawn com os melhores jogadores e sua contagem de cabeças. (Note, não importa como você pega as cabeças, só que você as tenha. Você poderia roubá-las ou mata-las e nunca matar uma alma) 3 de janeiro de 2015 Autor: Admin 10becja Por favor, vote em como você quer que a economia seja administrada.

Sd Wings Forex

Notícias do mercado de ações de hoje Análise do amplificador Tempo real após as horas Notícias do pré-mercado Resumo das citações do flash Gráficos interativos Configuração padrão Observe que, uma vez que você fizer sua seleção, ela se aplicará a todas as futuras visitas ao NASDAQ. Se, a qualquer momento, você estiver interessado em reverter as nossas configurações padrão, selecione Configuração padrão acima. Se você tiver dúvidas ou encontrar quaisquer problemas na alteração das configurações padrão, envie um email para isfeedbacknasdaq. Confirme a sua seleção: Você selecionou para alterar sua configuração padrão para a Pesquisa de orçamento. Esta será a sua página de destino padrão, a menos que você altere sua configuração novamente ou exclua seus cookies. Tem certeza de que deseja alterar suas configurações. Temos um favor a ser solicitado. Desative seu bloqueador de anúncios (ou atualize suas configurações para garantir que o javascript e os cookies estejam habilitados), para que possamos continuar fornecendo as notícias do mercado de primeira linha E dados que você espera de nós. Furk. net é o seu armazenamento seguro pessoal que obtém arquivos de mídia e permite que você transmita-os imediatamente. Você pode usá-lo para transmitir vídeos ou ouvir sua música a partir de PC, smartphone, HTPC ou mesmo uma consola de jogos (XBOX, PS3). Limites de serviço: limite de largura de banda: até 250GB por mês Limite de armazenamento do disco: ilimitado (desde que os arquivos sejam de fontes públicas) O Furk. net não é um armário de arquivos e não suporta compartilhamento de arquivos com fins lucrativos. Faça login ou Cadastre-se Inscreva-se ou Crie uma conta com sua identidade social favorita

Psu Stock Options Definition

Windows 7: Opções da Internet Não será o OpenInternet Explorer Não vamos Lançar Ok mate nos manter informados enquanto isso continuará tendo um scout em torno de algumas respostas, mas estou suspeitando de que a entrada do registro para o IE está corrompida de alguma forma. Mas antes de fazer o check, execute alguns Chamar scanners bleepingcomputerdownloadadwcleaner baixar este do computador bleeping usa. kasperskydownloadstdsskiller este procura a pequena impressão. Eles não demoram muito para fazer Oh, pelo que o antivírus você está executando e algumas especificações do sistema também ajudariam D Tipo de computador PCDesktop System ManufacturerModel Number Criação própria (Novo) Desk1 Asus ROG Win 7 Desk2 1 ª construção OS Desk1 7 Home Prem Desk2 10 Pro Main lap Asus ROG 10 Pro 2 laptop Toshiba 7 Pro Asus P2520 7 amp 10 CPU Desk1 i5 3750K Laptop i7 GTX 860M Desk2 i5 2500 Placa-mãe Desk1 Asus P877 - V Desk2 Gigabyte H67 UD3H Laptop. Memória Desk1 8GB (1866) Desk2 16GB (1333) Laptop 8Gb DDR3 Placa gráfica Mesa 1amp 2NVidia GTX 650 amp Portáteis a bordo Intel Sound Card Desk 1 amp 2 - XONAR DG Realtek High Def áudio Monitor (es) de laptop Displays Desk 1 Benq HD 2450 Desk2 Philips 24quot Laptop 17.5quot Resolução da tela 1920x1080 D1 amp D2 amp Laptop 1 Teclado Desk 1 MS Sidewinder X6 Desk 2 MS Sidewinder X 4 Mouse Desk 1amp2 - Gigabyte MS 900 gamer - laptop - Logitec wireless PSU Desk 1 Corsair HX 1050 Laptop. Desk 2 Corsair HX 650 Case Desk 1 Cooler HAF XM. Toshiba laptop Desk2 Coolermaster Ventiladores em todos os Desk1 -2 Desk2 - todos os Coolermasters 5 Laptop. Discos rígidos Desk1 Samsung 120GB 830 SSD Asus ROG 256GB 850 Pro SSD Desk2 Samsung 840 256 SSD Toshiba 120GB EVO Internet Speed ​​ADSL2 Outras informações Um outro Desktop (tester) e laptop Toshba sobressalente ambos com SSDs executando o Kaspersky 2016 ISS em todas as máquinas configd identicamente Logitec audio Sistemas estéreo em cada máquina (x3) Canon MG5250MFC Routermodem TP-Link executando o WPA2SK Eu tive o mesmo problema. Eu tenho um SSD (C que eu uso como minha unidade de inicialização primária e um segundo disco rígido (D para dados de instalação de software. Alterei o registro do meu sistema para apontar para a unidade D para o software. Então copiei meus dois diretórios de programas (Arquivos de Programas e Programa Arquivos (x86)) para a unidade dD e agora eu instalei todo o software lá. Tudo o que foi feito, parece que o Internet Explorer ainda instala e precisa ser executado a partir da unidade C: eu até copiei o Internet Explorer de C: Arquivos de Programas para D: Arquivos de programas e eu não posso executá-lo a partir da unidade D: no entanto, se eu vou para C: Arquivos de programas e executá-lo a partir daí, ele corre bem. Então, coloquei um atalho e o fixei na minha área de trabalho e agora é Funcionando bem até o momento. Tipo de computador PCDesktop System ManufacturerModelo Número sistema operacional personalizado Win 7 Home Premium - 64 bit Desk1 7 Home Prem Desk2 10 Pro Main lap Asus ROG 10 Pro 2 laptop Toshiba 7 Pro Asus P2520 7 amp 10 Olá e bem-vindo wfbaca mate I Estou um pouco confuso quanto ao motivo pelo qual você está tão preocupado com a execução do IE da unidade C: e por que você Quer correr quase tudo a partir da unidade D :. Pessoalmente, basta inicializar e executar alguns programas do meu SSD de 256GB e os outros dois spinners para fazer backup e armazenar programas. Agora estou assumindo que o SSD que você possui é muito pequeno ou você não gosta de usá-lo. Tipo de computador PCDesktop System ManufacturerModelo Número Criação própria (novo) Desk1 Asus ROG Win 7 Desk2 1ª construção OS Desk1 7 Home Prem Desk2 10 Pro Main lap Asus ROG 10 Pro 2 laptop Toshiba 7 Pro Asus P2520 7 amp 10 CPU Desk1 i5 3750K Laptop i7 GTX 860M Desk2 i5 2500 Motherboard Desk1 Computador Asus P877-V Desk2 Gigabyte H67 UD3H. Memória Desk1 8GB (1866) Desk2 16GB (1333) Laptop 8Gb DDR3 Placa gráfica Mesa 1amp 2NVidia GTX 650 amp Portáteis a bordo Intel Sound Card Desk 1 amp 2 - XONAR DG Realtek High Def áudio Monitor (es) de laptop Displays Desk 1 Benq HD 2450 Desk2 Philips 24quot Laptop 17.5quot Resolução da tela 1920x1080 D1 amp D2 amp Laptop 1 Teclado Desk 1 MS Sidewinder X6 Desk 2 MS Sidewinder X 4 Mouse Desk 1amp2 - Gigabyte MS 900 gamer - laptop - Logitec wireless PSU Desk 1 Corsair HX 1050 Laptop. Desk 2 Corsair HX 650 Case Desk 1 Cooler HAF XM. Toshiba laptop Desk2 Coolermaster Ventiladores em todos os Desk1 -2 Desk2 - todos os Coolermasters 5 Laptop. Discos rígidos Desk1 Samsung 120GB 830 SSD Asus ROG 256GB 850 Pro SSD Desk2 Samsung 840 256 SSD Toshiba 120GB EVO Internet Speed ​​ADSL2 Outras informações Um outro Desktop (tester) e laptop Toshba sobressalente ambos com SSDs executando o Kaspersky 2016 ISS em todas as máquinas configd identicamente Logitec audio Sistemas estéreo em cada máquina (x3) Canon MG5250MFC RoteadorModem TP-Link executando o WPA2SK Internet Explorer (sem complementos) - Abrir Como abrir o Internet Explorer no modo (sem complementos) Tal como o sistema operacional Windows, o Internet Explorer possui um Opção de solução de problemas chamada nenhum complemento às vezes denominado Modo de segurança. Executar o Internet Explorer neste modo irá desabilitar controles ActiveX, extensões de navegador, navegador auxiliar. Não é possível abrir o Internet Explorer Por que não. Quaisquer idéias que eu não posso abrir IE - Posso abrir tudo o resto, exceto isso - como desinstalo o IE e reinsira, talvez seja o melhor que não posso achar na minha máquina. Qualquer ideia do que fazer aqui Obrigado Amadores de navegador Amador de Internet O Internet Explorer e o Google não abrirão o Internet Explorer e o Google não abrirá Oi, eu estou executando o pacote de serviço w w1 da ultimate em uma placa da Asus com 2x2gb ddr2 ram. Aparentemente, ocorreu algum tipo de problema de software porque não consigo abrir o Internet Explorer ou o Google para abrir. Também não há áudio. O que se segue é o que posso. Browsers amp Mail Internet Explorer não abrirá pop-ups na Nova guia. (IE8 64-bit) Então, o que acontece: - Vá para Ferramentas gt Opções da Internet gt Geral gt Tabs Configurações - Altere quotQuando um pop-up é encontrado de quotAlways abrir pop-ups em uma nova janela para quotAlternar abrir pop-ups em um Nova guia - Clique em OK - Clique em OK - Reinicie o Internet Explorer Quando eu reiniciar o IE e clique em um link. Browsers amp Mail No Programs Open Além do Internet Explorer Então estou executando o Windows 7 Home Permium 64bit e estou tendo o problema. Nenhum dos meus programas será aberto. Parece que a coisa que vai abrir é Internent Explorer, pintura, pastas reais, esse tipo de coisas. Nada mais será aberto, como iTunes, Malwarebytes para procurar. Busca de opções de indexação de ajuda e suporte do BSOD - Histórico do Internet Explorer Tenho o histórico do Explorer da Internet marcado na tela de minhas opções de indexação. Quando eu procuro uma URL que está no meu histórico da internet, nada aparece. Significado, eu não posso pesquisar em nada e ter que vir da minha história da internet. Por exemplo, estou no OKCupid. Se eu pesquisar quotokcupidquot. Hi Srajan, Espero que você e Ivette tenham um feliz e próspero 2017. Além disso, eu quero agradecer por ter um dos melhores sites que usei. Sempre rápido e organizado. Como a Irlanda está tratando você. Eu vi você em 2005 em Taos. Você se move mais do que costumava fazer. Best Wishes, Millard e Brenda Jone s Eire são tudo o que esperamos que seja - e nosso novo servidor irlandês é realmente imediato, com o nosso acordo de serviço específico, incluindo um impulso de turbo. Fico feliz em ouvir isso mostrar assim nos EUA, bem como Srajan Olá Srajan, espero que o novo ano tenha começado bem para você. Muito curioso sobre sua avaliação no Java Double Shot. Eu tenho o Triple on order (para a opção equilibrada, posso viver bem com o controle remoto ou fone de ouvido no meu pré). Usando o amplificador Siegfried, ele deve dar uma boa opinião sobre quanto quot mais ganha aka próprio personagem que ele contribui com a execução direta. Uma próxima ideia poderia ser seguir a luz e montar um sistema baseado em óptica com o cartucho DS-Audio, um servidor com conexão de fibra para o Aqua DAC e depois no Java. Deixa apenas os amplificadores no escuro. Melhor Gregor Com quotnow tomando pré-pedidos para uma entrega de junho de 2017 em seu site, pode ser um pouco até que meu empréstimo cai. Sim, sim - eu também tenho curiosidade. Como essa vedação de sabão ligeira contra Vinnie Rossis LIO equipada com autoformadores de John Chapmans e contra EJ Sarmentos conquistou passivo na versão STP-SE2 completamente enganada, devido a revisão em breve, os Shoppers hoje têm escolhas incrivelmente variadas e uma propaganda variada pode facilmente nos puxar desse jeito e essa. Aplaudir as orelhas é a única maneira de classificar as reivindicações e os conceitos. Sobre o qual, eu não sou um cara de vinil, mas um amigo teve experiência com diferentes plataformas giratórias a laser. Oy. Eles eram muito mais propensos a micro distorção de poeira no sulco do que as agulhas que podem desligar fisicamente tais partículas. A luz não pode. Comprador cuidado. Srajan Srajan: Uma entrada bem feita para o Ano Novo e uma que me chama atenção e resposta. Para usar seu idioma, este é um hobby que tem uma natureza arbitrária e imprevisível sobre isso e muitas vezes acaba com escolhas caprichosas e aquisição (s) gasty na esperança de escapar do domínio horizontal. Tão culpado como qualquer outra pessoa (como observado em uma missiva anterior para você) tive a sorte de tropeçar com seus comentários de encontrar uma combinação tão equilibrada com o Boenicke W5 e o Crayon CFA 1.2 que continuo a desfrutar. E, no entanto, continuo a retornar e ler novamente e refletir o novo Crayon CIA1-T revelar uma convicção e uma escala mais dinâmicas. O W8s valerá o comércio no nível da carteira. Seus comentários e comentários informados me forneceram um sistema que eu desfruto e, em sua maior parte, é capaz de passar o tempo diariamente. E, no entanto, eu olho para as estrelas e me pergunto, o que ainda há para ouvir Com gratidão e esperança por um ano seguro e mais pacífico. Rich Lavoie Estar na imprensa significa que, por padrão, eu participo de um calendário giratório de notícias onde o novo sempre parece ser melhor ou, pelo menos, mais novo. É a natureza da besta. Para sair deste roundnround significa parar de nos ler, estou com medo. Honestamente, com um bom sistema como o seu, não há motivo para continuar fazendo compras - a menos que seja para novas músicas. Então, enquanto não gostamos de perder os leitores, em seu caso, porque a tentação parece muito grande8212. Eu posso recomendar que você nos remova da sua lista de leitura e tire a agulha da sua veia. Ouch - :) Srajan Srajan: Com a revisão do soundkaos perto da conclusão, eu estava esperando que você inclua uma comparação com o falante de falante aberto da Física Esmeralda que você analisou anteriormente. Holger Scharmacher Youre é a segunda pessoa a me perguntar isso. Essa revisão aconteceu três residências e há dois vezes mais anos, ou seja, com auxiliares muito diferentes em uma sala muito diferente. Já passou muito tempo para eu ter muito uso para dizer. Eu só lembro que na época, eles usaram um monte de DSP para nivelar o tweeter com o resto e construir uma correção de resposta. Isso ocorreu no domínio puramente digital para realmente secar o som, assim como muita atenuação digital faz nos controles de volume padrão. Não me lembro de ter ficado tão perto como tão impressionado com eles como agora com o Libration. Mas não tendo ouvido os dois lado a lado, não posso adicionar nada mais específico, desculpe. Eu só diria isso pessoalmente, acho o conceito de um OB de plugnpay sem requisitos de multi-amplificação e correção DSP mais atraente do que confiar no processamento de sinal digital para corrigir as coisas. Isso seria verdade para os dois modelos Spatial mais pequenos. Claro que há uma grande diferença de preço entre o soundkaos e o EP, então isso deve ser mantido em mente. Srajan A saúde do salmão para você. Pelo menos, acho que é assim que se traduz. Eu vivi em Eire por um longo tempo na minha juventude maldita (condado de Leitrim. Espero que seja um movimento propício em todos os sentidos. Só pensei em adicionar meus dois centavos de valor (fora do registro) e chamar sua atenção para duas gravações muito agradáveis. A única é Pepe Habichuela En Rama (Amazon). Grande Flamenco por um mestre. Gravação surpreendente, pelo menos no meu sistema. Você pode se lembrar de Dave Holland jogou com ele nas mãos. Não tenho certeza se o jazz é o seu, mas Joe Henderson fez um maravilhoso Gravação chamada tão perto, até agora no Verve. Quarteto maravilhoso e por uma vez uma gravação de estúdio que é natural e dinâmica. Por último: como muitos, vejo maravilhas aos preços, alguns justificados e outros. Bem, se as pessoas estão dispostas a pagar. Eu acho que seria melhor para o seu Kharma se eles contribuíssem para a habitação de refugiados ou algo assim. De qualquer forma, Dueland (que, indiscutivelmente, faz as melhores gorjetas e resistências do planeta, e os coima de acordo), recebeu silenciosamente o audiophile que não está com morte cerebral com um Superação de produção sem fim O objetivo foi esvaziar sua conta bancária. um presente. Um presente maravilhoso. Você compra o carretel da Conexão de Peças, de acordo com suas necessidades, para o total total de 10 metros. Você não precisa terminá-lo. Na verdade, é melhor não. Este não é um cabo de alto-falante comum e é milagrosamente deliciosamente musical para dizer o mínimo. Para um grande total de cerca de 100 você tem a anedota de prefeito para a tribo de supercone hedthely caro. Eu encorajo você a experimentar. A história por trás disso pode ser encontrada no site Jeff Days. Obrigado por todo o bom trabalho deste ano e por muitos mais por vir. Shepperd Obrigado, Shepperd. Eu olho aqueles dois imediatamente. Eu segui o site de Jeffs e leia seus relatórios sobre esse material do Duelund. Definitivamente, meu beco Srajan, oi Srajan, estou feliz por ver que você está de volta cada vez que você sai do ar, sinto falta de pesquisar as notícias em suas páginas e, claro, o que acontece é que eu olho em outro lugar. Uma das coisas que vi recentemente, o que me leva um pouco de bananas, são artigos sobre a mais nova coisa da Wilson Audio, a WAMM MC. Embora eu percebam que este orador pode ser extremamente especial, o que é certo é que ele carrega um preço bastante impressionante 685000 (isso não é um erro de digitação). Então fiz um pequeno exercício mental calculando o preço por quilograma, com algumas comparações basicamente uma coisa tola para fazer, mas ainda, apenas por diversão. Esse modelo da Airbus é o menor da gama, mas ainda possui 100 passageiros ou mais. Claro que não acho que esta seja uma comparação particularmente justa. No entanto, se tentarmos comparar o conteúdo da tecnologia em cada uma dessas 4 coisas, parece muito óbvio para mim qual delas tem o mínimo. De qualquer forma, desejo-lhe, Ivette e Blondie todos os melhores cumprimentos e estações para o final deste ano Goran Obrigado, Goran. Blondie está tristemente não mais com a gente. Ela morreu muito de repente de insuficiência renal aguda. De minx fofo feliz a uma sombra nua de si mesma em 10 dias e depois foi. Então, pela primeira vez em um longo tempo, o nosso é uma família sem gatos, mas eu acho que, mais cedo do que mais tarde, bem cruzar novamente com um gatinho que quer morar conosco. Quanto à sua dieta de banana, você não está sozinho. Eu não sei como determinadas companhias de hifi chegam a alguns de seus preços, ou seja, eles influenciam em 7 anos de RampD às 100 horas dividido por x número de vendas antecipadas para aderir ao custo de construção bruta. Obviamente, os exemplos de carros que você usou caíram na mesma liga de luxo. . Talvez para se apresentar ao público-alvo, esses produtos devem atravessar um certo limite fiscal. O outro lado é que o negócio é sobre ganhar dinheiro. Se alguém descobriu como vender consistentemente produtos caros para compradores que estão claramente satisfeitos ou as vendas não aconteceriam, a palavra é sucesso. Só porque eu não posso dar o luxo de jogar naquela liga ou ter interesse em começar com isso, de qualquer forma, diminui a conquista do negócio. Dessa perspectiva, estou muito impressionado sempre que uma empresa do nosso setor pode tirar algo assim. Como você demonstrou com seu exemplo, os números puros e a ausência de densidade tecnológica (em comparação com máquinas muito mais complexas) devem falar contra isso, mas o excesso contínuo de equipamentos hifi cada vez mais caro mostra o contrário. Não sei o que esse fato realmente diz. Só posso reconhecer a sua existência e tomar nota. Srajan Então, o que eu tirei da sua revisão Optical de LaScalal MkII é que, no meu sistema Triode Lab Ocellia, provavelmente seria melhor servido com a Fórmula mais rápida e apertada sobre o La Scala ligeiramente mais espessa (assim como o Phono de Gênese supera o Nagra para o meu gosto ), Mas como é ligeiramente leve. Vale a diferença de preço significativa ou a redução da curva de retornos decrescentes (considero, por exemplo, a diferença entre o Genesis e Nagra o bastante para ter um efeito sistemático no meu sistema com todos os gêneros, todos os discos, então não Apenas marginal). Ou, em outras palavras, é a melhora de um SOtM para o La Scala tão significativo que o pequeno pouco mais a ser tido com uma Fórmula seria, no melhor das hipóteses, comparável. Apenas debatendo minhas opções de Aqua vs TotalDac. Cheers Frederic pergunta muito justa. No contexto do nosso sistema SIT1DruidVSubmission para definir uma referência de preço, a mudança de LaScala optológica para Fórmula é suficientemente significativa no domínio da recuperação ambiental e do tom natural que a Id não liga ligeiramente. E espero o mesmo pelo seu sistema e preferências musicais. Obviamente no dobro da moeda entre estes dois pavimentos Aqua, a carteira gemeu e afirma que é um pouco o que é. Eu escutei a LaScala por alguns dias para se instalar no seu som, então mudou para a Fórmula. A carteira teve que calar a boca. Há algo sobre a apresentação da Fórmula que acrescenta-se a uma experiência mais profunda, mesmo que, quantitativamente, as coisas diferentes para empurrá-la para a profundidade mais profunda, não são muito. Além disso, tendo em conta as suas inclinações NagraGenesis, Id Point na Fórmula. O que o buffer de tubos LaScalas não é diferente, o que seus comentários dizem que seu sistema precisa. Como você sabe, eu não estou no mais dinheiro é igual a uma mentalidade mental melhor. Neste caso e relativo ao que você já jogou. O gasto maior seria garantido. Srajan Caro Srajan, gostei muito das suas reflexões de fim de ano e aplaudo 6moons por continuar seu excelente trabalho no campo de revisão de áudio. Você criou um nicho virtual interessante, e não importa onde seus revisores liguem para casa, você exemplifica o que uma comunidade verdadeiramente global de críticos deveria ser. Eu apenas recebi meu passaporte irlandês renovado8212 bom por mais 10 anos. Além disso, tenha cuidado com a diáspora irlandesa, você pode encontrar um Dia na barra de canto. Cheers, Michael Fanning Shebeens seria um bom aguaceiro para se encontrar. Muita água de búfalo, mas não crocodilos na água - :) Srajan Uma vez que parece haver um mercado para esse tipo de coisa, estou ponying meus dois centavos de experiência caros. De volta ao dia, eu possuíam suspensões acústicas AR do AR 7 para o LST todo-poderoso (na verdade, um design Allison) alimentado pelos amplificadores de areia Marantz Superscope, então onipresentes, desde o 1030 até o combo 3300-250. Eu paguei minhas dívidas e a lição que eu aprendi é que o que você ganha na freqüência imediatamente você perde nas mudanças de impedância. A suspensão acústica é o inferno em amplificadores, exige alta corrente e é potencialmente harmônica deficiente no baixo. Se o maior cuidado não for tomado, ele tende a disparar muito exatamente o som em vez de deixá-lo fluir. Cerca de quarenta anos depois, eu imediatamente reconheci seus potenciais e armadilhas nos designs Magico, que toca meu ouvido melhor quando alimentado por amplificadores de multitube gigantes com todos os seus problemas. Por outro lado, eu dirijo caixas de sapato insensíveis de infiltração infinita Harbeth, que são uma carga elétrica muito fácil por design, com um pequeno conjunto de 3 watts: é a implementação, estúpida. Michele de Roma, oi Srajan, apenas lendo sua revisão Vinnie Rossi. Eu gosto do seu estilo de escrita, envolve uma jornada. Eu notei o microRendu em uma das fotos você está revendo. Tenho que dizer que me levou cerca de dois meses para tirar o melhor proveito dela, e isso é assumir que eu estou à vista da cúpula Inicialmente, eu substituí a PSU IFI por Um Sbooster 6v. Em seguida, adicionou alguns DDCs, Audio Breeze e Mutec3USB, antes de adicionar alguns widgets USB e isolamento de rede. Tudo isso fez o som limpo e dinâmico, mas eu estava sofrendo com mais brilho do que eu gosto, e com algumas gravações que eu conheço, causa um problema, eu tenho alguns Ss e Ts muito agressivos. Eu finalmente resolvi o brilho quando uma leitura de uma publicação mencionou o uso de um Isolador de linha entre o DAC e o pré-amplificador em-passivo. Comprei um ART DTI barato. E timbre chegou no lugar se o brilho. Atualmente aguardando um Jensen de qualidade superior para chegar. Isso leva a, para mim, o assunto vexado de loops de terra, laços de vazamento e várias formas de jitter. Eu adoraria pensar que eu entendia por que esta solução funcionava, a verdade é que também pode ser magia negra. Eu posso dar uma sequência de palavras de buzz, mas eu acho que isso apenas esconde a ignorância. De qualquer forma, você estará escrevendo sobre o Sonore MicroRendu Martin The Sonore foi algo que Vinnie mostrou com tão certo show exibir o pix incluído. No entanto, não estou agendado para rever o microRendu, desculpe. Srajan Hi Srajan, com base no que você diz sobre os servidores, vou imaginar que você também sinta que atualizar o computador alterando a fonte de alimentação e substituir o disco HD por uma unidade de estado sólido não seria dinheiro bem gasto. Estou realmente gostando do meu sistema. Eu não tenho mais o Gallo 3.5s. Agora estou usando Clayton Shaws Hologram M4 Turbo S. Eu teria ido para o M3 TS, mas meu quarto de escuta é muito pequeno e eu prefiro o visual dos M4s. Em qualquer caso, estes são alto-falantes realmente maravilhosos que, para meus ouvidos, superam os 3.5 em cada parâmetro. Especialmente no que diz respeito à tensão e musicalidade do baixo. O meu DAC é o AMR DP 777 SE que é muito analógico. E minha amplificação continua sendo o excelente Crayon CFA 1.2. O sistema simplesmente faz música. E a palavra para descrever o som que mais vem em mim é a palavra pura. Gostaria de compartilhar uma experiência que tive no final: algumas semanas atrás, dirigi um par de horas para assistir a uma demonstração dos falantes Magico M3. Os M3s estavam sendo conduzidos por monoblocos DAgostino Momentum topo da linha. A conversão digital foi tratada pela 4 caixas dCS Vivaldi. O Vivaldi custa cerca de 108 mil. Os M3s estão listados em 75.000. Stereophile lista o custo dos DAgostinos em 55.000. Então, com o servidor de música e os fios e outros acessórios, acho que esse sistema é pequeno até a marca de 300.000. Eu achei a experiência decepcionante. Eu achei chato. Falta de impacto emocional. Também fatigante. Se eu possuísse esse sistema, eu acharia vontade de desligá-lo depois de cerca de meia hora. Embora a apresentação tenha sido enorme e muito dinâmica. Achei muito grande. Extremamente grande. Vozes quando são tão grandes não me parecem naturais. Grandes vozes grandes, para mim, digamos amplificado, amplificado. Também o baixo estava inchado e não tinha aperto e definição. Era difícil seguir a linha de baixo musical. Os altos não eram realmente estridentes, mas eles eram bastante duros. O que explicaria a fadiga auditiva que eu estava experimentando. E os timbres, especialmente dos instrumentos de cordas, pareciam bastante corretos. Eles simplesmente pareciam um pouco. A apresentação soou mais digital do que analógica. Quando os sons são muito nervosos, recebo uma sensação nos meus ouvidos. Um tipo de sobrecarga. É uma sensação fisicamente desconfortável quase dolorosa. Experimentei esta sensação várias vezes durante a manifestação. Exagerado, duro e chato, não aguardava a apresentação, que durou uma hora, para terminar. Não sei o que foi a causa dessas questões. Em uma apresentação como essa, você não consegue ouvir como cada componente afeta o resultado geral, então eu realmente não sei quais fatores atribuir esse som sem inspiração. Mas eu acho que posso pelo menos excluir problemas de sala e configuração de falantes. Esta demonstração foi em uma loja muito alta que vende todos os componentes acima mencionados e ocorreu em sua melhor sala de demonstração. Então, acho que o quarto foi tratado com acústica bem. Além disso, Alon Wolf estava presente e foi ele quem instalou seus alto-falantes. Depois de tudo o que é melhor configurar altifalantes do que o fabricante do próprio fabricante. Então, eu tenho certeza de que alguns dos problemas estavam nos alto-falantes. O baixo inchado e o som exageradamente enorme, por exemplo. E provavelmente a eletrônica. Ou a amplificação DAgostino ou o conversor Vivaldi. Eram responsáveis ​​por essa dureza e ligeiramente fora dos timbres que eu estava ouvindo. Talvez fosse a música que eles estavam jogando. No entanto, como durante a apresentação das horas eles tocaram pequenas seções de muitas faixas diferentes e os resultados eram consistentemente os mesmos, acho que não era a música, mas o próprio sistema. Em qualquer caso, fiquei realmente surpreso. Claro que eu tinha ouvido sistemas que custam mais do que os meus e alguns eram muito bons e outros menos. Mas eu nunca tinha ouvido um sistema cujo preço era 20 vezes mais caro. Embora eu não sou proponente da teoria de que o custo reflete a qualidade, não pensei que era irracional esperar que um sistema tão dispendioso fosse pelo menos um pouco melhor que o meu. E essa foi realmente a minha expectativa. Eu fui a esta demonstração porque estava interessada em ver o quanto melhor seria um sistema dessa faixa de preço que o meu. Especialmente um cujos componentes (especialmente os altofalantes Magico) foram tão altamente revisados ​​por Jonathan Valin em The Absolute Sound. Eu nunca teria esperado que pareça pior até o ponto de eu nem querer. Sim, achei a apresentação decepcionante. Mas, ao mesmo tempo, foi gratificante. Como essa experiência confirmou para mim que, de uma vez por todas, não importa o quão alto a cadeia alimentar financeira, o custo de um sistema de componentes não é garantia mesmo de uma qualidade de som incrementalmente superior à de muitos componentes muito menos dispendiosos e acessíveis. Oferecido hoje. Não me interprete mal, por favor. Não estou dizendo que acredito que não pode haver componentes muito onerosos que sejam muito superiores aos meus. Talvez haja muitos. Mas eu não vou mais dar por certo que, necessariamente, um 100 000 DAC, vai soar melhor, mesmo melhorando gradualmente do que o meu 5000 AMR DP 777 SE. Peter Sem entrar em detalhes, o teor geral de seus espelhos de postagem, exatamente. Por que quotsuperfiquote não é algo que eu persigo. Eu tive muitas experiências igualmente decepcionantes - :) Srajan Hi Srajan, depois de ter sido devidamente impressionado com a qualidade de áudio do Cambridge Audio CXU, lido no Cambridge Audio CXN e, como o CXU, recebeu críticas muito favoráveis . Qual a sua opinião em unidades de transmissão de áudio Você tem alguma experiência com os produtos da CA Se assim for, quais são seus pensamentos, especificamente com o CXN Além disso, o que você diria para usá-lo como um DAC externo, bem como uma unidade de transmissão de áudio? É uma atualização para o DAC externo atual DAC18212my Dench - ou simplesmente diferente Obrigado. Saudações, Derek Im estranho em que minha esposa e eu são sensíveis à sensibilidade WiFi. Quase todas as faixas de corrente dependem de controles remotos de tablets para operar, o que, apenas para nós, os descarta por design em nossas escavadeiras não-WiFi. Além disso, nenhum deles tem exibições tão grandes e nítidas como o iMac que eu uso para música. Além disso, os poucos que revisei não tiveram realmente nada sonicais em meu iMacPureMusicDAC combo - um pouco diferente, sim, categoricamente superior, não. É por isso que eu já estou no meu terceiro iMac em vez de ter migrado para um streamer aprovado pelo audiófilo. Sobre esse assunto, eu sou o cara errado para perguntar. Re: CA vs. Benchmark, eu duvido que o CXN DAC seria mundos à parte. O que você teria é a integração de tudo em uma caixa ao invés de lidar com um computador convencional de algum tipo, com mudanças de sistema operacional intermináveis ​​e os vários ajustes em que se deve permanecer em cima para obter o melhor som. Srajan Saudações Srajan, espero que o seu 2016 tenha sido um excelente ano até à data. Eu tenho um par de fones de ouvido Audeze LCD-2 com a nova unidade do Burson Conductor e continuo a ser surpreendido às vezes pela reprodução deste combo. Suas palavras perspicazes de sabedoria me levaram a ambas as escolhas. Como sabemos, o Audeze não é o grampo mais confortável. Além disso, não é particularmente agradável para membros da família na mesma sala, com seu vazamento sonoro. Meu outro fone de ouvido era exatamente o oposto. Um modesto Sennheiser PX-100. Maravilhosamente confortável, silencioso para o mundo, e som agradável, se não for de qualquer maneira estado da arte. Infelizmente, depois de quase 10 anos, meu PX-100 desmoronou e é hora de substituí-lo. Colocando conforto e silêncio como duas prioridades nessa escolha, existe uma direção específica que você pode me apontar para Obrigado Srajan. Os melhores desejos Ashley Gray Para o sabor oposto do LCD-2, veja o Final Sonorous III. Para algo no meio, o Meze 99 Classics Ambos são muito confortáveis, ambos podem ser conduzidos a partir de portáteis. Eu escrevi comentários tanto para que nossos arquivos preencham a imagem. O Sonorous III é um dos meus auscultadores atualmente favoritos - :) Srajan Srajan, saudações de férias dos EUA. Alguns dos meus colegas de engenheiros muito bem-sucedidos foram irritados e divertidos com a minha curiosidade em como as coisas funcionam. Misturar registros, ou congelar emoções no tempo, é uma das minhas coisas favoritas para fazer - tudo consumindo e satisfatório, especialmente quando a matéria-prima contém algo especial para ser extraído. Lembro-me de ouvir quotHello Goodbyequot e perguntar ao meu pai, qual o tipo de máquina que você precisa para fazer esses sons. Ainda estou fazendo a pergunta, é parte da diversão. Ao longo da minha carreira, tive a sorte de falar com uma longa lista de engenheiros que eu admirava e aprendi. Talvez haja dois campos, geralmente. Quando perguntei a Frank Filipetti por que ele mudou para o digital, ele se inclinou como um pai bravo, abaixou o charuto e disse quot porque parece melhor. Ok, obrigado por isso. Por outro lado, quando perguntei a Bruce Swedien sobre o uso de microfones de fita, ele perguntou: quot Você tem alguns minutos, podemos sentar quot. Ele passou a me contar sobre gravar vocais de Michaels - movendo Michael ao redor do microfone para criar pequenas mudanças de tempo que iria construir a profundidade da frente para trás na mistura. Foram 30 minutos antes de chegarmos aos microfones de fita, mas ele continuou e era uma aula de mestre - generada genericamente por uma gigante suiça amigável. Alguns engenheiros só se importam se a engrenagem soa bem, outras amam o processo no extremo. Eu estava no último campo para encontrar a revisão Amphion foi uma excelente surpresa. Eu tentei fundir a diversão das velhas caixas seladas com o woofer vintage com a precisão necessária para tomar decisões críticas, sem muita sorte. Nada soa bem como um tambor ou um baixo violão empurrado para a frente por um grande woofer em uma caixa selada. O Sr. Nakamuras NS1000 em todas as suas variantes simplesmente não está em casa ou está funcionando em uma área de trabalho. A infinidade de pequenos campos portados profissionais, enquanto dimensionados para caber, apresentam problemas de tempo problemáticos que fazem uma colocação de instrumento traduzível precisa para um desafio de fiação de cabeça. Nada dirá onde as coisas pertencem mais sem esforço do que uma caixa selada. Embora seja verdade que o Sr. Swedien rastreou a maior parte do Suspense em JBL 4311, o trabalho de equilíbrio e colocação foi deixado para um alto-falante de cubo matematicamente desafiado, sem um fragmento de fidelidade, chamado Aurtone 5c. O longo debate de décadas sobre o NS10, com a sua baixa inclinação e a corcunda em forma de caixa, em 1k, se beneficiou de todas as explicações possíveis de sua ubiquidade. A resposta real é que é selada. Funciona para ambos os campos porque não pode funcionar. Ive experienced the sadness in a mastering room when port timing issues are fully exposed. The hard work of inspired groove assembly has all but collapsed and no amount of eq and multiband Weiss tricks will save it. Sealed boxes have all but disappeared, save for quite expensive active versions manipulated into shape by gorilla weight DSP. Maybe the drivers just dont exist anymore. With all the shortcomings ( in modern terms ) of the Yamaha NS1000, The AR 3s and other vintage closed up boxes, there is something special about the speed and listening engagement of the well recorded track. Kevin Killens mix of Peter Gabriels Red Rain - played sans ports, is more immediate and visceral, even without the extended low end. The mix is less confused, given Kevins challenge of fitting 11 pounds of waveforms into a 3 pound bag. Its funny but when people ask quotI wonder how this sounded to the engineer in the studioquot - you just need a pair of NS-10s, 12 feet of low and mid bass correcting console reflections and a well warmed Bryston driving it. Running in a bedroom with an NAD receiver they are a very different speaker. And then theres the A26, - what trickery is this A truly enjoyable listen, with caveats of course, even if quotaperiodicquot seems like voodoo. Try finding a reasonable explanation of how to draw this kind of box, other than the vintage Goodmans paper. I would argue that if the major players like Dynaudio, JBL, Tannoy, Genelec, et al. had gone head to head with the NS10, and offered up some real competition in the sealed category - the NS10 might not have reached its mythical status. And in a profession where timing and placement is the starting point, why is there so little discussion of the ills of ports Rare is the article that addresses the overhang in a thoughtful way. Aperiodic loading has been banned to car audio and passive radiators receive a sort of scoffing discount as in this FAQ paragraph from Sound on Sound - What the passive radiator does, basically, is create a larger port area, without the airflow noises that might otherwise occur, and help control the frequency range over which the port is effective. More swings and roundabouts, really, but it definitely falls into the vented box camp, and doesnt have any of the positive time-domain benefits of the sealed-box team. Not exactly a definitive take on the potential benefits of an ABR. If not for your deeper look into Anssis crazed imagination, I might have been left with a similarly over simplified view, while still hoping for a quotbetter than portedquot small box solution. A friends studio is equipped with the humble and high dollar value, Mackie HR624s with a similar passive alignment. The radiator is placed back cabinet behind the woofer and these little 6 incherquots do not display the overhang characteristics of similarly priced ported designs. The Mackies have used this alignment for more than a decade and they are still considered quotjust barelyquot professional. They do quotfeelquot closer to sealed, even though Sound on Sound would have me believe otherwise. All this to acknowledge the importance of your work. There is always more to an Ebaen review than the title would suggest. In widening circles of useful things, you thoroughly describe the One18 experience - the family products that led to it - the intersection of professional and audiophile aspirations - and why the tech behind it actually works. We professionals should be so lucky when clicking into another industry post. You take the time to provide context and perspective and Im appreciative of both. The Boenicke W5 and the Amphion One18 would rarely if ever wind up on the same desk in front of a single reviewer. They are of different worlds. So I must ask, has this view into the MixMastering tool changed the way you listen After hearing the incisive edges of the Amphion, does the W5 still have satisfying detail Is the Amphion too exacting, having lived in the lush triangle of the W5 And what of the W5s rear cnc shaped port Have you heard the occasional timing hiccups or slowness that once heard is now forever apparent Its an unfair comparison for sure. Ill be auditioning the One15 soon, but sadly the Boenicke is nowhere to be found in my part of USA. From your review though, I could do worse than a pair of W5s in the living room and pair of One18s downstairs in the studio. Given that you may be singularly qualified to make the case, Ill apologize in advance for soliciting personal attention to my curiosity. Thanks for reading, and for the consistently excellent work. Philip Nowlan For starters, Im weird in that I completely and utterly reject the absolute sound. I enjoy a terrific sushi as much as a killer Thai or NepaliIndian meal but if you fed me just one of em on a daily basis, Id burn out sooner than later. Ditto sound. quotBetterquot happens more rarely than simply quotdifferentquot. Its a bit like swapping yellow sun glasses for green ones, then blue ones and so forth. Same scenery but color shifts and with those, emphasis on different detail. Theres hyper precise articulate fast sound theres super spacious mellow sound theres warm woody rich chocolaty sound. and so much more. I can enjoy all of those flavours to then have a really hard time isolating an immutable objective quotbestquot. Our W5 now live in my wifes artist studio run off an Aura Note V2 all-in-one. On my desktop I have the active Eversound Essence because theyre compact, pretty, include a very good DAC and headphone amp and decommission separate electronics clutter. The Boenickes or Amphions would do certain things differently but within a half hour, Id have adapted to their flavour of presentation, stopped comparing and be happy. With the cooler crisper Amphions, I might throw in SImon Lees Stello kit rather than Anssis class D amp just to accommodate a personal preference but then Id be set. And theres the massive impact our music choices have. Hard-hitting techno bass is completely different from a swinging Jazz upright. To maximize either flavour, Id favour sealed for techno, Boenicke-style porting for Jazz. E assim por diante. If executed well, none of it becomes a deal breaker, just a shift thats forgotten the moment comparisons stop, mentalizing over abstract ideals stops and the music takes centre stage. First row center Mid-hall side Balcony All of it affects the perspective and feel, none of it has to undermine pleasure. Space is the place vs. PRaT rules vs. chewy tone is boss etc. I can quotdoquot all of it and my revolving harem of speakers shows that Ive still not settled down with anything for good. Lastly, theres the recorded quality of whatever music I listen to most. I listen for pleasure not truth so ultimately, not like a recording engineer who must manipulate a product into its final ideal shape that might be keyed into mobile or radio consumption, not tweaked for high-end hifi users. Do I really enjoy hearing excessive reverb, close-micd spittle et al Doesnt that make me stay away from certain music I otherwise love To me then theres a chasm between theoreticalmeasurable ideals which are abstract and real-world relevance in how things interact with their environment, how theyre actually used, why theyre being used - all of which is practical. In the end, practical wins out each time -:) Srajan Srajan: What am I to make of your recent comments (as of December 2016) concerning quotuber-monitorsquot - the Enigmacoustics Mythology M-1 in particular Your recent reviews of the Mark amp Daniel Maximus Monitor Mk2 and Buchardt Audio S 300 Mk2 seem to damn the M-1 with faint praise, or refer to that Blue Moon winner only mockingly. In my part of the United States it is sometimes hard to find the audio equipment reviewed in 6moons. However I was pleasantly surprised to find the Mythology M-1 in my area and very much enjoyed andor was impressed by what I heard. My enthusiasm was spurred on by enthusiasm you demonstrated in the two() reviews of the M-1 found in the archives of 6moons. Indeed, I found your observations in those reviews spot-on and had been considering making a purchase. Accordingly, I have been trying to put your more recent lukewarm, comments in some sort of context. Is the 2014 Blue Moon Award to the Enigmacoustics Mythology M-1 as a somehow unique quotStatement Monitor Speakersquot still valid Do I read you correctly, that the only reason to consider the Mythology M-1 (or the Kaiser Chiara and Crystal Cable Minissimo for that matter) over the Mark amp Daniel Maximus Monitor Mk2 or Buchardt Audio S 300 Mk2 would be for purely political, cosmetic, or personal bias If so, why werent Blue Moon Awards granted to those other speakers as well Please help clear my confusion. Godfrey Herndon With two more MD reviews on the books, I want to wait for the findings of my colleagues to (try to) determine which of quotourquot three models appears to the be sweet spot or hot buy in the revised lineup. That would be the obvious recipient of an award. It might end up being the Maximus 2 in which case an award would be affixed to it at that time and the review rerun. That determination simply must wait until MampH and Glen hand in their respective writeups. For a cost-no-object ber monitor, the Mythology M1 remains my top choice including fit n finish. For a lot less dosh, the MD is an astonishingly capable competitor which, however, really does want a lot of power and isnt quite as elegantly dressed. But if those two aspects arent deal breakers, the Maximus Mk2 becomes a go-to option. Put differently, more (or a lot more) money does buy more but a lot of that becomes more and more marginal. That doesnt mean faint praise for the EngimAcoustics. It simply means that for a lot less, one can come very close to the degree that the remaining differences become irrelevant depending on the degree of craziness one has for this hobby. The Danish speaker had phenomenal bass bandwidth but relative to the MD and Enigma, less resolution particularly from the upper midrange on up. Different calibre of refinement if you will. How much that extra refinement is worth. thats something I can never answer. So my recent comments about the M1 arent lukewarm but just tempered relative to its high cost and cosmetically compromised super-tweeter-on-top add on when now Ive come across particularly the MD to demonstrate that on eyes-closed sonics, a third of the budget would do something very similar. Makes sense Srajan Hi, Srajan, I read your review of the Rethm Bhaava with considerable interest. I think I can call myself a huge fan of the Bakoon sound. I have been happily pairing an HPA-21 with Sennheiser HD800 for a couple of years now, a combination that I regard as oddly serendipitous, perhaps as the one you describe between the Bhaava and another Bakoon amplifier. Which is a perfect segue into what I would like to ask. I have a hankering to try a similar sonic aesthetic over wideband loudspeakers. And because of your high praise for the Bakoon AMP-12R and my own glowing experience with their premium headphone amplifier, the AMP-12R stands as a logical candidate for such a system. But you were clear in your review of the Bhaava that a couple of things that that particular speaker choice quotleaves under the tablequot are resolution and speed (even when paired with the AMP-12R). And my budget is not going to allow a speaker purchase much in excess of 6000-7500. Can you recommend other speakers with possible, special alchemies with the Bakoon that might better fill my bill and still stay within budget Regards, Rob LaBarre The obvious candidate would be a Voxativ from your sonic prioritys list but Im currently not informed what their smaller floorstander sells for, i. e. whether it falls into your price range or not. And even if it did, itd not come close to the Bhaava on bass reach, power and the related gains in midband body. For that youd need a separate sub which Voxativ have but beyond your price range (and a conventional low-efficiency sub would most likely not work anywhere close as well). Im afraid thats the end of my quotideasquot about your scenario. Another would be to find the next-up Rethm model on the used market. Itd give you everything the Bhaava does plus more speed and resolution. Srajan Hi I emailed you earlier this year suggesting a review for my Buchardt Audio s300 mk2 just because i love the speaker and use it for my main monitors in my studio. I just read your review of them and the Amphion One18 but havent heard the One18 that so many studio owners are raving about. So i thought If I may kindly ask if you have any preference of the two Do they sound similar Short comparison. No dealers got the Amphions in Stockholm so I can unfortunately not audition them yet. Love my s300 though, just curious in what way they differ. I know no one that has actually heard both Thats why Im asking. Thanks for great reading and your hard work. Best wishes, Johan Hrnqvist Sweden From my memory of both, the Amphion is a true studio monitor (dead neutral if I can use that imaginary term) whilst the Buchardt is cannily voiced to live on the warm full meaty side of the fence. I thought itd make a great nearfield device if a mixermastering guy wanted to work on the type speaker an end user would have. But its not as brutally frank and revealing as that Amphion which, likely, is the core quality such professionals or amateurs wantneed for their work. So these speakers differ in their relative perspective or focus. Srajan Srajan: Killer review of the new Rethm I got a very good fix on its sound what with its various strengths and weaker points. And your offbeat amp adventures came up with another unexpected match. Thats the reason for my email. I wanted to thank you for not rewriting your main page after coming across the Bakoon. It can be quite misleading when reviews become best-case scenarios which dont take into account what the average user will hear with average (normal) equipment. You were very clear about separating between basic sound and ultimate potential and I really enjoyed that distinction. Mantenha o bom trabalho. Dieter Appreciate your appreciation. Its actually not that often8212at least within the window of variability afforded by our hardware library8212that one particular combo nets such a leap or alteration of the core personality. Usually things go sideways. One combo does bit more of that and a bit less of that and vice versa. To chance upon something (and pure chance it really is) that skips straight up into the next higher octave or higher still is very rare at least in my experience. Greasing those wheels of likelihood is why I keep a certain amount of stuff on some industrial shelves. But again, thats still a very limited arsenal. Srajan Honorable Sirs, I am a satisfied Android user and very dissatisfied user of the Lumin M1. The Android Lumin combo is the essence of my complaint. 6moons was instrumental in my deciding to buy the M1 in July 2016 so it would be only fair to ask you to reflect the changed reality in the review if you find my information credible. The review by Jol Chevassus was tasty beyond measure. However, now that I have lived with that apparatus for nearly half a year, I am pressed to admit that my buying decision was wrong. The metal is okay but the app sucks big time. So bad is the app that I am now considering parting with the M1. And I am asking: was Jol at all paying attention to Lumins Android app My experience is night and day to his iPad take and I am wondering how that is possible. From his review: quotMore good news is the recent release of an Android version which will make Lumin owners happy but also all other users of UPnP home network players. The Lumin app is thus mandatory to pilot the M1. It shouldnt really be an issue when the Lumin app is amongst the very best available. quot IMHO, the above paragraph consists of untrue statements: 1) the Lumin app is not amongst the very best but the worst, which is provable, 2) the Lumin app is not mandatory to pilot the device. Most any UPNP player software will work but Lumins suggestion of Kinsky is as glitchy as Luminapp itself. Panasonics Music Stream is by far the best to pilot the M1. 3) this app is unusable for other UPNP players due its defects quite contrary to your suggestion. 4) I was not made happy as a Lumin M1 owner. My experience shows that the app is unstable, and crashes very often. Several of the advertised features dont work as expected or not at all (see screenshot of the faulty search function). The app presents several technical glitches and usability quirks. It is slow and generally leaves the impression of an unfinished product. In my working experience, such a combo of features really only means one thing. The app is not an original Android software but a crappy automated translation of the code from iOS. I could never imagine how important for complete enjoyment of an audio apparatus its control software could be. Now I know and I am sad. I gave Lumin the benefit of the doubt and time but nothing improved. Nada. I even did my own testing across several Android devices to find one which would work instead of my tablet - with miserable results. Therefore I conclude that the Lumin app for Android is crap, full stop Worse, so is Lumins customer service. And I know what Im talking about with customer service. I chose the combo of M1 Atohm GT1 HD speakers over a pair of Devialet silver Phantoms and Devialets customer service went a very long mile to help me get set up and address even minor questions. Lumins service did not go past unfulfilled promises. I would like to ask 6moons as a credible review site to amend the review to reflect the reality about the Lumin M1 and its Android app. I enclose my full correspondence with Lumin so that you can make up your own mind. All specs of my tech are available upon request. Thank you Andris Romanovskis Hello Andris, Im sorry to hear of your bad experience. Seeing that Joeumll is an iOSApple user like myself, I must conclude that he took Lumins announcement of the available Android app at face value. Apparently that was in error. Ive now permanently appended your above letter to the reviews last page (very bottom, underneath the award). Thats little reward for having invested in a machine whose software doesnt work as advertised on your tablet platform but its all we can do. Srajan Hi Srajan I enjoyed your review of the Boenicke W11. I saw that you found the Wyred4Sound SX-1000R monos an excellent match because of the control they exerted over the W11 woofers. Im wondering if you think that the Crayon CFA 1.2 would be a good match. My guess is that the Crayons woofer control may not be as iron-fisted but that the Crayon may add some refinement in the space and light categories. I currently own the Crayon and have a room that is about 30 square meters so Im thinking that power-wise, the Crayon would be sufficient to drive the W11s. Your thoughts Thanks, Jonathan Meier The Crayon would definitely have enough power. The Pass Labs XA30.8 is far from a slouch in the bass and control department. Having some ultimate power on hand, I simply noticed that it went even farther on that aspect though it also left some upper-end refinement under the table. With your room a third of ours, I think the Crayon could be just right. Srajan Ebaen Hi Srajan, In the past, your reviews helped inform and guide me in the research and purchases of a few audio pieces, namely: Wyred4Sound ST PRE, Wyred4Sound mAMP, Benchmark DAC1. The results have been very satisfying. As I alluded to in my previous email, I am in the process of upgrading my speakers. I am moving from a pair of Sonus faber Grand Piano Home to Vienna Acoustics Klimt The Kiss (4-ohm89dB). I suppose my question has three parts: (1) While I enjoy the W4S mAMP mono amps, with the VA The Kiss, should I consider quotsomething morequot as an amp That is, will more power allow these speakers to breathe and sing quotbetterquot (2) If something more is recommended, would the W4S SX-1000S or SX1000R provide a sonic improvement (3) Also, if something more is recommended, how do the W4S SX-1000R and Emerald Physics EP-100.2 SE stack up against one another With the EP-100.2 SE, I am curious to hear an opinionread a review from a quotset of earsquot within the industry. If these amps are an undiscovered gem and if they will provide a noticeable sonic improvement to my system, then the current limited offer of 2 for 1800 becomes very enticing. I look forward to your insights. Regards, Derek Ive never heard the EP-100.2 SE to have any notion about their sound I was told its a proprietary not OEM design but thats the extent of my insight. If youve read my review of the SX-1000R monos, youll have seen that their designer himself referenced the mAMP monos as being based on the same inputdriver stage. That makes the primary benefit of the bigger monos just one of power headroom. However, I seriously doubt youd need more than you already have in your smaller monos. The Kiss speaker would seem to be quite a standard load and as such, well within the comfort zone of the 250430w into 84-ohm mAMPs. So Im sorry to say, I dont need compelling evidence to spend more money -:) Srajan Dammit Srajan, I have absolutely no interest in cans but I am seriously considering the Pass HPA-1 as a sand alternate to my Nagra PLP (specifically for the famous F5). How does it work with the F7 Tell me. Better still, post an add-on Michele Until the Pass crew gets hip to me still having it, Im currently using it on the SIT1 monos to stunning effect. It really is a little big head turner. Everything I could possibly say about it is in the review already. So put the needle in the arm, empty the syringe, relax and enjoy the ride. I understand hifi dope has been legalized in Italy a long time ago. If you get arrested, you can always say I made you do it and you were entirely helpless -:) Srajan Wow, brilliant write-up on the Pass headphone amp. So it really is that good of a preamp I read a few reviews on it already and those didnt mention it at all. Thats why I was quite surprised to say the least Vishnu Yes. The lil HPA-1 rather crapped on our Esoteric C-03. I saw Jeff Dorgays review of it on Tone Audio . He likewise had very good things to say about it as a preamp. Perhaps the reviews you read were specifically focused on headphone use because thats the component category their publisher slotted it into or assigned a headfi writer in the first place Srajan Srajan, wanted to give a shout-out to Glen for his coverage of the Canadian show. When it comes to show reports these days, I see two approaches. Theres the nearly instant photo dump without any verbal credits or even image selection. It contains needless dupes and leaves me clueless about what Im looking at. Then theres actual commentary with select photos. It reflects on the event and tries to see trends or pick out the most interesting novelties. Im glad to see that like SoundStage, 6moons hasnt succumbed to the photo splatter Frank Vitali You hit the nail on the head, Frank. Photo dumps not only are quick, they require no real process by their creator. Just unload your cameras memory card to WordPress and presto. We still believe that actual commentary is key and that a reader needs to know what a photo depicts, preferably in a bit more detail than quotBryston with Axiomquot. Doing proper show reportage is real work . It goes from paying to be there and taking notes to digesting the event afterwards, selecting, processing, formatting and sequencing ones photos, penning useful commentary hopefully all within a week of the event ending. Its certainly not for the lazy. That said, appreciation for show reports isnt high. The most common responses we get arent thanks for inclusion or doing them at all. Most common are complaints that some cable firm wasnt mentioned in a room coverage or that a given room was overlooked. So I can understand why some magazines or websites no longer bother with going in-depth. Like news, show reports have a very limited shelf life. Contrast that to reviews. Those remain relevant for at least the duration of the products availability, thus at least a few years. If due to resources a magazine must decide between doing more reviews vs. more show reports, common sense will tell you whats more important to the magazine. My personal view is that show reports are our opportunity to support the industry which feeds us. Thats why we keep doing ours. Its one way to give something back, hence we prefer to do it with a bit more respect and effort than just spraying your computer screen with nameless photos. So yes, Glen worked very hard to put together his AVES 2016 reportage. Thanks for noticing -:) Srajan If a speaker has DSP, does it necessarily have to work harder If there is DSP, is a speaker likely to wear out sooner What about extreme cases where speakers seem to produce well beyond their size, on bass extension for example I appreciate your reviews and anticipate eagerly those that are to come. Im mainly asking these questions at this time because of the forthcoming review of the Kii Audio Three. Ian Lobb It depends on what DSP is used for. If used to delay bass roll-off as determined by cabinet volume and perhaps a port, it will need far more amp power. As long as the woofer is capable of the extra excursionthrow and the amplifiers are specd to deliver the extra power invoked by the EQ curve - all should be well. In fact, DSP and active drive enables a rev limiter that kicks in to avoid overdrive. From that angle, a properly designed active with DSP will actually be safer than a passive. Youd expect a beefier than usual cabinet which must withstand the higher internal pressurization from bass thats EQd up. But all of that would be part of the design concept from the paper napkin sketch onward. Youd not stick normal drivers into a normal box, then EQ them to self destruction. Youd pick drivers that are up to the task, mate them to amps specd for the job, then put the lot into a cab beefed up for the job. Yes the speaker will quotwork harderquot than an equivalent passive but its hardware accounts for it. Thats how you make a small box behave bigger than it is. Will a certain design push reasonable limits Do certain valve amps run their tubes far harder than they should Abuse or poor design can always factor. But a properly executed DSPd active speaker should be no less quotsafequot or more quotstressedquot than a standard design if its hardware is chosen appropriately. Here its worthwhile to remember the pro roots of active speakers. The pro arena tends to be be much harder on gear than consumers and reliability becomes an overriding concern. You dont want to shut down a concert because speakers blow up. Neither does a mastering studio want to delay a time-sensitive job because their gear went into nuclear meltdown. Actively DSPd speakers are an old hat. Its only high-end hifi that hasnt caught on yet. Srajan Hi there Srajan, The Echos End still in the pipeline Well, I was one of the preorder clients. hoping it to full fill my hope for quotmy last DACquot. Especially the R2R ladder build was up my alley. Yes, was. I sent it back. Many aspects of the sound and soundstage were very nice but in the end it just didnt move me emotionally. Maybe system matching and taste were the reason. Lessloss claim its the only one sent back though so others seem to be happy with it. And I do love their cables. Take care Jukka Louis knows of my interest so its up to LessLoss know to decide the if and when. I dont have an ETA so itll be a surprise -:) Being emotionally triggered is key of course but impossible to predict by paper specs. I also suspect that different people are triggered by different things to get the emotional response they desire. So try-before-buy is definitely mandatory if its at all possible. Srajan Hello Srajan, I hope your move to the coast has worked out well. Reading your impressions of Vinnie Rossis pre into Crayons amp caught my attention. Are you considering a review of Linear Tube Audio amps A customer has just purchased a second microZOTL preamp - running one watt directly to vintage Coral 10quot wideband speakers, the first into his main system of Crayons CFA integrated and custom 15quot Tannoy DMT speakers. This is the only valve preamp I can enjoy on any amp. No huge change in character or compromises matching problems, just the qualities desired with valves in the circuit. I struggled with the sound qualities of the stock Russian Tung-Sol tubes as originally shipped. Mark Schneiders solution was a minor amendment to the circuit. Now delivered with great-sounding NOS RCA 12SN7 valves at no extra cost, and theres plenty of choice in reasonably priced 12AT7 to roll. Ive had months of experience with both power amps - the 10-watter being my favourite. Mark informed me of improvements just completed to the ZOTL40. Regards Peter Hardie Ive been most keen to review the Zotl amps and Mark knows of my interest since they first released. Nothing has happened however so the ball is firmly in his court and apparently will just sit there -:) Srajan Hello, Srajan. Reading your site, I was surprised to find that the article was published, my scheme, and given the authorship of another person. Here is this article . quotUsing his unique way of getting the RIAA deemphasis filter network out of the way, Sasa Cokic during Norwegian Horton Show at left has opened up the emerging sound much further than before. quot You should know that this RIAA circuit was published in the Ukrainian magazine in the year 2002. It was published in two versions - the author is me and my friend Alex Torres, the second is copied by Sasa Cokic with unchanged values and applied tubes. I send you the original article . which contains a link to the source. Regards, Eugene Komissarov We dont analyze schematics to track original art, Eugene. If you feel your circuit has been blatantly copied to violate your IP, you must take it up with Sasa Cokic at Trafomatic. This type of thing is sadly completely beyond our purview. Srajan Hello Srajan, it would be fantastic if you would find a few minutes to answer my question. As a result of enjoying your website I became a fan of Boenicke speakers and so a pair of Svenss W5 joined my small 22m2 listening room. I want to reduce my gear and get rid of all the boxes (reduce to the max). So Im looking for a matching integrated. I owned DNM gear a few years ago. To make a long story short, from your experience, do you think the Cantata integrated could be a good partner for my speakers Maybe I will upgrade to W8. The Cantata is only 50 watts. Yes I know 50 good watts could be more enjoyable than bad 200 but many people recommend a lot of power driving Boenicke speakers. Will Cantata drive them and let them shine to bring out all the fine attributes of the W5 Thank you Frank Habekost Considering the size of your room, Im inclined to think that the Cantata would be perfectly suited. Not having experience with the W8, I cant know whether that would extend to it. If you wanted a guaranteed do-everything one-box solution, consider the April Music Aura Note 2. Its what my wife uses her W5 with and it sounds spectactular, with plenty of power reserves to scale up your Boenicke model in the future. Srajan Dear Srajan, Just a quick thank you. youre the reason for my passion for hifi. I have trusted your reviews over years and have built a high end system solely on your opinion and recommendations. Completely blind. I stay in South Africa and 99 of high end audio brands dont have presence here and therefore cant be demoed. Thank you for guiding me in a costly hobby. Youve never recommended a dud. As strange as this may sound - youve put together a quotSrajan Approvedquot system in Africa. Your biggest fan Johan Poggenpoel Bloody hell. I had no idea I was doing that. Very pleased to hear youve been happy with the choices you made based on our reviews. With tastes being different, its not any exact science at all but it sure is gratifying to hear when it does work out peachy -:) Srajan Hi Srajan: I just came across your recent Mina tweak review. So really, most of these things are just some form of powder stuck inside fancy little bricks or boxes Then you were perhaps right on to propose a plastic baggie with some crystal dust collected from a shop that cuts them. Do you think that would actually work Now you have me curious. Aguardamos a sua resposta. Holger Scharmacher Like I wrote, Ocellia do sleeve their OCC cables with finely crushed crystal and I believe Jerry Ramsey at AudioMagic has done similar experiments. Like them, Stein Music dont say exactly what they use but Ive seen them mention crystalline somewhere. JPS Labs very openly list aluminium particles in their shields and Shunyatas original compound must have contained some form of iron oxide based on the name they gave it. I dont know what Spatium and Verictum put inside their boxes but when you shake some of them, you can hear and feel granular stuff move around. Unless were to believe that the material of the box has another function than just look pretty and prevent the powder from spilling. then yes, I dont see why a DIYer not concerned with appearance couldnt duplicate the effect with a Ziploc bag filled with the same stuff. Of course what, exactly, the stuff is remains a matter of conjecture. But hitting up a fashion jeweler who works with semi-precious stones and crystals for some of his cuttings could be a good start. This is where curiosity and self reliance become the two motivators that separate wondering out loud from action and having fun -:) Srajan Srajan: I just finished reading your Bricasti review. You compared it to one of your own machines for less than half the money and found it to be virtually identical. In fact, you gave yours a small edge on tone. In your experience then, what is the hot price point for DACs beyond which spending more gets us very little sonic returns if any George Hamilton Within my small sand box (defined by my ancillaries), I would say 5000 - 7000 is the hot zone. If you pick from the good stuff there, for converters at twice or thrice that coin to really sound a lot better would take far better gear than what I own to matter. Its perfectly well possible. I just havent heard it for myself because thats not where I play. That doesnt mean that tomorrow something might not show up which bites that statement on the arse. But for today . thats my well-considered number. Even though Ive tested DACs up to 20000, its why Ive not been tempted to acquire any of them. I didnt hear enough better to justify such a stretch within the constraints of my system. Obviously reviewers who play in the higher leagues are bound to have a rather different perspective. At least I would very much hope so. The only trouble there is that its very easy to lose track of whats possible in the lower realms unless one kept premium examples thereof on hand ( and kept that stuff up to date). And lets be honest: to call a 5000 DAC lower range talks and walks right past the majority of folks already. Srajan Hello Srajan, great review on the COS H1. So balanced drive really is worth pursuing Ive not read that much about it to know whether there is any kind of consensus opinion for it. As far as I can tell, there isnt at all about it for loudspeakers or the signal path in general. Any further insights you could share Cheers, Pete Songer Ive not delved deeply into this topic yet. Thats because prior trials didnt impress much. Hence I gave the whole notion short shrift. With this machine however, the gap between 14quot and 2 x 3-pin XLR drive was rather wider. I suspect that it had less to do with balanced headphone signal per se (the claimed advantages for non-shared grounds between channels) and far more with how the amp circuit itself is configured. It puts out more current and power in balanced mode. That translated in very similar ways to bigger more powerful amps within a line. You get more grip, control, weight and bass impact. So whilst Im not ready to sign off on quotbalanced headphone drive is a must, periodquot, if we talk this particular deck, I would. I was surprised to have such a clear preference given my previous attempts to hear the supposed superiority only to not really be that impressed. For me then, the H1 was quite the exception. Srajan I wanted to comment on some of the reader responses of late. It must be rather frustrating getting emails where people ask things of you instead of doing the work themselves aka Googling. I saw you got one like that very recently. And there was one awhile back where some guy asked you to include the price in USD also. Haha, so lazy and egocentric. You have readers all around the world. Why should you include extras for just one specific group I wouldnt be surprised if one day you got an email asking you to post links to the cheapest retailers and best deals. Or someone being like, quotso, can you put in a good word for me with the manufacturer so I can get a discountquot And speaking of your broad audience, I just read your COS review and you really had me chuckling with quotbassmentquot. Ah, your word play and puns are so great sometimes. I feel bad that since you reach such a wide audience, you probably have a lot of readers where English is not their first language and that sort of joke is lost on them. What a shame, seriously. JL On your first point, not frustrating but simply incomprehensible. We write for enthusasists. So I dont understand such laziness when were a web-based magazine. Anyone reading us is web-based also to have instant access to various search engines and the lot. We try very hard to be an informative resource. Sometimes people simply ask too much. As to certain little word games being potentially lost on non-English speakers, thats fully expected. Its like a composer who embeds a musical quote in a piece of music. Only those familiar with what the quote was taken from will get it. Yet not getting it doesnt take anything essential away. Its just a little inside thing. Doing reviewing for a living and having done so for going on 15 years, I must also amuse myself to have fun. Playing silly word games is one way how I do that. If it comes off well enough where someone else notices and appreciates it, so much the better. But its far from essential. If it were to obscure the reviews meaning, Id have screwed up royally. And thats always possible. Srajan Dear Srajan, Greetings from Pakistan. I know you guys are too busy to post reviews of the music you like but can you please just post album art of the stuff youre listening to. Those pictures are posted in the reviews but it would be very helpful if you could put them all in one place (possibly even with links to a Youtube video or two). Cheers, Feisal As you said, we already do show album artwork in our reviews. Then running a quick YouTube search on anything youre personally interested in remains something we actually expect you to do. I expect this wont strain your resourcefulness too much Srajan Hello Srajan. I wonder if I might impose upon you for a quick opinion. In a continuing (30 year) effort to incrementally inch my way toward audio nirvana - and, when possible, to coincidentally simplify both my life and system - I recently procured an SIT2 amplifier and a pair of Spatial Audio Lumina Statement speakers. Audio source is a Macbook Pro fed through Berkeley USB and Alpha DAC. Intrigued by your experience pairing the SIT amps with DHT preamps, Ive inserted a Tram 2 DHT OTL preamp with EML tube complement into the signal path. Initially, the addition of the preamp proved subtractive - less speed, less resolution, less slam, less air. More recently, the sound has become more nuanced, but somewhat less impressive than I had expected from reading your account. So the question is: am I likely experiencing a less than fully satisfying result due to incomplete tube burn in on the EML 45s (about 100 hours to date) Or am I limited by the modest price point of the Tram Might I be better served, for instance, by tracking down a Counterpoint Statement Linestage Along the way, I was advised that the triode magic you described would only appear at the final signal processing stage, i. e. the amplifier rather than the preamp. This would explain my experience, but is inconsistent with your own. Any insights you might provide would be greatly appreciated. Muito Obrigado. Thomas Emmenegger Having been at it for 30 years, you know better than I how there is no magic one-size-fits-all recipe with as personal a quest as the quotperfectquot playback for any one individual. I happen to not really hear the triode magic when a DHT is tasked to drive speakers. As always, there are exceptions. A friend of mine listens to Voxativs 9.87 Pi system with low-power valve amps and its bloody fantastic. To end up with that particular combo simply required a lot of trial, error and money. On my own path, I gave up on the DHTspeaker thing to instead do the DHTpretransistorpower thing. Im not claiming that its the same. On this route, I simply dont have the bandwidth, control and noise floor issues and with a DHT preamp of Vinnie Rossis LIO pedigree, I get the triode gestalt of enormous space, layering and flow without any of the other limitations. A purist DHT fanatic might argue that because of it, a certain magic is missing. I dont hear it that way but thats my taste. Yours and his could vary. Second, I would agree on the quotless speed and less slamquot observation. That seems to be part of the triode magic when compared to a superior transistor preamp or a direct connection. How I hear it is that the transistor or passive preamp route ups the speed, lucidity and resolution aspects whereas the DHT preamp increases those of layering, spaciousness, billowiness and texturing. So its a fine balancing act between different flavours and of course the speakers own action contributes significantly. Ive neither heard the Tram preamp nor the Lumina speakers. Based on my speakers and my tastes, going the solid-state amp route on the speakers removed the objections I developed about various valve amps I owned. Injecting the majority of that flavour without any of the peculiarities (to my ears, weaknesses) in the DHT preamp stage was the perfect solution. If I owned the perfect DHT ampspeaker match, I might have a different opinion. I simply neither have the patience, money nor at this point even desire to keep searching for such an elusive combo. If someone else has found it, I can see how theyd insist that only their path represents true triode sound. But that doesnt do you any good. Simply trust your own ears. If you dont find the results 100 convincing, go without the DHT preamp. Finding the ideal balance really is a very personal thing and it wouldnt occur to me to impose my taste or quotway of getting therequot on anyone else Srajan Srajan, I just read through your White Knight review and couldnt believe my eyes when I saw the postscript. This guy makes fools of us all. After telling us about some secret compound he put into internal modules to justify selling his amp for 9000, after your review the same designer suddenly announces a new 1900 price just by taking out that magic creme and changing a few output transistors Does the amp sound better now Was it insanely overpriced before Did the creme not matter Why use it in the first place if hes so ready to give up on it now How can the price suddenly drop by 80 Srajan, youve got to admit that something doesnt add up. Am I missing something Kip Aruntjan When Alexey sent me that as part of an email about the return shipment, I asked whether he wanted that information included in the review. He did so I added the postscript. I agree with you that it raises a number of problematic questions but all I can say is, dont shoot the messenger. Srajan Hello Mr. Srajan, I live in Mexico and it has been a difficult task for me to get to know more about power conditioners. In the Yucatan Peninsula, there is no trial so I feel the necessity of consulting with an expert like you who has reviewed or knows about some of the best out there. My system is a Hegel H20 amplifier and P20 amplifier, an Auralic Vega DAC with a MacMini as a source, my cables are LessLoss Homage XLR and Curious USB cableUptone Regen. I want to get a cleaner sound from this setup but honestly not at a price where a PC is more expensive than my amplifier. Maybe something between 500 to 1,500 is good enough, 2000 tops. I am very curious about the latest generation of the LessLoss Firewalls (the least expensive path), the Torus TOT Max or AVR, IsoClean 60A3 and Blue Circle BC6000. Any suggestions that could fit my needs please Best regards, Miguel Except for the compact LessLoss Firewall, Ive not heard any of the others and my favourite Vibex ACDC filters from Spain are rather costlier. Without knowing how bad your power delivery is, its impossible to predict how much of an improvement awaits. I appreciate your dilemma of not being able to trial something at home for a weekend. At 200wpc, your Hegel amp would probably not react fondly to diminished current delivery which is something a number of conditioners cause as a side effect against the things they do improve. In my experience so far, DC filtering like Vibex do it has a more profound effect than AC filtering. Given the excellent results Im getting from the Vibex, Ive honestly not looked into competing solutions to know what else is out there and how it might compare. Your best bet really could be to consult with a dealer in Mexico City for example, leave your credit card as a security and offer to pay for 2-way shipping if you dont want to keep it. Youll be out less money if youre not happy than committing blind to a purchase that may not work out. If shipping expenses and a security deposit are handled, Id be shocked if a reputable dealer in business to do business would not work with you. Srajan Hi, Enjoyed your extensive and thorough review. Its obvious how much you like the LIO DHT. So a question: If you only owned the LIO DHT, what DAC or DACPRE combination could induce you to give it up I hope you dont mind but Im simply wondering how good you think it is relative to some of the other top notch and very expensive audiophile offerings and what it would take to surpass it Thanks, Danny Hoffman Thats a fair question and I can see why you asked it. But it presumes only one quotrightquot way to do it. About that Im like a Hindu to worship many different deities. The LIO DHT does that space and relaxation thing I described in the review stronger than anything Ive heard so far. If thats the flavour du jour, I wouldnt know what to replace it with. Mas. if I wanted a more tensioned performance with more innate vigour, any number of components would do very nicely. Here DACs like the Aqua Hifi LaScala MkII or the Fore Audio DAISy1 as two I own are obvious examples followed by my older transistor Esoteric C-03 preamp. That tightens up the musics drum skins if you will. Now the presentation shifts from fluid and floating to more taut and propulsive. And then we must consider the speakers. Which way do they lean Do we want to enhance a particular quality, tone it down or move in a different direction altogether I appreciate that an absolute scheme of goodbetterbest would make things easier for a shopper. I just dont believe in the absolute sound. Wrong magazine. Some prefer front-row centre, others prefer the balcony seat. Some favour the concert hall, others the Jazz club. Some only accept acoustic music, others love amplified and electronica. The possible perspectives and their aromas are many. Which is closest to your heart to want to build a system around it If what I described about the LIO DHT has your name on it, I presently dont know anything else which does it at that potency. How you interface it with what comes after obviously has more to say but in my experiments so far, its signature is very dominant regardless. Srajan Srajan, I havent seen the Nagra Jazz in any of your reviews lately. Did you sell it off or is it on the market by any chance Joseph Not at all. If you look at the 5 th page of the Mark amp Daniel Maximus Monitor MkII review, youll see it on active duty in our media room. We like to change things up every once in a while. Thats part of the fun of owning multiples in each component category. Instead of getting bored, theres a new flavour and once that gets old, its time to swap again. Serial monogamy and all that. Srajan Great to see that your Zu review has been getting a lot of feedback. More so than usual it seems by whats posted in the letters section. I wonder why that is Perhaps because youve been reviewing a lot of expensive gear recently The Druids arent exactly cheap but regular people can afford them. By the way, I noticed something funny. The little thumbnail you have for the Druid review is actually a picture of black Mk IV. Just picking nits, haha. JL Correct, I used an existing icon Id created for an earlier Druid review. Recycling, green thinking and all that. Srajan Ha, recycling an old image. The Hunt For Green September indeed. So I was seriously interested in the LIO DHT after your review of it. And I had already heard a LIO 2 years prior. But now with your Druid review and how it matched with the Druids and SIT1, my interest was at an all time high. But I went to the LIO website and configured one for myself. It would be around 10000. Unfortunately thats in a league I cannot play in. And awhile back I saw Vinnie and I inquired about trading in my old Isabella Pre for a LIO. Although Red Wine had a generous trade in policy, Vinnie said this is a different company and product so he didnt really want to do it. I understood but damn And regarding the SIT amps, when I bought my SIT2 I was living in a studio apartment that was similarly sized to your current living room. And I was worried that 10 watts wouldnt be enough even on Druids. So I emailed Nelson Pass and he actually told me that while the SIT amps do 10 watts into 8 ohms, theyre not like other amps at the other ends of the spectrum. The SIT will make 8 watts into 4 or 16 ohms. Not exactly huge numbers but better than 5 into 16, ha. And as much as I love the Devialet, sometimes you get that itch. A great deal came up and I purchased a new PS Audio BHK 250 amp. It should arrive next week. Ill let you know how that turns out. JL Aha. I didnt know that about the SITs 16-ohm behaviour. Im listening to the SIT1Druid combo as I write this and I really couldnt ask for more. And yes, in DHT form the LIO has gone up but it also competes in that league. Srajan Good afternoon, Mr. Ebaen, I enjoyed your review of the Boenicke SLS - thank you I wonder if you could tell me the make of the CD rack shown in the listening room Thank you in advance. Leigh Hughes I had to go back into our archives to check what I had at the time. The CD rack was from Boltz . the equipment rack from Franck Tchang . Srajan Hi Srajan, First off let me say Im a big fan of your writing Ive ready many a review that youve penned and some have directly influenced my purchases. I wanted to bounce a quick question off of you if you have a minute. I have a Red Wine Audio Signature 57 with tube input. From your experience do you think this would be a good mate for the Zu Druid MKV Thats the direction Im leaning for my nextmaybe finalspeaker purchase. Thanks in advance for your time and opinion Kind regards, Ryan Martinson Yes I would. That battery supplies very high instantaneous current and youre starting out with 50 watts into 8 ohms to have about 25 on hand for the Druids impedance. I reckon that Signature 57 would make for a very nice combination indeed. Good plan Srajan Dear Srajan, I was able to listen to the Kaluga mono amplifiers at Munich HighEnd exhibition and I was very excited for them. I also read your very interesting review and I intend to purchase the Kalugas but I dont know if they will match with my speakers. In my setup I am running the loudspeakers Borderland MK IV from German Physiks. These loudspeakers work with the famous DDD drivers with an impedance of 3.7 ohms at 375Hz and an additional woofer for bass power. Currently Im running the loudspeakers with an Abacus Ampollo amplifier. This hardware works with 100 feedback. The Borderlands are known for their powerful bass. But in my configuration the bass is well traced but not as mighty as I heard it by my visit at the manufacturer (he runs the system with 30-year old amplifiers from Accuphase). Maybe the lack of bass power in my setup is a result of the 100 feedback of the amplifier. You wrote that the Kalugas work with a high-grade of feedback and a high damping factor. Therefore I called Holger Mueller from German Physiks to ask him if the Kalugas will fit with the Borderlands. He said that my information about the Kalugas sounds good but finally he could not say if they fit. He suggested to obtain your opinion because you also wrote a review to the Borderlands (and Holger said that you bought some for your own setup). Now, what is your opinion Do you think the Kaluga matches with the Borderland speakers or would you recommend an amplifier with zero feedback Please advance your opinion to this issue. Im looking forward to your feedback. Regards, Jrgen Its actually Marja amp Henk on staff who reviewed the Kalugas. I only wrote a think piece on them. And, I didnt review the Borderland but the HRS-120, a very similar model from German Physiks. In our home, we use the HRS-120 with the GoldmundJob 225 or Crayon CFA-1.2. Thats because, as you know, the omni radiation activates more of the rooms ambient field. To make the sound faster and of quotless reverbquot, we prefer leaner more damped amplifiers on them. The Mola Mola monos would match that strategy. They have very low output impedance across the bandwidth from which we expect good woofer control. That said, your Ampollo already is of a similar type so if presently youre unhappy about the bass quantity, I couldnt predict whether the Kaluga would give you more. It seems the designer himself doesnt know either. The obvious thing to do is to try it with a return privilege, ideally perhaps as a weekend loan from a dealer. Or, return to Holger Mueller with your amplifiers to see whether, under the same conditions, his old Accuphase is simply better into that load. If so, that might point you at Accuphase instead. Srajan I just read your White Knight review. Then I found your reply to Ralph in the feedback section. Do you think this too laid-back quality you describe was due to the transformers which are a bit unusual in a transistor amp Or do you think it was somehow not well matched with what you had I was a bit surprised by the outcome of that review to be honest. Cheers, Gary Haldon Isolating exactly what in a given circuit contributes to a particular sonic attribute is impossible unless said circuit feature or part can be defeated or changed. Otherwise thered be a quotsoundstage depthquot part everyone knew about, and a quotvocal projectionquot trick that was agreed upon, quotuse output transformers if you want more Xquot and so forth. Obviously I couldnt listen to this amp without its transformers. That leaves pure guesswork neither here nor there. Ive heard clearly feistier transformer-coupled tube amps than the White Knight so its output irons seem unlikely to be sole cause. Using passive voltage gain via transformers had precedents Id heard. Hence I suspect that at least part of that aroma came from it. But again, in the end its not his individual ingredients but how a chef combines them into the final sauce that is the real secret. To minimize potential mismatches, I tried out a number of hardware options. Thats why I ended up with the Zu Druid V speakers. Their particular flavour or gestalt was the best counterpoint I had. Finally, though I studied and played classical music for many years, I dont much listen to it today. I suspect and even stated so in the review that this designer probably uses primarily classical music for his barometer. If so, that might have been somewhat of a software mismatch. Of course when hardware dictates what software to listen to, one does have a bit of an issue. Srajan PS: I submitted the 35 th installment of my Keep It Honest column to DAR a few days ago which will revisit this exact quottoo chilledquot topic whilst asking readers to enter into a discussion about it. Should it attract some response, you might enjoy participating John Darko tells me hell publish it this week. Srajan: Any update on tube rolling the LIO DHT I understand you were experimenting with a few things. Marc I just paid for a pair of EML 2A3 meshies today so expect to have them in a week or so. Thatll be my first rolling session. Srajan quotOne of the great joys of the FirstWatt is the ability to incrementally reduce the volume without losing the music. This is absolutely not the case with the CA10quot Whats also upsetting about the CA10 is that if your cat was actually able to lie on top of that Class A amp indefinitely, then it might have been the nearly perfect amp for my bedroom. If only that were possible with my FirstWatt J2 Even if I wasnt so green-minded, I could hardly want to run that 200-watt drinker through a 2-hour DVD or BD movie or a couple of well mastered TV episodes. Alas, it does not look like Ill be able to sensibly utilize a Class A amp in this situation. Its again all very upsetting and ironic, since my 4-way floorstanding sealed 8 ohm kit speakers-with 15quot woofers flanking the TV are surprisingly efficient. Theyd have to be as they before the TV died were driven by its 5wpc internal amp. And watching DVDs at 1 ft away in my 15 x 12 bedroom I never once had the volume up more than half way, if that much. Id consider an integrated, but as I do plan on adding a DAC between my players I dont see the need to pay for more gain, longer signal paths etc. However, if you swear by one or more Class A or AB model integrateds as being shoe-ins to deliver really superb low distortion response from 15kHz down to 30Hz, with great tonality and soundstage. then Ill definitely go for one of them. Otherwise, might you know of some blessed 4 to 6wpc Class A power amp thats reasonably good sounding, with 90-watt power draw If not, then a Class AB power amp, under 40 pounds, that stays in Class A for the first few watts Tube or solid-state, of course. If na, then anyone you might recommend to build me the amp Price range 2K to 4K MSRP Thank you. Greg Battaglia Why not the Clones Audio 55pm monos for less than a grand Nothing class A about them but terrific sounding, the right power for your needs and no little power suckers. They also have a remote-controlled integrated based on exactly the same tech, simply at 25wpc half power. Both punch way beyond their weight and each time I go back to the monos in a review, Im shocked. Its one of those keep-us-honest components. Srajan Hiya Srajan: just read a review by your buddy Dawid, over on their Polish website. He talks of a new super computer versus his old Samsung laptop. Interestingly, the dedicated music machine got a lot of props but in the end, failed to light his candle. He thought it was too soft - too chilled if I can use my own word. I thought about that and how his far cheaper older machine could surpass the more expensive dedicated machine on that aspect of. well, thats why Im writing in today. In some of your last reviews (Zu and S. A.Lab) you hit on the same theme. It struck me that two listeners who write for a living described the same quality which I havent seen discussed a lot but which made me think. Do you have anything useful to add that might clarify this even more for me If not, no worries. Love what you guys do. Mantem. Ralph Hunter The Zu Druid V really drove that home for me. I thought about how to describe it. So I ended up with sinews and ligaments which hold us together. A certain healthy tension in our bodies is required to keep good posture and that spring in the step. When we go horizontal to sleep, most of that tension dissipates. If it did whilst we were up and about, wed be in real trouble. And of course unnecessary tension like a stiff neck or knot between the shoulder blades is uncomfortable and bad. So we distinguish between good and bad tension. And it struck me that some gear (often the sort that pursues real sophistication) can go too deep into mellowness. Everything is chilled as you put it and perhaps even beautiful. But some innate grippiness and tautness is bled out. And that makes all the zesty difference when its put back in. I think that the pursuit of musical elegance, the reduction of system noise and everything associated with removing quotedgequot and quotsharpnessquot can go too far. If music gets entirely non-confrontational, its lost its power. It should confront our senses with intensity so that we respond. Were not supposed to just sit there like zombie couch potatoes. Sadly, some stuff seems tuned exactly for that. I guess thats the extent of my observation on the matter. Not sure it helped -:) Srajan You fell hard for that Zu. Nice review I did. Guilty as charged Srajan But no Blue Moon Simply evolutionary One award is enough. The original Druid got one. And Im keeping these. People can put 11 together or not -:) Srajan Dear Srajan, I really like what you did with the Zu review. Not only did it give me a very good idea of its sound, I very much enjoyed how you went about describing it. Keep it up Roger Im happy you enjoyed it. Using a book reference not everyone is familiar with was risky but I tried to make it work regardless. The book is far too good not to deserve an unsuspecting plug even after all these years. I bet you that the very things you enjoyed so much gave others a headache. Thats how it goes. Diverging from the norm always polarizes people. If one is interested in majority consensus, that approach is definitely bad. So clearly, Im bad. Also, if trying out something just a bit different backfires, the particular manufacturer to whom it happened wont be at all pleased. In this case, I must blame feeling especially inspired. Thankfully Sean Casey told me that he enjoyed it a lot. Thatll soften the sting when the first complaints come in -:) Srajan Srajan Knowing of your interest in 2-way speakers but also being excited by the KEF Blade 2 and Vivid Giya, I thought youd be interested in my recent experiences. Having recently retired. I decided that I would treat myself to some quotfinalquot speakers to see me out My shortlist of speakers to audition was based partly on reviews owners feedback but also biased towards companies that are research engineering based. This put 3 speakers on my shortlist: The Blade 2, Giya 3 and the Revel Salon 2. The UK distributor for Revel is based an hours drive from me and I arranged a demo at their premises. I asked if there were any other speakers he would recommend I should hear whilst at his premises. My contact said yes indeed, the JBL 4367s, being the domestic version of the JBL M2 studio monitors. Having read a lot about HK Groups speaker research and watched YouTube videos of talks by Floyd Toole and Sean Olive, I was already aware of the mighty reputation of the M2s and so I readily agreed. Long story short, I auditioned all the speakers (it was in fact the bigger Giya 2s I heard). The Giyas and the Blades are clearly great speakers but they didnt make my jaw drop, which is what I was hoping to happen with these demos. Overall I probably preferred the Revels to them though. However, the JBLs were just something else - they did make me exclaim quotoh wowquot out loud. They were the most live sounding speakers Id ever heard with astonishing dynamics and purity of tone thrown in. So did I buy the 4367s No I decided that if the trickle down 4367s were that good, then I had to have the M2s. The M2s are active in the sense that the compression driver and woofer are driven by separate amplifiers and the crossover is handled by DSP. Unlike the Kii 3, the amps and DSP are not built into the speaker. Hence they are normally sold as a system with either Crown amps DSP or the luxury version for domestic setups with a BSS DSP unit and Mark Levinson amps. I wanted to use my own Ncore 400 amps and a cheaper DSP solution. My research on the Lansing forum confirmed that was possible and that someone had already worked out how to use miniDSP units for the crossover. So I bought the speakers on their own, bought the miniDSPs units and used my existing Ncore amps on the CDs - you need 4 channels of amplification of course and Im currently using an old Crown K2 on the woofers. They score 0 on the WAF scale but once youve heard them, you just have to have them. Im going to domesticate mine with some architectural vinyl wrap. Im certain that an active system is inherently superior to a passive one and with these speakers you can go active and use amps DACs of your choice. Whats more, with DSP you can then play around with room correction. You owe to yourself to hear these speakers. They will become your speaker to judge all others by irrespective of price. If you need any further encouragement, have a look on line for the dozens of comments from recording engineers, record producers and very happy owners. The feedback is always the same quotthese are the best speakers Ive ever heardquot. Regards Ian Reid Something to keep in my hat for when I retire. Thus far, Im having way too much fun straying around to not needwant a permanent solution. But if I did settle down with one fixed system, Id have to give a really good think on what that would be. Thanks, Ian - and happy enjoyment -:) Srajan Hello Srajan, I saw your Druid review is up. Great and informative review. And did you choose the color They look sick. You have a good choice for colors, like the last pair of Druids you had. Those looked pretty cool too. I also love the pic where Blondie is strolling by and is in the middle of the room. Thats probably the first time Ive seen a picture of her in one of your reviews when shes actually awake and looking towards the camera. Haha. I love my Druids but my only regret is that I have the older version. The logo is on the body and not engraved in the aluminium base. I dont know when they started doing that but yours is the first pair Ive seen like that. Looks much classier and subtle. And I see that you made a mention of my preference for the Druid with high-power Class D. I shouldve clarified that. Ive tried the Druids with a bunch of amps (other Class D too) but theres something special about them with the Devialet in particular. The Druid with other Class D amps wasnt as special. I went on the Devialet forums and tried to find out what that the magic is. Is it the pre section or the amp section I think its a combination of everything. On the forums, I read of guys using the Devialet as just a pre. Or the Devialet as just a power amp. It loses its magic then. The Devialet sounds best when its the whole heart of the system. And its speaker dependent too. Also, that magic that I speak of, that special synergy, is with the Devialet and the Druids. I tried the Devialet on speakers I made. Didnt hear the magic. Then I tried the Devialet on some Zu Omen Bookshelf speakers I bought earlier this year. Nowhere near the Druid Devialet combo. Like youve emphasized many a time in your reviews, speaker and amp interaction is important. I truly believe that too. Anyway, another great review as usual. Mantem. Thanks, JL Yes, I did pick the colour. It was supposed to match the subwoofer but rather than sending in a sample, I simply specified quotMercedes Benz ivoryquot and thats exactly what they cooked up. It changes massively in hue depending on the light hitting it and Im thrilled. I actually loved the older logo on the front but agree that the new solution is quieter and classier. Srajan Hey Srajan, seeing how much you review, I wondered how much time it takes to do one and whether writing fewer but spending more time on each wouldnt be better. Pierre Condot My answer to that is very pragmatic. How much time does the buying public have to make a costly decision A few hours at a dealer demo A weekend home loan thats due back on Monday Obviously their time doesnt include the setup and learning curve time the dealer invested to hopefully make a brilliant demo. Just so, if reviewers are the experts, should it take them months to come to their own conclusions As to how much time per review, usually a few weeks. I do insist on fully preconditioned loaners. I cant shut down my workplace to burn in anyones speaker, amp or cable for 500 hours. Nor do I want noise pollution from a secondary room. As to spending more time than it really takes - that would be an abuse of the loaner privilege unless especially approved for specific reasons. I wouldnt call that better but think of it as irresponsible, lazy and disrespectful. And yes, sometimes Id be very tempted to just keep stretching it out, pretending I wasnt done yet -:) Srajan Srajan, just read the reply you gave to Holgers question. Dont you think that even considering dealer response crosses the line into pandering to the establishments self interest Id be curious where you see that line. Kevin Guzman How I see it is that reviewers must serve both reader and manufacturer. Manufacturers deserve a fair and even-handed review that explores all their features and focuses down on what their gear sounds like as opposed to whether it hits all a writers personal buttons. The latter becomes anecdotal evidence in the service of the former, not the main thing. Readers need a wartsnall report that additionally attempts a value rating and, if relevant, the most suitable and unsuitable applications. Some gear is more universal than others. Confusion on either front, of potential buyer or seller, is equally bad. Where feedback about confusion comes from is immaterial. Whether a reader or manufacturer points out an oversight or error doesnt matter to me. If I agree and can correct it, I listen and make a correction. If I dont, I dont. To me, people who say that reviews must only serve the readers (or only the manufacturers) are both wrong. The challenge is balancing these demands in a fair and transparent manner. Its not always easy. We simply do the best we can. Those who disagree with our perspective or execution can always stop to read us. They wont be out one penny of a subscription since weve been free to read from the very beginning. Theres another aspect. I know for a fact that some readers use Reverso, Chrome or other instant translation software to read my reviews. Nothing wrong with that. I do the same with Russian, Polish or other reviews for which I want to get the raw gist. Obviously I dont then complain that their writers are too complicated when the software makes mistakes or concocts ridiculous meanings. I accept that I wont get the nuances. When I email manufacturers who have zero English during a review, I deliberately use kindergarten English which survives translation. The brown dog chased the black cat down the street. The sun shone. The owner cursed. I wont use inverted sentence structures, colloquialisms, word play or between-the-lines meaning. None of that survives. At best, it comes out hilariously garbled. So readers who default to software translators but then tell me that they know what I wrote. not Srajan Yeah I see the Kii Three review is finally coming. Super curious how itll turn out Michael Same here. They want to include the new Kii Controller which wont bow until Q4. That could delay receipt of the loaners though I did request the speakers now, with the Controller trundling in when available. Well see how it happens. In any case, I had time to pen the preview now and decided to fly it right away not later. Content is king so no reason to delay this. Srajan PS: Heard back from Kii and they want to wait until they can ship together with the Controller. Wont be until December at the soonest Im told. Hey Srajan, Just reread your Esprit cable review and discovered a postscript that wasnt there before. To me it just repeated what you had already written. What gives Holger Scharmacher Redundancy and clarification, Holger. Richard had shared how multiple dealers and distributors found the review negative or bad as though Id disliked the cables and wished that Id quotunpublishquot it. Neither do we do that nor is a reviews purpose about reviewer like or dislike. Rather, its about how a product sounds or behaves. Like you seem to, I thought Id already explained that. Just so, I decided to clarify the relativity of it all and that how these cables embedded in my system was a function of not just my hardware but also room acoustics. I cant help it if dealers and distributors really want unqualified raves that say quotbest, buy itquot to use as an easy sales tool. But if the intended meaning wasnt clear enough, I could be safe, double updown and explain it in one more way. Hence the added postscript. Sometimes a writer thinks he made his point concisely. Then feedback suggests he didnt. Online publishing allows for such fixes so itd be a shame not to. Now its truly my best effort. If Richards dealers still cry wolf, Ive got six moons not just one they can howl at now -:) Srajan Hello Srajan, Quick questions for you if you have the time: I believe youve reviewed both Boenicke W11 and Trenner and Friedl Pharoah. I own and enjoy the Pharoah but am intrigued by the Boenicke designs. Can you offer any insightscomparisons of these two speakers Which did you ultimately prefer Are the W11 as quotmusicalquot as the Pharoah Thanks, Joe I havent reviewed the W11. ainda. Sven had an extended delay on receiving his woofer units. He finally received them and I should have a loaner pair by the end of September Im told. Srajan Just saw your update on the Lio. I am pretty familiar with triode tube rolling but I have to say that the Emission Labs 2A3 is so far ahead of any Sovtek JJ type tube, it is insane. When I swapped them in for the Sovtek stock tubes, I did not recognize my amp. If you think the triode stage too thick and lacking treble air, ask Vinnie to secure a pair of Emission Labs for you. As much as I think their flavour 300B too rigid for my taste, their 2A3 gets it right - triode aplenty with a good dose of modern refinement. Staging, imaging and bass are also all improved significantly but the top end was the shocker. Just sharing because the 2A3 is normally fairly blah. Frederic Beudot While I appreciate Frederics post and interest in the tube used in the LIO DHT review, it is important to note that his comments perhaps do not apply the same way towards our circuit as they would in a typical 2A3 SET power amp circuit. Unless one has listened to the stock EH2A3 Gold Grid tube in the actual Lio implementation, one should be careful not make statements such as quotthe 2A3 is normally fairly blah. quot Perhaps Frederic feels this way in a 2A3 SET amp with driver tubes in front, output transformer, 8-ohm loading of a loudspeaker, lesser power supply etc. We use the tube in a minimalist linestage typically driving an amplifier stage whose impedance is in the gt10kohm range, with no driver tubes or output transformer. In such a circuit the DHT behaves very differently. I would go as far as saying that one hears what the tube really sounds like without all those external factors that can and typically do sway the end result dramatically. While I have found that the EML 2A3 mesh plates do indeed sound awesome in our deck, the stock EH2A3 Gold Grid sounds anything but quotfairly blahquot -:) I chose the EH2A3 Gold Grid as the stock tube for the following 4 reasons: 1) Sonically it is sits right in the middle and makes for a great starting point and possible final destination tube - detailed but not overly so rich tone but not too thick, dense, overly saturated tight fast bass response but not a tube bass heads will fall in love with. 2) New production tube, easy to obtain in quantity and at lt100ea. does not break the bank. 3) Very low noise and hum in our circuit, better in this regard than most other DHT I tried, including quite a few different new production 2A3 and 300B 4) Very linear response and high bandwidth in this circuit: 10Hz - 250kHz (- 0.5dB) and the -3dB point was close to 500kHz I very much encourage tube rolling but be careful about reviewsfeedback of tubes used in different more traditional circuits. The results will most likely be different, for better or worse. Only the listener can judge in the context of this particular circuit and their entire system for that matter All the best, Vinnie Rossi Hi Srajan, Finally caught up with 6moons and saw Vinnies comments on the 2A3 tube rolling. His clarification is absolutely correct. My initial quick email to you was not providing context or caveats that I would have for regular publishing. First off, there is a world of a difference between generic quotmass producedquot valves (very relative terms when talking about audio tubes) from China and Russia and a quality-controlled production like the EH Gold grid he uses. Those differences are typically even more obvious in low-power triodes than they are in a high power pentode but they exist for all tubes. My quotblahquot comment refers to the setup most people who have heard a 2A3 in, which is a more or well less executed power amp stock with a JJ 2A3. I dont know any of those that can do the tube any justice. Now put a top quality 2A3 in a very well built amplifier (like the Triode Labs I have under review or the Lio for preamp purposes) and it becomes indeed one of the most balanced and elegant tubes out there. it actually has dethroned the 45-based Yamamoto A08s at the top of my personal SET hierarchy because it does many more things right than the Yammy even though it lacks the very unique quotlit from withinquot quality of that tube. Everybody knows what a bad-quality 300B designtube sounds like: overblown bass, no top, no dynamics. A bad 2A3 design telegraphs differently - in my words quotblahquot. There simply is nothing there to notice. I honestly had not noticed that the Lio came with a quality 2A3 and thats what I was trying to warn you about. Now I feel like I want to try the EH gold grid as a cheaper alternative to the EML. Frederic Ive put in an order with EML for a 2A3 mesh plate pair. Theyre on vacation until the end of August but I suspect that by mid September, I should have a pair to see how it compares to the EH. The EML is seriously more money so if the good guys win, it really should be superior. However, whether, how and by how much that remains true in Vinnies circuit I cant predict at all. Im going into this as tabula rasa. Should be fun. Srajan Hi Marja amp Henk, I saw that you are doing this Atlantis DAC review. LampizatOr are marketing it as a great value DAC. For a lot of us, with such a unit theres always the question not just how good it is on its own but how close it comes to their more expensive units. Might we decide to buy it because it gives us much of the musical pleasure of a more expensive DAC, then use the price difference (possibly thousands of Euro) to improve something else in our sound setup I think many readers would be interested in your opinion on how this DAC compares to more expensive LampizatOrs such as the Big 7 or other more expensive models. Thanks, Danny Hi Danny, in reviewing, it is mostly not us who decide what to review. More often, reviewers get requests from manufacturers to review a certain product. It is their choice what to make available. We now have two options: accept or decline. This also implies that a comparison of multiple items of the same or different manufacturers in the same time frame is impossible. Logistics are just one factor next to lucky timing of having another item on review and in the same category. If the same manufacturer wants multiple items reviewed and sends them at the same time, fine. In the Lampi case, just the Atlantic was on offer and thats what we accepted. MampH All reviewers own at least one system. Standard protocol is to take out one component and replace it with the review loaner. If what came in is priced similarly to what left, it makes sense to compare the two. If wildly different, perhaps not so much. Usually thats the end of that. Full-time reviewers such as myself, over time, often acquire greater hardware inventories to always have on hand multiple items in each category. That gets expensive and takes up room fast, especially with speakers. Still, comparative opportunities are limited to whatever that hardware happens to be. Should that coincide with a readers curiosity, fine. More likely it doesnt. Then we run into your type scenario where someone desires a very particular AB which we cant accommodate. The only obvious exception is the one MampH mention: when a manufacturer deliberately dispatches multiple units at once. This happened to me with Campfire Audio who sent three IEM at once. It recently happened with Final who did the same thing. Obviously IEM are tiny and cheap to ship. Otherwise a manufacturer will deliberately pick a certain reviewer because heshe owns, or has previously reviewed, one of their items. Now a comparison inside the same catalogue was planned from the onset and becomes inevitable. If Nelson Pass for example ships me the next FirstWatt amp, its expected and reasonable to compare it against those FirstWatt units I already have or know. E assim por diante. It used to be the dealer who offered opportunities to sample up and down given lines so buyers could determine what they thought the sweet spot or highest value model was. Today and with the Internet, people read about and get interested in product thats not available locally. They still desire comparisons but the infrastructure for it doesnt exist. Now they transplant those hopes onto reviewers as though they were dealers with large stores, warehouses and many rooms with many systems spread throughout their flat or house. Its easy to see why those hopes arise and just as easy to appreciate why mostly, theyre utterly unreasonable. Srajan I just saw one person asking about Atlantic DAC vs other LampizatOrs. Not sure if this is of any use but it so happens that I have this model as well and will compare it to my Golden Gate in the near future. Cheers, Dawid If you publish that in English, I can link to it from MHs review when we go live, with a mini PS la quotfor those curious how the Atlantis compares to the companys flagship, our contributor Dawid Grzyb has that talequot. Thats synchronicity in action. Srajan Srajan, I followed your course of action and read the article quotA broken business modelquot 1 and 2. I got to say that I really appreciate your complete transparency, a sign of honesty and respect both towards readers and manufacturers thats rare to find these days, probably due to the philosophical experience you had. As another manufacturer stated, I also believe that the advertbanner is not only fair but required to deliver a quality content on a regular basis. Of course in an ideal scenario this whole world would function just as any other service-related business, that is to say on a fee model: you want a piece (review in this case) published, you get charged accordingly. But then again, in an ideal scenario readers wont expect to enjoy content for free and manufacturers would all have advertising budgets. Surely the ad-based model has its pros, like being affordable for small and new brands. Thats really helpful in a market dominated by giants but mainly crowded with small companies that have a lot to offer. Youve come a long way and established yourself as an industry authority. Its clear you made the right choices along the ride. Nonetheless Id like to put some ideas on the table not because I believe these could solve the situation8212in fact I dont even pretend them to be right or reasonable8212but because I feel like the current state of things affects us all. It would be great to get a conversation started instead of expecting things to change while hearing the same old complains: all the back scratching and quid pro quo talks you reported in the articles. From my point of view, any worthy journalist, an established voice like yourself if you will, has two main resources: expertise (based on proven knowledge) and audience (based on wide recognition of that knowledge). Value must come from these two resources. At the moment, these tools are used to run a webzine, so the question should be: what else can one do I think you already ruled out the paid-consultant-for-makers figure since you chose to be a paid-consultant-for-readers version but maybe you could leverage your resources in different ways, like: 8226 expertise - work with manufacturers to provide insights on the market, keep them updated on other products and brands in a kind of industry intelligence or suggest possible partnerships between non-competitor brands or provide analytics from the website for market research (things more advanced than simple traffic and bounce rate like most viewed articles for category, for country etc). 8226 audience - getting paid for the work you do is only fair and the parties benefiting are 2: manufacturers and readers. Today readers expect content for free and wont probably accept a paid subscription solution but many publishers are testing a kind of freemium solution where the reader gets to experience a limited amount of content for free (lets say 10 articlesmonth) and then is presented with the option to either pay for limitless access or wait the necessary time amount to get again free, limited access. 8226 expertise amp audience - manage, sponsor and create events like hifi shows amp fairs work as editor and curator for awards or even special events, maybe start an annual publication with a super group of other established journalists, relevant names from other audiophile magazines. Thanks again for your time. Tommaso Dolfi Marketing manager, Gold Note Thanks for your thoughtful note, Tommaso. Getting straight to the point, I view the line between manufacturer and reviewer ( not consultant to the manufacturer) as prohibitive to the kinds of things you suggest. As a reviewer, Im no market analyst. Thats the job of the manufacturers marketing manager, people like yourself. Magazine-sponsored events have become a regular thing but for myself, Im uncomfortable with the same line. Pay-for-view premium content vs. free-for-all regular content begs the question. What really separates the two except money All our reviews are as premium or regular as the next. If we had progressed to the fee-based model common to all other service industries, it could be different. Wed charge for content volume - by page or word count if you will. An in-depth expos with designer interview and factory tour would cost the manufacturer more than a one-page write-up of a new footer. Perhaps a review by a big-dog writer would net a higher fee than that of a rookie reviewer. Its easy to visualize a number of tiers. But thats future talk for as long as we stick to the current model. I love collaborating with other magazines and have done so for years. But publication-crossing awards strike me as humbug. Awards only make sense when theyre given out by the people whove actually heard the product. Its not a democratic voting process. Its purely dictatorial: you heard, you have a say you didnt hear, you have none. Id thus have zero interest in curating awards among journalists not on my staff. That said, I routinely share my experience and opinion with visiting manufacturers, as one enthusiast speaking to other enthusiasts. My wife has told me for years that I should charge for it but I cant. That would cross the line. Im not a consultant. Im just a writer with growing experience whom enough readers believe in to keep reading us. É isso aí . The majority of readers are simply too cheap to pay us so the onus must be on the makers. For now I dont have a better solution. And to be sure, Ive never taken even one hour of business class or management training. All along Ive only used common sense and hard work. Thats my fort and my limitation. Finally, I view myself as and enjoy being a content creator. That takes more time than people think. It leaves little for grand ventures like organizing shows or entertaining beaucoup travels. So youd be surprised how often I get contacted by people who want to translate our stuff to fill their pages with. They always want it for free, offering us quotmore readersquot in trade by having our reviews show up in Chinese or Spanish or what-have-you. They probably imagine to quickly run them through Google Translator and Reverso. Certo. Cheapness is a prevalent attitude, it seems. My focus is on consistent content creation. Thats a wholly creative endeavour. Getting paid is necessary to support a life but really, the prime focus is on creativity. Thats the actual meaning of my name. Anything that takes away from that, be it time or other resources, isnt that terribly attractive. It could very well be for someone else who packs a different set of skills and desires. John Darko and Matej Isak for example travel far more than I do these days. That means more show reports and factory visits but less time to review. Everyone must find their ideal balance and what serves their business identity and profile. Finally, Im no longer interested in fighting other peoples fights. Ive tried to in the past only to see the futility of it. Ive found my little niche and am content in it. quotChanging the worldquot I leave to others who still believe in it. I can only change it by doing my thing with as much passion and transparency as possible. The rest is up to synchronicity and the 100 th monkey. Srajan Hello Srajan, I just read your review of the AEligquo Ensis and find it very interesting. I had the chance to meet Paul and Ivo and the pleasure to listen to these beauty at my place and found them lovely in terms of design and performance. Was only waiting for your review to get an expert opinion. Thank you again for the quothelpquot. Hope that you are still enjoying Ireland and hello to Ivette and Blondie. Kind regards, Mickele The lads told me theyd met you when they were here. Small world. It really is an awesome product. Are you getting a pair And yes, Ireland is everything we hoped it would be and then some. Srajan I am considering acquiring a pair. I like them very much although I still have to consider the budget and some other priorities. But they are surely first on my very short list in that price range. Mickele Hi Srajan, Not a criticism, but does anyone question you because of the sheer number of reviews you do Personally, I always look forward to your reviews of products I am interested in because of how thorough, insightful and how well you express yourself, especially since English is not your native language. I have always been impressed by your command of English, which is quite a bit better than my own. BTW, you seem to have an even more severe case of wanderlust than I do and I thought I had it bad. Im not sure how may places you have lived since I met you in 2005 but as I said, you have it worse than I. I think I must envy you just a bit. Hope Ireland suits you and wish you and Ivette all the best. Millard and Brenda Jones Not yet. But of course, people could criticize anything - for reviews being too many or too few, too long or too short, too this or too that. I do reviewing full-time and for a living so a thinking person should expect that Id have to do quite a few each month, come rain or shine -:) Srajan Srajan, I have been listening to the Job INT for a little over three months. What a fantastic package Speed once you hear it. you cant go back. Piano, strings, upright bass, transients, all sound incredible with the Job INT. This has to be one of the best deals in audio anywhere. Thank you once again for the recommendation. Regards, Nikhil Hi Srajan, I would like to congratulate you on the Recoverys introduction. In a few words, you tackled it perfectly. The launch of these pesky black boxesor their repurposing from other industriessuggests that much still needs fixing. It has rational people bristle. quotIf all of these affordable boxes can make any improvement never mind significant ones, why the heck wont DAC makers incorporate the same basic tech to obliviate the need for such add-onsquot Coming from the Telecom industry, I have always wondered why DAC manufacturers are dragging their feet on this topic. It is obvious that Toslink is outdated. A simple Ethernet multi-mode fiber between DAC and players and bye bye E. M.I, R. F.I, galvanic isolation, jitter and the lot. Meanwhile, IMHO, we will have to turn to those boxes as a far from perfect workaround. Adding electronic devices in the digital audio path also adds noise (clock phase noise, PSU, EMI) even if it may remove some from the sources. Regards, Bernard Part of the reason could be that most audio engineers8212if indeed they are actual engineers to begin with8212are in fact not telecommunications designers Srajan Hi Srajan. Im sorry to say that I am going to have to give up my 6moons role. Brexit is going to have a dire effect on many businesses here in the UK (particularly those that rely on importing goods) and the owner of the company Ive been employed with for the last few years (a specialist wine merchants) has decided to close the doors completely. I need another job as quickly as possible and for the next six months at least, it is going to be in London, making any reviewing duties logistically impossible Sincere thanks for the opportunity of contributing. Best regards, Bill Armstrong Going through your Evolution review, we noted quotsome widebanders mostly not of the 100dB kind appreciate more power than their efficiency predictsquot Here we fully agree. Our 100 AER widebander Pnoe get happier the more power is available, be it 300-watt Ncore (1200W into 4 ohms) or 150wpc KT120. Marja amp Henk Im enjoying the RDacoustic installments hugely. Still, one wonders, as a veteran consumer, why its builders invest so much time, money and enthusiasm on a product whose commercial future is, to say the least, improbable. The same, obviously, might be said of all too many other efforts. What drives these admittedly admirable people Not lucre for sure. Food for KIH Have a nice hibernian Sunday. Michele Thats the exact gist of the chat we had in a Westport bar before the two gents left for Prague: to decide whether to operate their venture as businessmen pure passionate enthusiasts or where in-between. Pure enthusiasts can do whatever they please as long as they dont complain if they end up not making any real money. Pure businessmen bow to market demands which, obviously, are for smaller not bigger boxes. If that means having to piss on religion and equip a widebander with an integral high-efficiency subwoofer so the end result can be far more compact and have equivalent or better bandwidth. then thats what needs doing. Of course all parents think their babies are the most gorgeous ever born. Objectivity and distance dont factor, at least not at first. When the offspring grow up into miserable miscreants when product doesnt move despite best efforts or encounters objections which the basic design cant address. then, with time, attitudes might change. In this case, ten pairs already sold in Czechia and there are further pairs in Germany and Sweden, with another going to Switzerland. Depending on how compact an operation they maintain, such volumes may be sufficient to keep things running smoothly and also, theyre just ramping up. Its hard to predict how big of a market there might be for this type product. Srajan Hi, Voxativ integrated amplifier T-211. review disappeared or what Thanks, Jari Valli Delivery has been delayed so until I have a sample on hand, Ive removed the preview. Srajan Okay, thanks a lot, planning to buy one but wanted to hear your review first. Currently using Bakoon AMP-12R to Avantgarde Duo XD. Jari Hello Srajan, the announced Boenicke W11 review is not listed on the 6moons billboard any more. Is it coming later this year or, for whatever reason, cancelled Thanks and greetings, Benjamin Sven no longer can source one of the drivers he needs for the design. Unless his supplier steps up or he redesigns to use a different transducer, the product is currently in limbo, hence Ive pulled the preview. Ifwhen a loaner becomes available because formal production of a replacement version has commenced, Ill resurrect it. Its a bit of a rerun of the W5 where Vifa discontinued the midwoofer, leading to the eventual W5se replacement. Its really too bad - Sven is a brilliant designer who makes very good loudspeakers. But if product cant ship and loaners are stalled, having a preview up month after month serves nobody. Srajan Hello Srajan, It has been a few years since I asked you about the Bakoon amp. I never upgraded from 11R to 12R to gain the extra 5 watts. I have lived happily with the Bakoon but have not yet found the perfect speaker partner. The rest of the family prefer a speaker with a small footprint. But speakers with high sensitivity that can work with the 10 watts from the Bakoon seldom come in small packages. Most of them are too big and not visually appealing to the others in the family. I recently had the possibility to buy a pair of B-stock Soundkaos Wave 40 in black, but my wife said that she would feel as if Darth Vader was looking at her in the living room. I found them quite beautiful so our preferences differ. I am currently running the Bakoon with Blumenstein Orcas . Its a wonderful single driver speaker with a warm character that has lovely tone that work very well with acoustic instruments and small ensembles. But a 3-inch driver in a 20sqm room has limited dynamics and you sometimes feel that you are seated in the back rows in the concert hall. Therefore I am now thinking of finding a speaker that has the virtues that I appreciate with the Bakoon great clarity with excellent detail but not too bright or edgy, and fully enjoyable at low volumes and to buy an amp that works well with that speaker. One of the candidates would be the Albedo Aptica you own. It is a compact, beautiful speaker that, according to your review, works well at low volumes and has the same clarity in the presentation that I like with the Bakoon. Even if the sensitivity is a low 85dB, you indicate that the Aptica can work with low-power quality watts. I understand that 10 watts from the Bakoon is not sufficient but do you think that any of the First Watt amplifiers could work well Best regards, Christer Lagvik Absolutely. With my current room 5 times the size of yours, the FirstWatt F6 or F7 on the Aptica still work swell. Id pick the F7. Another killer match is the Crayon CFA1.2 integrated-:) Srajan Hello Srajan, I have been made aware fairly recently of a speaker I think to be of real significance and one you should know about, if you dont already. I think it is possible you have not heard, because Yamaha seems not to be making much of the imminent releaseat least not in the English language press. This is a rethink of the iconic NS-1000. I just bought a pair of NS-1000M to use as studio monitors, after musing on the notion for around 20 years, the last 10 in particular, and this has made me hyper-aware of the significance of the NS-5000. The original NS-1000 cost around 795 in 1974, which was enough to keep triflers (like myselfa poor speaker designerbuilder) at bay at the time. Nevertheless, they sold a ton, considering the price. They are available relatively cheaply (only double the new price) at the moment largely, I believe, because the owners never bothered to acquire a proper amp, so never did hear what they were capable of. Eight year ago I had an interesting exchange with a recordingmixingmastering engineer working in London since the early 70s where he described an experience with a client then which made a lasting impression on him: quotI came across NS-1000 through the American engineerproducer Keith Olsen, in what was probably actually 1976, not 1977. Keith heard the Lockwood (with Tannoy) monitors we had and said quotthese are terrible - get something decent or I pull the booking ( which was 4 weeks). We asked him what he would like and he said quotBraun Tri-amplified or Yamaha NS-1000quot. We bought a pair that day. When I started using them myself after Keiths booking had finished, I mixed a project and took it to CBS mastering in London to be cut for vinyl. The mastering engineer was Tim Young (a friend of mine since we both used to work for Trident, and still mastering today at Metropolis in London). Tim said quotWell, youve got it right at last. quot and cut the project flat. This was my first mix on NS-1000 and the very first time anything Id ever mixed had been cut flat. You can imagine I was now hooked. What I think the bottom line is this: personally I would buy the NS-1000 and a very, very good used power amp to drive them. I cant say otherwise because I used them for 30 years in a variety of studio situations and was invariably pleased with the results. quot He says much more in other emails but you get the gist. He is similarly convincing about the Yamaha B-1 amplifier also from the same era, which some consider about the best amp ever sold. Not cheap, then or now (2000 not uncommon). Anyway, the thing is, the new NS-5000 is basically the same size and configuration with updated materials (which couldnt have been easy as the NS-1000 had a 3.5quot beryllium dome mid and 1.2quot beryllium dome tweeter). It is an apparent homage to the NS-1000. It also has some internal acoustic devices which are well worth pondering and are utterly unique to my knowledge: youtubewatchvk1xcwLnFOxA youtubewatchvXmX7hQVtem8 I thought you should know. This is to my mind a box taken to the limits, but without cosmetic frippery. Cheers, Russell Dawkins Interesting. Thanks, Russell Srajan Hey Srajan, do you have any updates on the Apple buys Tidal news Ive seen reported on at Stereophile, Audiostream and DAR Kevin Hunt I havent seen any reports whatsoever, only idle rumours which some in the press have commented upon with speculations of their own. Whilst speculating about rumours makes for copy, its not anything by way of hard news. Until I have hard news8212and not having any quotdeeply placed sourcesquot inside Apple of my own, I doubt wed be first or last to be told8212I have nothing useful to add to this (anti) matter. Srajan Srajan, Great to see you got to experience Granada, one of my favourite places in my lifes travels. You can see why the Moors thought theyd found paradise on earth Dry and parched though it gets in June to Sept Glad you also saw Alhambra at night, a magical trip I did about 15 years back in an almost unpopulated visit Thanks for the references to the MorenteMetheny film I really must explore Youtube more. The Morente CD that has Metheny on it is a favourite of mine (the last Morente album, I think, before he died). As its called Suentildea la Alhambra . maybe you should have picked that to listen to - its very atmospheric Im getting the itch to return to Andalucia again - thanks Chris Skelton PS: You should have picked up SpanishCastilian whilst you were in Taos Hello Mr. Ebaen, Im an audiophile from China and also a loyal reader of your reviews. Your articles have given me a lot of inspiration and help, thank you very much And I have a question I want to ask. I think you must the best person for it. My current main speaker are the Vivid Giya G1 but I always have the greatest interest in genius-designed speakers which are crystallizations of wisdom and art. Id like to buy one or two pairs of compact speakers in the future. Based on my intuition, I noticed two products, the soundkaos Wave 40 and the Apertura Audio Kalya. I think you might be able to sense my taste. They seem extraordinary but I have no opportunity to hear them. I think you are the only person who has a deep experience of both these speakers so could you help me Thank you very much again and hope for a reply Best regards Ruping Zhu Wanting to own a piece of hifi art that expresses a particular designers very unique vision is truly a valid reason for a purchase. Thats how I understand your inquiry since based on the speakers you already own, there would be no other reason to look elsewhere. That said, the Wave 40 in particular embodies some very specific ideas manifested in a very artistic fashion. To sonically deliver, they require somewhat different electronics than you use for the G1. Particularly the amplifiers should be matched. And it will be a very different presentation, with different strong and weak points compared to the Vivid. My review said what I had to say about the soundkaos. To recap, their focus is on tone density and projection power whereas Id characterize the Vivid as a combination of hornspeaker dynamics and speed plus supreme precision. So itll be a very different flavour or gestalt. I cant predict whether youd like it based on your choice of Giya 1. That epitomizes a different sonic school. But if your curiosity is really based on wanting something quite different in sound which also is truly built like a fine musical instrument. then the soundkaos in particular would be a special most worthwhile target. For another small speaker that is extraordinary and different from both the Wave 40 and Giya 1, consider the Kaiser Acoustics Chiara. Ive reviewed it as well and my thoughts on it scan be found in our archives. Srajan Hi Srajan, Just a quick mail to welcome you to Ireland. I hope you and your wife are made very welcome in your new home and community. Ive enjoyed browsing through your site ever since I discovered it a few years ago when I was researching some equipment, I think at the time I was researching a DAC by North Star Design. I hope our Irish summer doesnt send you packing before you get your settled in. Regards, Mike Au contraire, Mike. Just came back from Spain where it was hot, dry, desert-like and already brown in early June. Id rather have it lush and green and moderate. And that means rain and lots of it. So all is perfectly splendid indeed -:) Srajan As you may remember. Im on my fourth pair of Tannoy dualcons now and the way you describe their sound in the widebander review without actually having heard them is uncanny though detail is quite available using the room-matching controls and choosing the right amps. Beaming is sometimes a problem but is easily cured by proper placement. Also, please keep on commenting on packaging. Is an essential part of the big speaker experience. Best, as ever Michele from Rome Id rather expect a dual-concentrics embedded tweeter to go farther than a whizzerd Fostex - but Im happy to hear that my hunch (of the Evolution being similar to a 12quot Tannoy) seems to have been right on. Srajan Hi Srajan, Been a follower of 6moons and your reviews for a long while. Extremely informative and enjoyable. I have a pair of Wavelength Cardinals, a Doge 8 preamp and a highly modified Lenco 70 turntable in a plinth that I designed and built out of slate and aircraft grade aluminium (it weighs 120lbs). Have been researching SET amps and read an article from 2005 in 6moons on various SET amps. I am very very interested in the Don Allen amps and the VT-52 amp but cannot find out any contact information. As I am in my mid 70s, I have heard a lot of really good set ups. Been doing this since early 1960. Thanks for your insightful reviews. Joe Jennings Im sorry to say that I cant help out with a contact for Don Allen. You might try Audio Asylums SET forum Srajan Hi Srajan, greetings from Canada. Hope you are well and 2016 is turning out to be a great year. Im sitting here listening to an HDTracks 2496 Madman Across the Water (Sir Elton John) on my Audeze LCD-2 and Burson HA-160d and loving it. In fact, Ive thanked you in private many times over the years for introducing me to this wonderful sounding combo. At the same time in the last few months, Ive started thinking about having the capability to play higher-resolution files, beyond the 160ds reach. Ive been reading about MQA. I thought it would be great to test a headphoneDAC capable of playing higher resolution files and if it could do MQA as well, what a bonus. That old saying quotbe careful what you wish forquot is so wonderful when pointed in the right direction. A few weeks ago I had the opportunity to borrow and audition the Meridian Prime headphone ampDAC as well as the outboard power supply. Im so happy to have a supportive dealer nearby. We havent had this for years. I was able to play with them for just over a week. Being like a kid in a candy store, I had to try MQA right away. Still in the early days, there is little content. I purchased a couple of albums from Nordic 2L: an album of Mozart Violin Concertos by Marianne Thorsen, which is absolutely lovely, and a solo piano recording of Carl Nielsons works that have the power and glory and can certainly demand your attention. Listening to these pieces through Audirvana on my iMac through the Prime to my LCD-2, well I thought this was the best digital Id ever heard. Nordic 2L has a web page called Test Bench in which they have a nice cross section of their recordings presented with samples in multiple formats. I got to listen to more tracks through the test bench and it further convinced me that MQA has great potential. I then thought it would be great to transfer these tracks to my Macbook Pro and listen to the MQA tracks through my main system. I disconnected my main preamp from my Atmasphere amps and plugged in the Prime preamp. It worked great on all of the files except for MQA. It simply would not process and play them as MQA through my Macbook. I have been in touch with Meridian on more than a few occasions and we still have not figured out what was going on. I first thought that perhaps it was because my Macbook was an older model. Yet it would play 24192 files of much larger size without issues. Then I thought that perhaps because we were transferring files from one computer to another, perhaps there was an MQA copy protection in place. To date, Meridian has not responded about what is going on but I would think they will need to get this fixed before MQA hits the ground running. Coming back to the Prime headphone amp, I went back to my iMac and started listening to other music selections - some higher resolution tracks above the Bursons range and some lower tracks that I had enjoyed repeatedly through the Burson and knew the sound of. My impression of the Prime was that it sounded pretty good on these tracks, but in many cases also sounded a little processed - just not as organic as the Burson and we know how nice that can be. Based on this and the compatibility issues with my Macbook, I decided to give back the Prime amp and power supply which retail for over 3,000 CDN. In their place, I thought I would pick up the Explorer 2 to have a nice little portable DACheadphone amp with MQA capability. How disappointed was I to find that because the Explorer 2 needs USB power from its host computer, neither my Ipad nor Iphone would power it successfully. To make matters worse, just like the Prime, it will not play MQA files from my Macbook. In other words, if I was looking for the Explorer 2 to be a mobile aid, it pretty well failed on all fronts. I have contacted Meridian again and Im afraid that if they dont have any answers, I might have to send the Explorer back. In the meantime, I thought it would be great if Burson had an upgrade path and were going to support the MQA format. While some companies have agreed to support the MQA format, we have not seen this from Burson yet. Even though I had not heard of an upgrade program, I decided to contact Burson nevertheless. I received a reply from Alex and he introduced me to their new Conductor V2. My sense is that Burson are intent on maintaining their discrete circuit configuration with a new level of refinement increasing the microdynamic nuances within the music we are playing. I havent heard this unit but Alex made me such a great upgrade offer, I said yes. Im happy to report back on my findings but sure am excited with my upgrade. Ive been thrilled with the 160D and if the new unit can take my little system to the next level, this small investment will have been of great value. Thank you for all you do for our audio community Srajan. Best wishes. Ashley Gray I havent paid attention to MQA because of the absence of music Im interested in. I completely sat out the DVD-A and SACD craze as well. Back to MQA, as a proprietary encodedecode process, Im wondering whether Audirvana as you have it perhaps interferes with your files Since you have word in with Meridian, hopefully theyll be able to sort it for you. And its good to hear that Burson can upgrade your older unit to incorporate lessons theyve learnt since. That makes your investment in the brand doubly solid and bodes well for the future, too. If you get a handle on the sonic advantages of MQA8212you seem to enjoy comparing files in various formats8212Id love to hear back on what you think The same goes for your conversion of the 160D to Conductor V2 status. Srajan By the way, the Job INT is the most transparent amp Ive ever had. Im surprised it hasnt been reviewed elsewhere but my guess is, Job are happy with sales as they are, thanks to you. A. Levas Interesting little tidbit in your relocation article about the ownership of things. quotOwnershipquot in general is just an idea. and perhaps you have also concluded that the quotownerquot is equally just an idea. From the viewpoint here I find that when this notion arises, my enjoyment and appreciation of music greatly increases. Somehow I am nearer the performance. And it doesnt require new investment Always enjoy your writing Bill Hi Srajan, As the leading authority on these amps (and being very familiar with Zu speakers) I was wondering spill a little ink here on a very brief note regarding your thoughts on how the SIT-2 and J2 would sound with a pair of Zu speakers. Im undecided on the model yet, going between the Druid and Soul Supreme - both have the same driver compliment, so I assume will be more same than different. I will be augmenting them with a powered sub, so authority down low is not a concern. Im a long time Wilson Audio owner, so thats where Im coming from. Never heard Zu before, taking a little leap of faith here based on what Ive read on your site and elsewhere online. The other option is an Atma-Sphere S30, which I owned previously, though Im not sure I want to fuss with tubes again. Looking for fast, dynamic, detailed presentation with large stage. I enjoy some meat in the mids, but not to the point of slow and thick sounding. Any inputs would be much appreciated. Thanks much, and thanks for the amazing work youve done at 6moons. fantastic site and your reviews are some of the best available. Scott Rosenberg Sean Casey of Zu himself has exhibited with the SIT1 monos at various shows and I think owns a pair so thats a direct endorsement for the combination. Ive noted however that his speakers do like just a bit more power than the specs alone let on. Id thus be inclined to consider the F7 which is sonically close to the SIT but has more power. Coming from Wilson, youre making a big leap here. If I were you, Id try to hear a Zu demo at a show or in the Utah headquarters just to be sure that review descriptions and your own expectations overlap. I obviously enjoy the Zu perspective very much but wouldnt say the same about most (though not all) WIlson demos Ive heard. Hence my suggestion to organize some kind of a demo first. These really are different sonic ideals. Srajan Hi Srajan, Firstly I would just like to say that I always enjoy reading your reviews. even if sometimes I dont quite understand what you are talking about, haha. You were the one that led me to this larrikin genius PeterPhasure. Peter and I have become friends over the years. I have dived deep into his philosophies and have slowly purchased most of his gear. Thank you Long story short, I am after a suitable high - quality dedicated tweeter amplifier The amp is for dedicated Lansche plasma tweeters (6kHzgt150kHz). Hopefully something which wont break the bank. Power is not so important. I was looking to get a Job 225 and pair it with a quality LDR passive or maybe even a Job PRE2. These are high in my considerations Then I came across Crayon amps and read your reviews comparing Crayon to Jon and other amps. I have also read a couple of other reviews on the little brother Crayon CIA which is also of interest especially being cheaper than the CFA, particularly the 1.2 model. Crayon got me interested as I would quite like a one box solution which takes care of the HF by itself. Although no way essential. As I said Job 225 with good matching pre is high on my agenda. Any other amp recommendation is more than welcome Preferably no tubes unless there is a stand out. Criteria would be a amp that excels at transients and such things as wide bandwidth, inner detail, speed, delicacy, shimmer, articulation, airiness, decay, and nuance. Maybe just ultimate limitless top end transparencyblackness. An amp that offers a hint of sweetness in the top end would also be welcome. I have very good hearing and I used to be a drummer. I like cymbals to sound real, natural and delicious. An amp that has top-end attack is important but also the delicious decay of a cymbals harmonic trailing off into space is just as important, maybe even more so. I think you know what I am trying to convey. My source and main speaker is the very capable 768kHz Phasure DACXXHighEnd and Phasure 118dB Orelo active open baffle horns (mid and bass) Thank you, Srajan, I look forward to your reply. Pete Thats an unusual and very specialized inquiry. Ive not before reduced an amp to just tweeter duty to have a secret list of quottweeter ampsquot. That said, I think your idea of a smaller Crayon could be spot on. Ive not heard the CIA but Id be shocked if its sonics werent in the same vein as the unit I own and reviewed. With its attenuator, you have total control over the tweeter output in one box and Crayons reproduction of the high frequencies, on my EnigmAcoustics M1 monitors with Sopranino super tweeter, ticks off all the boxes you mentioned. So I think youve got your target in sight already. I looked at Lansches specs (5.6-6.4 impedance, 98dB sensitivity) and theres nothing there to suggest that the Crayon wouldnt be great. Srajan Dear Srajan, Im sure that you get may inquiries from neurotic audiophiles (like myself) asking you to compare one audio component against another. Sadly this is another such inquiry -:) While I noticed that you went to great lengths to describe the sound of the relatively new First Watt F7 vs. the F5, I was wondering if you might be able to share a few sentences on your perception of the differences between the F6 and F7. I got the sense that both are slight more refined than the F5 however, Id be curious if you could comment on how the F6 may differ from the F7. I noticed that you rated the F7 as both your most favorite and most balanced between competing qualities. Im wondering if the F6 would fit between the F5 and F7 with regard to the former being more detailed and resolving and the latter having more of a SET-like sound with richer tonal color. Any information on this comparison would be greatly appreciated if you care able to comment. Warmest regards, Patrick Burek P. S. Love your publication I think that the main difference between these amps is one of drive wherein the F7 behaves more powerful, making it a bit more universal. Sonically I find them to be quite close and would concur with your hunch that the F6 would slot between F7 and F5 to neatly follow the nomenclature. Its precisely because the 6 and 7 sit quite close together that I picked the F5 in the comparisons to have more to say -:) Srajan Srajan: I just listened to a two channel audio system in a private apartment in which the owner claims he has invested more than 250000. The system included two very large floorstanding speakers with horns, transistor monoblock amps on the floor (on their special platforms), a tube preamp, cables the size of a babys arms (which collectively cost much more than my entire system) and the only product I recognized was a Zanden CD player. Let me say that in terms of musicality and rhythm, the system was fantastic. It produced a lot of what was once described as the Linn-Naim sound. I was not, however, very impressed as there was very little in terms of a well-defined soundstage nor precise pinpoint imaging. It sounded a bit muddy in this respect. My reason for telling you this story is the ongoing debate about DSD being a waste of time and that well-recorded Redbook CD are everything anyone really needs. I completely agree that a well-recorded CD or computer file will sound much better than a poorly recorded SACDDSD file. Where I part company with the anti-DSD crowd is that there are people (and we may be in the minority) who strongly prefer a super well-defined soundstage and pinpoint imaging to the toe-tapping musicality and rhythm that comes from much of what is now defined by the High End. I also take comfort in the fact that many of the top-end DACs (e. g. Nagra) now offer native DSD decoding even in light of the paucity of native DSD music offerings. Even Zanden is working on a DSD DAC (Model 500). People in my camp like electrostatic speakers, speakers with ribbon tweeters and even the recently revived Heil Air Motion transformer speakers. We strongly prefer transistors over tubes and, in this regard, we love the sound of well-recorded SACDDSD music. My system includes an Acoustic Plan Drivemaster CD transport, an OPPO BluRay player, an Audio Aero Prima SE DAC, a Wyred4Sound STP-SE preamp, a Spectral DMA-100S amp and Piega standmount speakers. Note that I use the Bel Canto uLink USB converter to connect my computer to the Audio Aero using the Bel Cantos ST glass output. After your excellent review of the Fore Audio DAISy 1 DAC and the fact it seems to match my listening preferences, I will audition it soon with the idea to replace the Audio Aero Prima SE DAC. I will admit that it is a generalization to say that DSD is sharper than PCM but, in terms of the music I listen to, this appears to be the case. Cheers, Michael Paris My assessment on this topic is actually that DSD tends to be softer than PCM. Just to muddy these water a bit more -:) Srajan Dear Srajan: Not sure whether you noted the recent thread on AA where your sites policy is being discussed Perhaps you ought to take a look. Holger Scharmacher I just did. Its nothing new. Pay to play insinuates that its wrong to get paid to work. The fact is, everyone in the ad-based publishing world must create revenue to stay in business. The only difference is that either a certain number of advertisers carry the load whilst reviews get a free pass to appear (to appear) on a separate page or that everyone being reviewed must chip in. Given how invariably advertisers getwant reviews too, its an arbitrary distinction. Do advertisers even exist who dont get reviews So the question becomes, should the ad supporters who also get their reviews carry the many who get reviews but never pay a dime Or should all reviews be treated the same by asking each to compensate magazine and writer for their time and effort After more than ten years of doing it the first way, I decided that it was unfair to have small companies like Vinnie Rossi support us whilst big companies like Sonus faber expect and get our work for nothing. Now Im being accused of pay to play. So be it. Seeing how weve made our policy public, everyone is free to decide whether to continue to read us or whether weve sold out and become corrupt. With our extensive archives, they can compare our reviews pre and post policy change to determine whether anything has really changed. Here Ill add that the vast majority of manufacturers approaching us for reviews understand that we cant work for free and dont expect us to and find our minimum fee of a 1-month ad (whose fee is split between writer and publisher) perfectly fair. Is it possible that some people are simply upset that we continue to be successful with our new policy I also note that the thread starts with a reference to an article by a salaried writer. Im sure Art Dudley enjoys being paid and not having to worry about where that money comes from. If people write for a living or at least for compensation, they must get paid. In publishing, those funds either come from ads from subscriptions or both. In Arts case, its the latter combination. 6moons too continues to work inside the ad-based model just as we have from the very beginning. We just dont have a separate revenue stream from subscriptions. And, weve altered the ad revenue system to level the playing field for reviews. Online, the Audio Critic is one of the very few to pursue reader subscription revenues exclusively. I decided against that model. Thats it nothing new. Srajan Hey Srajan: I was very pleased to read just how well the Lio did against the wildly costlier Japanese preamp you just reviewed. In fact, using it single-ended, you said the Lio was preferable by a small margin. At 25 of the cost, thats really incredible, isnt it Shane Quite. In many ways, this particular model is a complete overkill proposition. Its balanced all the way so really wants to be used that way. Unless you have true balanced ancillaries which get sonically handicapped in single-ended mode (or cant even be operated that way) and unless you needed that many inputs. youd really be better served by the Vinnie Rossi. The Preda TBSP starts to roar when the signal path is balanced front to back. How much better it is than the half-priced standard Preda I of course couldnt say. Srajan Hi Srajan I noticed today that the upcoming second-part review of the Devialet 200 by Peter Familari has disappeared from your queue. Is that just a website quirk I am quite looking forward to the review. All best, Michael Fanning Peter has been diagnosed with a serious form of chronic fatigue syndrome which, until cured, prevents him from reviewing so all his assignments have been cancelled. Desculpe por isso. Srajan Hi Srajan, I read your review about the Crayon CFA1. The most striking aspect of that review was your quotconnective tissuequot analogy when you mentioned the similarity of Crayon with the Yamamoto. I have come across this phenomena whenever I have compared an SET to a push-pull amp (both tube and SS). SETs have that inherent connectivity among instruments which push-pull amps miss out, I do not know why. When I discovered this phenomena in SETs and the lack of in push-pull amp I wondered why this aspect has not been widely discussed or written about. Even tube amp designers do not explicitly highlight this aspect. But it was amazing that you brought it out in exactly the same way I thought about it. Crayon is not an SET design yet if it does that aspect so well there must be something special going on inside it. I am planning to order the CIA-1 amplifier from them. According to Roland Krammer the CIA-1 is his latest design and it does sound more quotfreshquot than the CFA 1.2. My only question is, do you recommend to use a tube preamp with the Crayon in order to get that balance of emotion and transparency Or is it good enough on its own Just to add, I normally find your reviews quite spot on. I loved the F6 when I heard them and so did you. On the other hand, I did not quite like the Octave V80 SE. I would rather go with a good solid state than something like an Octave. I hope the Crayon is more like the F6 than Octave Regards Abhijit For my tastes, its plenty good enough on its own though Ive also run it through the Nagra Jazz valve preamplifier which added a bit more density and layering. The Crayon is its own thing but yes, itd be more in the vein of an F6 than Octave. Ive not heard the CIA-1 yet so you may have to tell me what that sounds like -:) Srajan Hi Srajan, Hows it going From what Ive read thus far, everything is good in your new place. Those Voxativ bass modules you wrote about a while ago Damn, now I understand. And its a pity you werent in Munich. Though I keep my fingers crossed that well see each other in Warsaw. That new listening room looks awesome btw. Cheers, Dawid Yes, dipole bass has a different quality and texture than usual box bass. It also integrates more easily into a room. Srajan Hi again You may recall I got in touch regarding a great review you did on the Tap X from Bent Audio. I seem to recall you stating that, if one became available, to jump on it Im currently in the position to get one locally, but the price is of some concern budget wise. Its the fully loaded 6 input fully balanced option 4 Slagle-loaded beast with slanted cabinet (factory assembled) and proper remote (the proper metal Lio unit). So the asking price is essentially USD2k. I know these never come up and Im looking at other possibilities. Ill be driving StereoKnight m-100 tube monoblocks into Osborn Epitome speakers. So is this unit, given your writing and experiences, still worth it. Many thanks again, Mat A Lio configured as the equivalent unit in an arguably prettier box would cost you more and isnt even available with balanced io. StereoKnight had something but without remote. So from where I sit, if you want to go passive with proper transformersautoformers and full-function remote, the TAP X at that price is the unit to beat. But of course if youre hesitant to spend the money, I cant be the oracle to convince you otherwise. Srajan Mr. Ebaen: Thanks for the complete review of the First Watt F4 which I believe you had done earlier at 6 moons, and for your use of it here . My budget for a line stage or preamp (less a phono stage) to drive the F4 is 3.5K max, so something like 300B SE mono blocks (integrated) to drive the F4 are not an option. My speakers are at least 94db sensitive, my room is 16 ft x 14 and my ears cant tolerate average SPLs much beyond 60db-at least not much above the lower midrange band (i. e. allowing for the Fletcher-Munson effect). My midwoofers are cut off below 70Hz where my pair of Rythmik 12quot sealed powered subs take over. Except for the subwoofers, my speaker system is a clone of Gary Dahls Azurahorn 425Radian 745 Neo BeGPA Altec 416 system. Is it true what Ive read that the F4 is transparent enough where it largely sounds like whatevers driving it There are some well known DIY preamps that have been used to drive the F4, such as the Aikido, the Impasse and Nelson Passs own BA-3. But which of those andor other commercial models sounds would be most inclined to drive the F4 for my speakers and within my budget And why would you choose that particular model (s) for the F4 Please advise, if possible. Best Regards, Greg Battaglia Being essentially a pure current buffer with no voltage gain, yes, the F4 is exceptionally transparentresponsive to the sonic signature of whatever drives it (another amp or a preamp or a variable-output source). Given your speakers sensitivity and desired SPL, you dont need additional voltage gain so using the F4 as an amp follower is unnecessary. Now its down to a preamp. I have no experience with any of the preamps you mention though Ive heard of them. To my mind, the F4 would be an ideal candidate to experiment with a DHT preamp which, admittedly, are rare beasts. Basically, the sound of the F4 will be what precedes it. I would go after an active circuit not because you need the gain but because the F4, if I remember correctly, has a very relaxed character. If preceded by a passive to rely exclusively on source output voltage (sufficient in your case), Id expect too mellow a sonic presentation. Srajan Hi Srajan I saw via 6moons the audio room in your new home in Ireland. Looks swell. I read that you are you using Franck Tchangs resonators. I visited Franck in Paris last year and picked up some ASI cables for my Devialet 200. I might have gone for something a little less resolving, given the audio signature of the Devialet, but they sound pleasant to my ears right now. One day I will travel back to my adopted homeland and call you for a drink at The Tavern, Stauntons Pub or McGings Bar, of course with Croagh Patrick at our backs Congratulations on the move Cheers, Michael Fanning You know the hood well. The (pink) tavern has developed into quite the eatery, being listed in the Michelin Guide of Pubs that serve food. They now got 3 to 5-course fine dining upstairs and downstairs has just recently been expanded to accommodate more seats. I love the chowder and seafood pie there. And of course Friday night is Curry Night -:) Srajan Hi Srajan, I wish you a great experience in Ireland Here is a little virtual present for you: do you know of Franz Xavier Mozart Enter Tidal Mozart Ravinia (the Divox recording). Giannis Just a small word to wish you an even better stay and experience in the new home than the past Swiss one. Glad the cat made it with no trouble and Ivette amp you. I was more worried about the cat to be honest -:) Well, wish you the best and waiting to read more news on 6moons. Mickele from Belgium Us, too. Wed never traveled with Blondie. We didnt know what to expect. As it happened, she slept through most of it. The BampBs we used en route didnt mind her, either. French customs didnt like her travel papers (our vet had made a small mistake with one date) but we got that sorted by a French vet who hates bureaucray as much as we do and did his bit to fix the red tape. It only cost us an hour and 30 euros and we were on the next train to Blighty. Thanks for the good wishes. I have a feeling theyll come true in no time -:) Srajan quotListening to old voices with a new ear. quot - John Hiatt. New room You need big horns Would connect sound physically with the space so well. Actually, biased Moi My Ocellia Calliope would do well in the space. Youll probably recall Samuels French house was big The Ocellias arent restricted by their boxes as they release the sound easily, giving an unrestricted energy. A visitor described the sound as huge headphones which was meant as a compliment. Though youd need a sub in your space. I certainly agree that big rooms add scale to sound, gravitas even My own listening seat is somewhat restricted in movement by being suspended from the ceiling - but in the sweet spot Christopher Skelton Im having a new electric system put in (with a dedicated 10-amp line) and I am suffering the pains of in-house moving hell. Reading about your adventures gave me a sense of proportion though. Beautiful house, is it your missus who does the decorating Real taste there, please give her my congrats. What about reflections however All the best Michele Surdi Ivette and I decorate the shared rooms together. Our respective work areas we do by ourselves. The paintings of course are all hers. With these big walls, those now really speak as theyre supposed to. Its all the same things we had before, just arranged differently to suit the new layout. And yes, there are reflections but you do need some of those for a live properly reverberant sound. Too dry an acoustics sucks some life out of tone and energy. Its always a question of balance of course. Srajan Srajan, I think this may be the best move youve made. Id settle for half the space just for those pastoral views (perfect therapy for my retirement). May the wind be at your back, bringing some wonderful reviews with it. All the best, Tim Patchett The missus and cat would agree. Its very green all around and this house is filled with light due to how cleverly it is oriented - definitely pastoral or bucolic. And, wind aplenty coming in from the Atlantic. Reviews not so much yet until the first new assignments show up though Frederic just sent in something a few minutes ago thatll go up later today. Srajan Your new sound room is a beautiful large space. And from what I can see through the windows, also beautiful environment. Bem feito. Looks like it may be a reverberant room with a fairly live acoustic. Most likely a concrete slab (or at least tiles over timber) which is great. Youve got plenty of stuff and the large rug will tame it all down. Enjoy EK Its stone tile over concrete and yes, the size makes for a slightly more reverberant acoustics than the typically drier hifi norm but hanging the curtains alone adjusted some of that already. Srajan Wow, you have good taste in listening rooms Tim Smith Listening being my business, a good sound room is priority 1 when we pick a new home. As our 10 th move since I launched the site, we have a bit of experience by now. This one turned out especially sweet - pure luck and fortuitous timing as we only had 5 days to lock something down when we came to County Mayo in February this year.. Srajan Hi Srajan, I hope that you may be able to answer a quick query. I own a pair of 16-ohm Zu Soul Superfly speakers and really enjoy them, listening to mainly digital sources via a Rega DAC and using valve amplifiers both old and new. Some of the older SS receivers handle the 16 ohm load and sound pretty good too. I have the opportunity to purchase a used Peachtree iNova and was wondering if you thought it would be a good match. I read with interest your revew of the iNova where you thought the 12-ohm Zu Essence speakers formed a very good combination as would the Omen speakers. I hope you dont mind me emailing with a question and apologise if Im out of line. Thanks and regards, Ian Rodger Im guessing that it would make a fine match. 40 watts into your load should be plenty and if one fine day you came across an amp you liked even better, you could always convert the iNova in to a DACpre. Srajan Hi there Thanks for you interesting passive pre article. Very useful If you had time, Id love to ask a question or two Ive recently purchased a lovely used pair of StereoKnight valve m-100 100w monoblocks. Theyre by the same guy who supplied your AM Audio passive for review. Isso me fez pensar. Id love to pair these (fully balanced) monos to a passive if I could. To be more specific, I have the opportunity to go for either a new AM Audio such as the one you had vs another you compared, the Bent Audio Tap-X (a fully loaded job with remote and a multitude of balanced and unbalanced ins and outs In your article you suggest that each unit, in your test, sounded essentially identical. The build of the AM was awesome yet the functionality of the Bent was winner. Given I can get the Bent (used of course) for about 2800 Aussie and the AM new for the same (no remote), Id love to hear your thoughts Many thanks, Mat Faulkner Seeing how I view remote control on a preamp as mandatory, Id go with the Bent any day of the week. And a balance control can be a fine thing to have as well. But thats just me -:) Srajan Hi Srajan, I realize you are likely in the thick of your move, so I am not sure if this is on your radar. I managed to snag the last of the Super Early bird Vita music servers last week for 699 and I think it has the potential to be a real gem, although it is always a gamble in this sort of situation. It will be replacing a Logitech Squeezebox Touch which seems to have become more problematic than its worth. Im thinking the Vita may be a good match for the rave reviewed Chord Mojo, unless you can think of a better sounding, relatively inexpensive DAC than can play pretty much any hi-rez format. Value added, I can then also use the DAC for mobile applications. The USB output on the Vita is 2.0. I wonder if the Mojo uses this protocol If not, the only downside would be that I could not play DSD 256 files since the Vita SPDIF output only streams up to DSD 128. I suppose this is all academic musing since I have never even listened to a DSD file of any format and perhaps, like yourself, I may find it underwhelming. I am also not certain if the Mojo can be used while charging. (I have ccd Edgar Kramer as well so perhaps he may have some insight into the suitability of the Mojo for the Vita). I did consider picking up the Native Wave as well but I feel like this is already a gamble. Perhaps youll end up reviewing it and Ill regret my hesitation upon you findings On another note, I have been following your website for so long now, I feel like Im part of the family, hahaha. You helped me build a very nice core system consisting of Zu Druid MkIV and Melody 2A3 amp which Ive used for 8 years now with rare itches for upgraditis (except when I look at pictures of the Boenicke speakers lust). Instead, I have been tweaking it with tube rolling, cable changes and supports and the odd modification. Lately, I have added the Taket Batpure super tweeters (CDN 80 shipped) that Marja and Henk were impressed with and I am a little shocked by its effficay with the Druid. My initial thoughts are that it seems to lure the Druid out of the shadows and create a more saturated and focused midrange as well as a more voluptuous soundstage. Overall, I would say this positively highlights the Druids tendency towards a live sound. I unhooked them for a few days to do some cleaning and was surprised by the loss of life in the music. I look forward to doing some more onoff comparisons of these remarkable little drivers. Now, if I could just afford one of those Zu Submission subs. Anyways, I hope your move goes well and I look forward to further dispatches from the Emerald Isle Kind regards, James Hulsebosch In effect, USB 2.0 just means better than 2496 (and drivers for Windows). Ive not personally heard the Mojo but would trust Edgars assessment implicitly. Unless he specifically said USB 1.0, Id assume that the Mojo does 2.0 no sweat. For money and size, that seems the DAC to beat. Id gotten a note by the Vita people requesting news coverage but since we dont do crowd-funded items, not published it. So now you will be my inside man to report back how this project shakes out. And yes, a good super tweeter can have unsuspected benefits that mess just a bit with the head. With the pennies TakeT charge, theirs is a good entry into the genre. Happy to hear it works so well on the Druids. Weve landed last Friday and are 90 unpacked. Another week and well be fully up and back to business as usual. Though with the views, Id hardly count it as usual. Havent made any sound yet but later this week Ill flip the switch and see what needs doing. Cheers, Srajan Maybe even the electricity will be more green in Ireland too The air will be more damp, the house made of different materials. Will be interesting to hear how it all sounds once your metabolism settles after the changes. Savour it all I plan to follow your example but deciding where is tricky, mainly because current house meets many requirements already. Chris Skelton Well, Srajan, I stand corrected. I sent you an email expressing my concern about the Job INTegrated being quoton parquot as you said, with the Metrum Hex, passive preamp, Job 225 and those quotdamn expensivequot interconnects between them. I finally pulled the trigger on an INT, burned it in for a whil, and have been enjoying the hell out of it ever since. To be honest, when the evaluation began, I tried listening for inferiority vs the separates. However, track after track I was left shaking my head in disbelief. The INT leaves me wanting nothing. Obrigado. Luka Kostrencic You made a good choice. Thank yourself -:) Srajan Srajan, You have reviewed many famous and expensive cables. Any reason for keeping a complete loom of Zu Event now Is expensive cable another myth Or simply does the extra money not justify the improvements I have the top models from Stealth, Kubala Sosan and Sablon. Really curious about your view on high-end cables. Thanks, Yu Bai I wouldnt call expensive cables a myth per se. Some can be very good but so can their cost be truly heart stopping. Considering that I need multiple 6-metres runs, 6-metre long power cords, despise thick unflexible snakes that airlift lighter gear and cant justify expense out of all proportion with the actual ingredients. the Zu Event has emerged as my go-to loom. Other cables may have been a bit better here or there but overall, Ive never been disappointed going back to the Zu. Since I own a complete loom with all the lengths I need, its never occurred to me to replace it all with something new. And I dont need cables which colour the sound according to some designers notion on quotmore beautifulquot. From that perspective, yes, a lot of expensive cables can be a myth in that their delta of better often is mostly different or, if better, smaller than I consider reasonable. Finally, I have no use for monstrously big connectors, chrome-plated cylinders, cable power supplies, embroidered silk sleeves and the rest of it. Cables as status symbol arent my thing. Srajan Steve, I was pleased to see your review. I purchased Sunils NY Audio Show demo Bastanis Mandala Solos and have been working to dial them in. Sunil, btw, is a great guy with a tremendous work ethic I happen to use a Border patrol amp. Not a SET like you reviewed before rather a P21 EXD pushpull. I like the pairing with a quad set of EML 300B even though I understand that the P21 might not be able to get the best from the Bastanis and the Mandala might not be the best at showing the amps full prowess. I tried Dayton 1000s and a pair of Bel Canto class D amps and settled on BenchMark AHB2s in bridged mono for the subwoofers. A DEQX HDP-5 serves as a crossover and does room correction duties. I have to agree: in my limited experience, the speakers do some amazing things. It has been quite a paradigm shift for me, having moved my Merlin Black Magic VSMs into my downstairs solid-state system. I am using metal spikes under the speakers now and may try other types of footers at Roberts suggestion. I am also experimenting with items between the subwoofer cabinet and upper portion, the current favorites being Agora Acoustics Magic Hexa feet. Have you experimented in footers at either location Another tweak I am trying out on the speakers are RSP901EXs from SPEC. Its too soon to tell their true abilities, but they show promise. Best regards, Dave Derrick Btw, recently a famous Chinese audio reviewer compared the Aqua La Scala MKII, Chord Dave and Prism 8XR converters. He clearly chose the Aqua as the best :-) Yu Bai Hi Srajan, Last November I strongly considered buying a Mandala kit. By the way, I live in northern California. Mr. Bastanis has two representatives in North America. One in Canada and one in New York. Both are very distant and one across a border. For that reason they would not be able to offer me any auditions or setup service. And without that, all their involvement did was increase the cost by nearly 100. After some extended back and forth with Mr. Bastanis by email explaining to him that for me, his North American reps were pretty much worthless, he agreed to sell to me directly. Mind you, I still needed to find a local cabinet builder, source my preferred materials and figure out a way to power the sub and configure it in the system. The cabinet making and materials I was able to do without too much trouble, although I wont count the time devoted, even though time spent does have a monetary value. I did this mainly because I felt the dealers did nothing more than take a middleman cut, raising my out-of-pocket cost significantly, while my choice to take time to do the legwork myself was voluntary and free. I undertook this purely based on reviews of Bastanis speakers(particularly on 6moons). Unfortunately there was simply no way to audition them in California. I was seeking an open baffle design that successfully dealt with the standard known OB issue, and was of sufficiently high efficiency to work with low-power SET. To me that was a key element of the benefit of open baffle. Remember, all this without an actual in-person audition. I felt enough trust in the reviews (and reviewers) that I could make this leap of faith and it would work out as hoped. Whether the Mandala would set up well in my 4m x 6m room and appeal to me and work well with the other components I already owned was a big question that could only be answered by actually doing all this and paying the cost and finding out after fully making both the time and money investment. Bastanis are fairly unique as far as I know. Most widebanders are 6 to 8-inch drivers in backloaded horns. Who makes a high efficiency flat response 12quot widebander in an open baffle with a dipole super tweeter with a crossover consisting of a single capacitor And then creates a sub design to complete the bass but leaves the particulars of that undone It was the powering and configuring of the sub that undid me. If one is seeking the purity of a SET and no power-sucking crossover and real music bass as this design attempts to do, then one does not want class D plate amps or very expensive solid-state power amps or active digital crossovers or have to try to figure it out anyway. Attempting to do this was an exercise in frustration at nearly every step. The dealer markups were ridiculous, adding zero value, the suitable options to achieve the overall goal of compelling OB bass that blended perfectly with the other 90 of the musical spectrum was extremely difficult to figure out as a music loving end user without a team of experts on hand. All Mr. Bastanis needs is to get a solid class AB plate amp (not class D) with simple controls (to dial it in situ) and sufficient power as so many other high-efficiency designers have built into their full-range designs. The need is not for dealers building the kits for you. All that does is increase the cost and take away the kit option. The need is for a complete kit. To read that he is seeking to take away direct sales in favour of a very small number of mandated middleman dealers is enormously frustrating as it essentially doubles the cost of the same performance quality for those who can build or have built the cabinetbaffles themselves. Best Regards, Ned Hoey I would fully agree on the need for a complete approach andor kit. Voxativ have a high-efficiency powered subwoofer, so do Rethm. Apparently thats coming from Bastanis too, either by way of a vetted recommendation or by branding their own bass ampxover. Your bass frustration mirrors that of our reviewer and explains why his writeup was as delayed as it was. He did, however, end up with a workable combination he found to sound very good. Its all back to an unusual approach which, presently, hovers somewhere between DIY and small specialty dealer network. As you see, our next emailer Fareed made pretty much exactly the same point. Srajan I did read the letter from Ned Hoey in reference to his experience with a New York dealer (me at Beauty Of Sound) and the Canadian dealer that we are quotworthlessquot. He must not understand the nature of distributorship and the need for a certain percentage of markup to cover expenses such as show costs, import duties, taxes and shipping costs. He never heard a demo of the speakers and all I did was give him hours of service over the phone. I feel this letter is damaging to my business and I would like it if you would remove it. Thank you for this consideration. Bill Demars Beauty Of Sound We dont delete letters as this would equate to censure. However, your view point is expressed as well now by having been added. I consider his opinion valid given that he lives in California whereas you do business out of New York -:) Srajan Hey Srajan, strange detours those were, by your contributor Steve, to get the bass to work properly on the Bastanis. I would have thought such a situation would categorically preclude an award I felt that the product was incomplete. It was left up to your man to make it work. Isnt that well outside common protocol Fareed Bastanis are different. Theyre essentially kit speakers. As Steve reported, later this year the current dealerdistributor network is required to have their own wood shop solutions. This will offer a turnkey product including a properly vetted bass ampcrossover. Given Steves breadth of experience across four Bastanis models, Im perfectly comfortable with his decision to single out the Mandala for an award. Its the results which count. In this case, his accounting should save fellow travelers a lot of detours until the official Bastanis bass ampxover recommendation emerges. When it comes to awards, its the writer who actually heard the product who gets to say so. If I didnt trust my writers with that decision, I wouldnt have them on staff. It would have been strange to withhold an award until Bastanis issue a formal sub amp recommendation which we already know is coming. Steve ended up with a combination whose performance impressed him as much as he described. And. I agree with you that this was an unusual scenario. Preferably wed have come in afte r everything was fully finalized from the manufacturers side. Srajan